Alice in Pretentious Artsy Self-Satisfied Modern Bigotry Land (Part II)

(Part I)

I wanted to scream at the audience around me: don't you people understand. This society of nineteenth-century Victorian England was one in which the vast majority of people, except for a narrow elite, lived in a poverty that we cannot even imagine. Do you know what it means to have a society in which starving to death is a real issue? The only thing saving our elites from falling in with the wretched masses is the force of tradition. Anyone who plays with convention is pulling at the spider's web that keeps not only them feed but everyone around them. I would like to see you tolerate such a person. This was particularly true for women, who were limited in their labor prospects and lacked the sort of education that might have allowed them to hold well-paying jobs even if society let them. Can you imagine the position of a widowed mother, living with the trappings of wealth and its expectations, knowing that without her husband to support them there is nothing to stop her and her daughter from sinking into abject poverty? And by poverty we do not mean food stamps, but the slow demise over years due to malnutrition and disease as you work yourself to death. The only thing saving this person is the prospect of a good match. How dare you any of you smirk or feel superior when such a person decides that whether her daughter is in "love" might not be of utter importance.

We now move from the film's pointless introduction to having Alice fall down the rabbit hole into Wonderland. My father often likes to say that comedy is the hardest genre to perform. Comedy is an either/or proposition. Either you are funny or you are not. There is no in-between or partial success. With drama you can always hope to salvage something even if the project fails as a whole. Humor is not a science; it is something that happens sometimes, but cannot be created at will. You can have genuinely talented people who get out there and, through no one's fault, the material just does not work. Without a question, there were some talented people in this production. The team of Tim Burton, Johnny Depp and Helen Bonham Carter is nothing to be laughed at. (Just watch Sweeny Todd.) There is no logical reason that this team should not have once again produced something absolutely magical. Except that for some unfathomable reason the material just failed to click.

This failure may have had something to do with the fact that, as Lionel put it, they tried to mix whimsical fantasy with epic fantasy. It was not enough that Alice should explore this strange and downright psychedelic world; the film also had to have her go on a quest to defeat the Red Queen, restore the White Queen to her rightful place and defeat the Jabberwocky. Tolkien just does not go with Carroll. This could have still worked as tongue and cheek. The problem is that of all comedy, I would argue that tongue and cheek is the hardest. For tongue and cheek you have to succeed on two counts. In terms of comedy, you still have to actually be funny and as drama you still need to produce characters who make sense and whom the audience connects with on a deep emotional level. One can always try to cover trash by saying that it is only meant tongue and cheek. Saying that something is meant only tongue and cheek can in no way be an excuse for bad writing. I have so much respect for people like Joss Whedon, J. K. Rowling and Stephenie Meyer who use tongue and cheek and make it work. To all those who turn their noses up at their work as popular entertainment that "anyone" could do, I say give it a try.

I could not end this without saying something about what happens back on the top side of the rabbit hole once Alice comes back to her Victorian world. She rejects her upper-class twit of the year and approaches her father's old partner about a really radical business venture, trading with China. Someone needs to offer the writers a history lesson and explain that even our stuffy Victorians were up to trading with China; there was nothing radical in the nineteenth-century about such a prospect. The West even fought several opium wars to open China to western trade. Even people in the Middle Ages were imaginative enough to try trading with China. This was how we got Columbus accidentally discovering America in the first place.

I really wanted to like this movie. I was waiting for it since I heard about it this past summer. I even had a poster of it up as my desktop background. (This proved to be a mistake as some of my little Haredi cousins wanted to use my laptop and started screaming about the not "tznisudic," immodestly dressed, girl in the picture.) However much I respect the people behind this film, it was a failure and not even having it in 3-D could save it.

Sparkly Fairy Vampire Princess Versus Puppy-Eared Half Demon

Recently I have gotten into the Japanese anime show InuYasha and have been watching it on Hulu. It is about a school girl named Kagome, who is transported, Lion, Witch and the Wardrobe style, to medieval Japan, which functions as a Narnia fantasy world complete with all manner of magical creatures. She has to team up with a half-demon warrior named InuYasha to recover the fragments of a sacred pearl. These serve as lots of little rings of power. Along the way, they gain for allies Shippo, a cute half-fox kid, Miroku, a sleazy monk and Sango, a demon hunter wielding a giant boomerang and a giant flying kitty. They take on a host of villains such as InuYasha’s older brother, Sesshomaru, the resurrected priestess Kikyo, who broke InuYasha’s heart and left him skewered against a tree for fifty years, and the ultimate villain, Naraku, who is less interested in killing our heroes as using them to further corrupt the pearl. I think of Naraku as a less sophisticated version of Lord Foul from The Chronicles of Thomas Covenant the Unbeliever. The plot that you see it really bait to fall into the real plot, which is usually more interesting than simply kill the good guys.

