For the past forty years, Yerachmiel Begun has led the Miami Boys Choir, one of the most successful musical groups in the Orthodox world. It will come as a shock that all of this has been cover for Begun's lifelong dream to write a vampire musical. Many of his beloved songs have really been describing scenes for this musical. The key for reading these songs has been to recognize that references to the night are really about vampires and daylight has been the rejection of vampirism in favor of a non-antinomian Torah lifestyle.
The musical opens with the singing of "V'he Shamadah" in the background as the narrator explains that the great enemy of the Jewish people has always been the vampires, who, as immortal beings, have been able to survive from generation to generation to try to destroy us. This war goes back to vampire Laban, the Aramean who "destroyed" our father Jacob by turning him into a creature of the night. This, though, was part of the divine plan to allow Jacob to survive the bite of vampire Esau. Jacob's neck became sparkly rock hard (like a Twilight vampire) and cracked Esau's fangs. The righteous Jacob was unique in history in being able to become a vampire and not lose his soul. (He did not even need a gypsy curse to put it back.) This is indicated by Rashi's comment that Jacob lived the life of a vampire like Laban, but still kept the commandments. Jacob survived as a vampire, which explains the rabbinic statement that "Jacob never died." Who else, besides for a vampire, does not die even after they are buried?
Down through the centuries, Jacob has guided his children in fighting vampires. The vampires, seeking revenge against Jacob, have waged a never-ending campaign to destroy the Jewish people by inventing anti-Semitism. It was a vampire intelligence that came up with the idea that Jews need blood for their matzah. The vampires' efforts culminated in the Holocaust. (As we know from the novels of Dan Simmons and Guillermo del Toro, the vampires were allied with the Nazis.)
With the defeat of the Nazis and the near destruction of the vampires, the Jewish people appeared safe. The following decades saw enormous growth within the religious community. Unfortunately, a new phase of the vampire campaign was about to arise as the vampires realized that contrary to their original experience with Jacob, Jews made particularly effective vampires. For one thing, Jews are immune to crosses. (See the example of vampire Fagan in the novel Artful.)
These sentiments are expressed in the song "Torah Today." A rebbe leads his class in this song of Jewish success, but, in an ironic foreshadowing of the horrors to be revealed, their statements hint at the true connection between Judaism, antinomianism, and vampirism. The fact that the children do not appreciate the true meaning of what they are saying demonstrates how spiritually unprepared they are for the vampire onslaught.
Distant memories of a time not long ago
The Jews in this period of vampire free sun rejoice even as they mourn the loss of pre-war Europe. What they fail to understand was that, even then, there existed the spiritual rot of antinomianism indicated by the term "true tzadikim." Whenever you see a seemingly superfluous adjective in front of some virtuous position, you know that you are dealing not with the virtue but with its antinomian rejection. For example, why would anyone use the term "social justice?" Is there a kind of justice that is not social? The reality is that justice, with its claims of property and individual rights, often does not satisfy certain people as it does not allow them to redistribute property as they see fit and force people to comply with their utopian blueprints. The solution is to reject justice in the name of a higher ideal of doing whatever you happen to feel is right at the moment. Advocates of social justice believe that the only way to truly be just is to commit injustice and reject individual liberty. From their perspective, they are the ones who are truly just and defenders of justice are really the ones who are unjust.
Similarly, how can you talk about a "true tzadik?" Is there a "fake tzadik?" As with social justice, a conventional tzadik is held back by keeping to the letter of Jewish law. A "true tzadik" understands that Torah itself holds up the world and negates the actual practice of halakha. So the only "true" way to learn Torah is to do so while eating a ham sandwich. Such learning makes a particular sound that grows as the tzadik takes pleasure in contemplating this righteous paradox. Any Torah scholar who balks at such a "holy" deed is simply a "fake tzadik."
These secretly antinomian Torah scholars so beloved by the Jewish people, realizing what lay behind the Nazis, embraced the vampire ideology as the true fulfillment of everything they ever wanted to get out of Judaism, power, and immortality (in this world no less). This explains why their bodies vanished and were never found. These rabbis, having come to their vampire maturity, are now set to bring about their version of the messianic End of Days by turning the Jewish people into a vampire army and destroy the world. This is indicated by the lines:
We've set our hearts to form a plan
Who but a vampire can be unrelenting in plotting for the future?
In describing the transition from rabbi to vampire we are told:
Their life is learning they strive with great intensity
These antinomian rabbis in life only cared about Torah and not about morality. In fact, rejecting morality served to demonstrate their superior commitment to Torah. So, on a certain night, they gathered together to reject morality in the clearest way possible and became vampires. This allowed them to stand together with a unified hive mind knowing that, being immortal, time was on their side and they will be able to take over the world.
(To be continued ...)