Monday, August 29, 2022

Harry Potter and the Acceptance of Death

 

Last night, I finally finished Eliezer Yudkowsky's fan fiction series, Harry Potter and the Methods of Rationality. It truly is a work of genius that should be recognized alongside the original series. It should be acknowledged that Rowling, for all of her talents with comic dialogue, mystery, and crafting a world you would wish to visit, had a weakness when it came to crafting magic systems and thinking through the implications of a power once written into canon. One can think of Yudkowsky as a satire on the original and an attempt to fashion a smarter version. 

Yudkowsky uses his alternative version of Potter as a means to talk about rationalism. It is to his credit that he is able to write a deeply ideological work of fiction without his message dragging down the entire story. It helps that becoming a rationalist superhero is actually something difficult to accomplish. You cannot snap your fingers and become a rationalist even if Yudkowsky's Harry does do quite a bit of finger snapping. Contrast this with accepting the non-Puritan version of Jesus as your personal savior or deciding to "follow your heart." Such ideologies make for boring fiction because there is no real obstacle that readers should take seriously. All the main character needs to do is get over themselves and do what they, deep down, really wanted to do all along.  

Furthermore, Yudkowsky deserves a lot of credit for his handling of Draco Malfoy and Professor Quirrell. Yudkowsky's Malfoy is not simply a bully but a smart kid, who has been raised by a terrible parent, Lucius Malfoy, and the wider society of Death Eaters to believe that non-purebloods are diluting wizarding magic and risk causing magic to disappear from the world. There is something highly relatable about him as he is introduced by Harry to science as something that forces him to think in ways completely contrary to how he is used to operating. Specifically, Malfoy has to come to terms with the notion that there is an objective reality that will not change no matter the rhetorical arguments or threats he makes. I would not say that Malfoy becomes a good person in the end, merely a less evil one. 

Rowling never bothered to develop Quirrel as a character. His function in the Philosopher's Stone was to be the butler, a character sitting off to the side that the reader does not really pay attention allowing them to become the surprise villain. When I first read the book back in 2000, I had to stop to remember who Quirrel even was. Yudkowsky's Quirrel is a brilliant teacher with a clear dark streak who becomes the primary mentor for Harry. Ultimately this also allows for the development of Lord Voldemort as someone with a plausible appeal. (The revelation, in the end, about Quirrel mostly parallels Rowling.) 

There is a major philosophical difference between Yudkowsky and Rowling that I wish to call attention to. Essential to the Rowling version is an acceptance of death. Already in the Philosopher's Stone, we are introduced to the idea that Nicholas Flamel would allow the stone to be destroyed even though it will lead to his death. This sets up Harry's actions at the end of the series where he overcomes the temptation of the Deathly Hallows and ultimately gives himself up to Voldemort to die. Voldemort, by contrast, is someone who flees death (something hinted at in his name). He made Horcruxes to keep himself alive, has Quirrel drink unicorn blood, and tries to steal the Philosopher's Stone. 

Voldemort only cares about his continued existence and therefore refuses to recognize the possibility that there are principles worth dying for. As such, he is unprepared for Lilly Potter being willing to sacrifice herself even though she had no reason to assume that her death would actually save baby Harry. Ultimately, this sets Voldemort up for being unprepared for people being willing to sacrifice themselves in opposing him even after he has taken over wizarding Britain and resistance is futile.  

Voldemort's pursuit of immortality is connected to his lack of any kind of friendship. Voldemort, even as Tom Riddle, is self-sufficient. He does not need or desire other people. The Death Eaters are servants to be used. He does not care about them nor does he rely on them unless forced by circumstances. If Voldemort is someone who is going to go on forever then there is no reason to attach himself to people who might live on after him. By contrast, Harry is distinctly dependent upon others, mainly Ron and Hermoine. There is no pretense that he could succeed on his own or that he is of ultimate importance. This allowed Rowling to plausibly sell Harry's death in Deathly Hallows. It would not have been inconceivable for Ron and Hermoine, helped by Neville, to finish Voldemort off without Harry.  

It should be noted that Rowling was fairly open-ended when it comes to the afterlife. Not even Dumbledore dares to claim that there really is life after death. Rowling's point was that death should be accepted with courage and part of that courage is not knowing that there is anything to look forward to. Nearly Headless Nick expresses regret for hanging on to the sure thing of life as a ghost instead of accepting what lies beyond, regardless of what that might be. One thinks of the example of Socrates agreeing to drink hemlock rather than violate his philosophical principles while not knowing if there is an afterlife or just an eternal sleep. 

Yudkowsky devotes much of that later part of his work to attacking this view. Harry refuses to believe in souls even when confronted with ghosts. The mark of the fundamental failure of the wizarding world in general and Dumbledore in particular in living up to the standards of reason is that, even with all of their power to violate the laws of physics, they have failed to eliminate death. Essential to Harry's ability to fight dementors (who become exponentially scarier in Yudkowsky's hands) is that Harry recognizes them as death and as a blight on the world that should not exist and that he will one day eliminate. This opposition to death eventually sets the ending with the Philosopher's Stone.  

To respond to Yudkowsky, it should first be acknowledged that it is a positive good to extend the human lifespan through advances in medicine. It is reasonable to imagine that future generations of humans will be able to live hundreds or even thousands of years due to superior technology. This is distinct from immortality though, presumably, longer lifespans will delay the development of a true awareness of death. As a kid, I had a difficult time imagining myself as an adult. Part of becoming an adult is an ability to imagine oneself growing old and then dying. 

I do not wish to dismiss immortality as a good thing. If someone were to offer me some, I certainly would not be able to resist the temptation. It may be possible to imagine a morality for immortals. That being said, our morality rests on the deeply rooted assumption that we are mortal. Being mortal forces us to consider whether life might have a higher meaning that will go on after us. This can be as part of the divine mind or the walls of Uruk. 

This affects how we relate to other people. We are social beings who aspire to be part of institutions that will live on after us. Part of being a parent is the recognition that you will eventually grow old and die. Instead of trying to be the main character of your story, your job is to be an important side character in someone else's story. To truly embrace this perspective, you cannot try to live through your children but, instead, must accept that your children will be different from you. Your job is not to create a clone of yourself but to equip another person, with their own identity, with the tools they need to achieve greatness. Perhaps your job is to read Harry Potter to them and then start printing off chapters of Methods of Rationality and reading them as well. 

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