The person who recommended InuYasha to me also happens to be a fierce opponent of Twilight, who finds Bella to be too passive and Edward to be down right abusive. I find this strange because I find myself liking InuYasha precisely for the same reasons why I liked Twilight. For me, the main draw of Twilight was normal girl Bella being thrown into this horror fantasy situation of having vampires and werewolves as the chief men in her life. Bella is never fazed by anything and insists on playing the comic straight as she applies her normal person logic to her supernatural life, taking everything to its logical absurdity. The fact that Bella has an incredible level of control over Edward and Jacob, despite not being "powerful" in any conventional sense is itself a form of fantasy wish fulfillment empowerment. Similarly, Kagome applies her school girl logic and concerns about homework and tests as she runs around her fantasy medieval Japan with her puppy-eared half demon in tow, while going questing after magical objects. She has her perfect magic boyfriend to have go fetch and literally say "sit" to. InuYasha, like Edward, might be verbally abusive, but it is in a sulking charming schoolboy sense and made up for by romantic daring and witty back and forth dialogue.  

Like Stephenie Meyer, but working long before she came on the scene, Rumiko Takahashi seeks to overturn the action superhero genre and render it into something more likely to appeal to women. She does this in two ways. First, she places a female as the central protagonist and tells the story from her perspective. It is interesting to note that this does not mean that the female character has to be empowered. Both Kagome and Bella are fairly passive characters, though Kagome is less so, surrounded and protected by more powerful men. Just as with historical narrative, the mere fact that a female is granted narrative goes a long way to neutralizing misogyny. One can take the same patriarchal story, but simply by giving the female narrative you have made her an active figure and ultimately allowed her to gain a level of humanity. Second, InuYasha, like Twilight, takes the action genre and turns it into a tongue and cheek romance. What looks like a blood and violence story is revealed to be a love story as the monster is rendered with a hidden soulful side that yearns to love and be loved in return. Thus the "male" paradigm of power and violence is defeated by "female" charm, empowering not just the seemingly passive female protagonist, but the feminine as a whole. 

    

My Escapades around Oxford (No I Have Not Been at the Center of Any International Intrigue)

I have fallen head over heels in love with the city of Oxford. Heaven should look like it. Oxford may not be a beautiful city in the conventional sense, but it is old, historic and the academic city that every other academic city wishes it could be. In other words, my kind of town.

While walking about I ran into a former professor of mine, James Bracken. I was really surprised when he introduced me to his friend from Gustavus Adolphus College in Minnesota (If only Gustavus had been Norwegian and not Swedish we could have had the perfect Garrison Keillor Minnesota stereotype.). Dr. Bracken actually managed to remember the paper I wrote on Christian Hebraism for his History of the Book class. We promptly did the sacred letters, O-H, to demonstrate Ohio State’s kinyan, ownership, of this land. (We did not have the manpower to perform the I-O, but I am sure Coach Woody Hayes up above understands.)

Oxford, like Columbus, has a Broad and a High Street. So I think this makes it a very ripe target for my brand of academic imperialism.

A few posts back, I discussed Terry Eagleton and his Marxist beliefs. If anyone has any doubts about that, Eagleton is listed as a speaker at an upcoming Marxist rally.

I walked into a Borders here at Oxford. It is good to feel some of the pleasures of home. Stephenie Meyer and her Twilight vampires are clearly a hit in this country as well.

I got this picture of myself next to posters for the upcoming performances of Shakespeare’s Comedy of Errors and Roald Dahl’s BFG. Between Shakespeare at his worst and Dahl at his best, I think I am going to go with Dahl.

I managed to befriend some of the workers at the theater pub. They were Dahl fans as well and believed in the continued relevance of Dahl in saving the world. We also got to talking about Disney and Monty Python. There was a girl in the group; she was intrigued by the fact that I was an American. She had not spoken to any Americans since the election and wanted to know what I thought about Barack Obama. That was a tricky one for me as I am part of the small minority of my peer group that does not support Obama, making me a very poor sample. I started dancing around the issue, explaining that I liked Obama as a person, but I had problems with many of his policies. In the end, I told her point-blank that I was a Republican, who voted for McCain, though one who is not happy with the party, mainly because it had been taken over by the Christian right. I furthermore explained that I was a Libertarian and elaborated on what that meant. She seemed satisfied with my response. In my experience, most people become very open to Libertarianism once you explain to them what it is. Libertarianism has a lot to offer, particularly if you are a well-educated person, working hard to make ends meet, who enjoys the occasional beer and hand-rolled cigarette.

Sitting around in the Oriental Studies library, I came across an essay by David S. Katz, “Edmund Gayton’s Anti-Jewish Poem Addressed to Manasseh Ben Israel, 1656.” [JQR 71(1980-81)] This essay deals with a series of rumors, circulated by royalists, while the issue of Jewish readmission into England was being debated, that the Jews were negotiating with Oliver Cromwell’s government to buy St. Paul’s Cathedral and the Bodleian Library, the main library at Oxford. Apparently, the Jews offered 500,000 pounds but Cromwell wanted 700,000-800,000 pounds. I showed this to the librarian and he got a good laugh.

Now, this is a plot that I could go for. So here it is for all you members of the Elders of Zion. I am not interested in taking over banks or Hollywood; what I want is the Bodleian Library. Well, the Bodleian and the rest of Oxford. The Bodleian can be my castle and the rest of greater Oxford can be my personal feudal kingdom, which would give me the Yarnton Manor as a summer/plague retreat.

Twilight at Midnight

I caught a midnight showing of Twilight. The theater was packed, mostly with girls. I asked the person sitting next to me what she thought the female to male ratio was and she said 20:1; that seemed about right to me. It was great seeing the movie in a theater packed with hard core fans; it was incredible how almost every move and grimace Edward and the rest of the Cullens, made from the very beginning, got laughs. You had an audience that was clued in to the Cullens and what lay behind them. This was certainly a movie for the fans; I am not sure that those unfamiliar with the books would be so quick to appreciate what all the fuss is about. Considering the size of the fan base and the fact that this movie was made for less than forty million dollars it is fair to say that Twilight, like Lord of the Rings, the Chronicles of Narnia and Harry Potter, is one of those rare film adaptations that could succeed merely by relying on fans of the book.

As someone who absolutely loved the books, I was concerned about the film. Twilight would be a very easy book to butcher. All one would need to do is let it slide into a generic action/horror movie and abandon everything that made it special. The books had truly charming characters; to bring that to the screen one would need a good script and, even more importantly a cast of highly skilled actors. The screenplay was a model of a faithful intelligent adaptation, true to the book in spirit and basic plot while still willing to make those necessary minor changes for the sake of pacing and to tighten up the story. The biggest change was bringing James, the chief villain, in early in the film instead of having him wander into the story towards the end. James and his associates, Laurent and Victoria, get to kill two people in the Forks area. One has a far greater luxury when dealing with a book to allow a story to simply meander, without a clearly focused plot. The first Harry Potter film made the mistake of not doing something similar with Lord Voldemort; they chose to remain faithful to the book and kept Voldemort off screen until the very end. This took away much of Voldemort’s effectiveness and took away what could have been a much needed rudder to give the film some sense of plan and purpose. This is funny because unlike, the young stars of Harry Potter, Kristen Stewart and Robert Pattinson (He played Cedric Diggory in the Harry Potter films.) prove to be more than up to the task shouldering the film.

This brings us into my second point, namely how good the acting was in this film. To take a step away from Stewart’s and Pattinson’s Bella and Edward, this film has a surprisingly rock solid supporting cast. One of the weaknesses of the books was that Stephenie Meyer (Who makes a cameo appearance in the film as a restaurant patron.) wrote really shallow human side characters. With the exception of Bella, all of Meyer’s non werewolf and vampire characters come across as cardboard cutouts. Bella’s human friends, Mike, Jessica, Angela Eric and Tyler, are remarkably dull and serve merely as fillers to the story, giving Bella some sort of life outside of Edward. Bella’s father Charlie serves mainly to be clueless about her and Edward’s relationship, particularly about the fact that Edward regularly spends the night with her. Bella’s mother, Renee, lives in Phoenix, and is nothing more than a scatter brained eccentric on the periphery of Bella’s life. The actors playing these parts, though, manage to create real characters. Maybe Meyer could afford to let these characters fall by the wayside, but these actors took on these roles and played them for all they were worth. Particular mention should be made of the actor who played Mike Newton. I particularly disliked Mike in the book; he is nothing but a jock and the fall guy, who never really stood a chance of getting Bella. He was played in the film as a bit of a geek, but really sweet. The actor who plays the role is Michael Welch; I have never seen him in anything else, but I will definitely be keeping tabs on him to see what he does in the future. I knew I recognized the actress who played Renee, but I could not place her until it hit me that she played Nina Myers in 24. She manages to do quite a bit with the little she was given. (If you really want to see her in action, watch Season One of 24. You will love her up until the end than you will hate her guts.)

The Cullen family was great. I particularly liked how they played Emmett. This is another example of someone who took a throwaway roll and made something of it, not even by speaking but just by being a presence on screen. I liked Alice, but unfortunately they did not give her much to do. The baseball scene was surprisingly good. For a movie with this sort of budget they managed to bring something that was visually quite interesting.

At the end of the day this is Stewart’s and Pattinson’s film and they shine as Bella and Edward. Neither of these are easy roles. For Bella you needed someone who could play a comic straight, one of the hardest things to do in acting; how does one be funny without obvious life lines? Bella needed to be pretty but real, someone who does not look like they spent hours working on themselves and believably dresses like someone living on the budget of a daughter of a small town sheriff. I was hoping that the film would follow the books and keep itself firmly centered on Bella. I even had the idea that they should have Bella narrating the story. This they did. Edward had to be charming, but scary. Edward goes through a lot of mood swings, something not that far off from manic depression. This has to work as a coherent whole and not collapse into “I love you/I hate you.” Pattinson never succeeds at making Edward scary, but he gets off on all other accounts. He is to die for charming and one is willing to buy into him as a manic depressive as applied to a supernatural being.

All in all, I do not think I could have asked for a better Twilight film. Anyone who was a fan of the books is going to love this film. If you have not read the books, I would suggest that you read them first. Alternatively maybe watching the film will show you what you have been missing and get you to open up one of the real literary treats of the past few years.

A Blog to Take Over the World (Part II)

(Part I)

Take, for example, one of the more polemical posts I have written, my discussion of Rabbi Shmuel Kamenetsky and the speech he gave in honor of my grandfather, which some might see as contradicting my previously stated ethos. Admittedly I received a lot of criticism for that post from people who saw it as a personal attack on Rabbi Kamenetsky. That was not my intention. For one thing, this was hardly a full-on vitriolic, foaming at the mouth assault. I did not accuse him of being a child molester or of helping child molesters. I did not question his patriotism to this country or his love of the Jewish people and Israel. I even praised him as a good speaker. My only qualm with him was that I thought it was the wrong speech for the audience and it was delivered in a manner that was ill-suited to the circumstances. In the end, I questioned his ability to be a leader of the entire Jewish people. As far as I am concerned the last part was not even a criticism of him at all. He is the head of the Philadelphia Yeshiva, a position he is well qualified for, and he is not trying to be anything else. For that matter I myself am not cut out to be a leader of the entire Jewish people and, while we are at it, I am also not qualified to be an Olympic athlete, an astronaut or the president of the United States. This is not an act of self-criticism; it is simply a statement of fact. In the end, the real target of this post was not Rabbi Kamenetsky, but those who would seek to put him on some sort of pedestal and declare him to be the leader of the Jewish people.

In essence, this post, like many others, was anti-Haredi. Haredim serve as a Demosthenes for me; they represent an ideology that I can counter. Also, there is a personal element. Since I grew up connected to the Haredi world and to a certain extent I still am today, they are a major dialectical opposition. One of the major issues running through my blog is my attempt to answer the question, why am I not Haredi. (I also confront questions such as why am I not a secular materialist or why am I not a modern liberal.) As such it can only be expected that I would be less than supportive of a Haredi rabbi. That being said there is a very big difference between my "attacks" and the kind of attacks on Haredim you will find in DovBear and Failed Messiah. To put what I said in a different context, I treated Rabbi Kamenetsky more gently than I treated J. K. Rowling, Libba Bray, and Stephenie Meyer when I felt the need to criticize them. Now all three of these authors are people whose work I actually admire. I see myself as advocating for them. I am an intellectually honest person, though, so I am also willing to call out those who I see as one of “my” people when they mess up. I do not see myself as being on Rabbi Kamenetsky’s side so it makes perfect sense that I would call him on it when he fails at something. At the end of the day, though, I kept my criticism of him at a civil and respectable level. Just because someone is not on your side does not mean that you do not respect him. In fact, it is a healthy thing to respect one's opponents. It keeps you intellectually honest.

Here is to the Locke school of blogging. I have been blogging for nearly two years now. I may not have gained much popular traction, but I like to think that I have put out a quality product, albeit one that I am still working to improve on. I have done my best to keep the polemics and ad hominem attacks to a minimum. If nothing else I hope this blog can be something that people of all stripes, even those who may vehemently disagree with me, can read and respect. If anyone wants me to run for world leader, I am busy at the moment, maybe in two or three decades.

Bella’s Wedding, Bedding and Surprise: A Review of Breaking Dawn (Part II)

(For part I see here.)

Book one of Breaking Dawn deals Bella’s wedding, bedding, and the discovery that she, against all possibility is pregnant with Edward’s child. This book is 138 pages. In essence, Meyer took what should have been Breaking Dawn and lopped off the first three-hundred to four-hundred pages to get right to the chase. It skips the engagement and starts right before Bella’s and Edward’s wedding and goes through their honeymoon. I was looking forward to having Bella and Edward being engaged, planning their wedding and have Alice take everything over. We got a hint of that at the end of Eclipse, but I wanted more of that. Also, the lead up to the wedding is precisely the sort of “dramatic” tension that Meyer thrives at: is it a wedding or a funeral? By skipping over the lead up to the wedding, Meyer missed out on what could have been her finest hour.

Unlike Eclipse, which used Alice quite a bit, Breaking Dawn lets Alice slink off to the side. It skips out on Alice planning the wedding. Books two and three also reduce her to bit parts. She gets sidelined with headaches and then, when things get tough, she runs off with Jasper leaving the Cullens in the lurch. Granted this is all about her pulling a very Alice stunt, but I wanted Alice to be Alice at the center of the action. I can only take a certain amount of Bella and Edward. Bella having to go up against Alice balances things out.

As to the bedding part; Meyer has until now been able to succeed, despite her religious beliefs, at writing a love story because she has not needed to write any actual sex into it. She kept things at a place she was comfortable with, which allowed her to write effectively. With Breaking Dawn she has written herself into a corner; she is out of her comfort zone and seems like a deer caught in the headlights.

Book two deals with Bella’s pregnancy and comes out to 215 pages. This book is interesting because it switches perspective away from Bella, which is how, with the exception of the last chapter of Eclipse, the entire series has been written. Meyer turns to Jacob Black, the werewolf. This tactic manages to inject some life into the book and goes a fair way toward saving it. Jacob gets into an interesting and quite Cardian situation with his fellow werewolves, which Meyer handles effectively. The main issue of book two is Bella’s insistence on bringing her child to term, despite the fact that it is killing her. In this, she finds an unexpected ally in Rosalie, the one Cullen who has been against her. Obviously, there is a pretty strong pro-life message wrapped up in all of this. There was one thing that really upset me about this book. Edward, in an attempt to get Bella to give up the child, tells Jacob something that was just weird, really out of character and just plain wrong. I know that Edward is in panic mode, but still. This was just another example of Meyer not being able to handle sexuality past a certain point and getting herself stranded.

At 387 pages, book three is by far the longest and comes close to matching the original Twilight novel in length. This book deals with the Volturi coming after Bella and Edward’s newborn child, claiming that it violates the rules and therefore must be eliminated. The Cullens, in a very Cardian maneuver, get help from the local werewolf population down at La Push but also reach out to every vampire they can get to come, not to fight the Volturi but to “witness” to them, that the Cullens have broken no law. The struggle with the Volturi comes right out of the society building story. The Cullens are a counter society and the Volturi, as the establishment, seek any excuse to eliminate them. This notion of the Cullens and their society-building story is neatly summed up in a little speech that Meyer gives to a vampire named Garrett:

I have witnessed the bonds within this family – I say family and not coven. These strange golden-eyed ones deny their very natures. But in return have they found something worth even more, perhaps, than mere gratification of desire? I’ve made a little study of them in my time here, and it seems to me that intrinsic to this intense family binding – which makes them possible at all – is the peaceful character of this life of sacrifice. There is no aggression here like we all saw in the large southern clans that grew and diminished so quickly in their wild feuds. There is no thought for domination. (Breaking Dawn pg. 717-18.)

Breaking Dawn has its moments and is definitely a worthwhile read, despite my criticisms. I did have high expectations for this book; I hoped that Meyer could accomplish what J. K Rowling did with Deathly Hallows. This was not to be. What we received were three abridged books in which much of what made the Twilight series so much fun had simply leaked out. I still enjoyed Breaking Dawn immensely. Even when she is not at her best, Meyer is still one of the most gifted people in the business and I eagerly await her future work. (Maybe she can do a spinoff about Alice.) This will probably, though, not go into my comfort pile, books, like Harry Potter and the rest of the Twilight series, that I go back to again and again whenever I need a smile.

Oh, and by the way, I am so naming my daughter after the Loch Ness Monster.

Bella’s Wedding, Bedding and Surprise: A Review of Breaking Dawn (Part I)

A while back I came up with a theory as to what Stephenie Meyer would do with the Twilight series. Eclipse left us with Bella agreeing to marry the vampire love of her life, Edward, having survived three books still alive, human and, remarkably enough, still a virgin. I thought of Breaking Dawn as offering a checklist of getting Bella wedded and bedded and undead. My thinking was that instead of going with the obvious ending of having Bella being turned into a vampire, Meyer would go through with the wedding and the bedding, but then have Bella get pregnant, with a human child. (The books never said that vampires could not have children.) Since Edward and Bella are a unique couple, it is perfectly reasonable that the vampires would be unaware that such a thing could be possible. Having a child would change Bella’s priorities. Now she would be determined, one, to protect her child and keep it human and, two, to stay human for her child's sake. The child, once it is born, would be some sort of special genius capable of tipping the balance of power in the supernatural world, taking the series into serious Orson Scott Card territory. The Volturi, the vampire mafia, would come after Bella, her child, and the Cullens. They would be interested in the child and the fact that Bella would now have violated the terms of Alice’s agreement with them (Back in New Moon, Alice explained Bella’s presence with them by saying that the Cullens were planning on turning her.) would give them the perfect excuse. This would lead to the Cullens having to fight the Volturi. To do this they would have to form an alliance with the werewolves and various other friends such as the Danali and Jasper’s old comrades Peter and Charlotte. This would climax in a cataclysmic battle, which would take place, somewhere right outside Forks. I think it is important that an author has the spine to kill off major characters. Hopefully, Meyer would allow for some heavy casualties and kill off a few of the Cullens, Carlisle being a likely target. Meyer might even take out Edward or Bella.

I figured this storyline would take three books to tell. The first book would have Bella getting wedded, bedded and pregnant. It would also establish the Volturi as something far worse then what they seemed until now, some old friends of Carlisle, who went after humans but kept the vampire world under some form of control; a minor evil which stops an even greater evil. The second book would deal with Bella’s pregnancy, the birth of her child and would have the opening rounds with the Volturi, leading to some great crises. Killing off Carlisle, much as J. K. Rowling killed off Albus Dumbledore, would fit nicely. Finally, in the third book, we can wrap everything up with a grand royal rumble of supernatural creatures, with Bella ever in the center and commenting on it all in her unflappable straightforward fashion, which is what makes these books tick.

I nixed this idea for two reasons. The first being that I checked one of the established Twilight websites and it specifically stated in its FAQs that vampires could not have children. I assumed that someone had posed this theory to Meyer and she downed it. The second thing was that I found out that Breaking Dawn was going to be the final Twilight book, so Meyer clearly planned to wrap everything up here and not open up a whole new storyline. While not to give too much away, as it turns out my theory, while not completely accurate, was quite close; so much for that website. As for this being a three-book storyline, Meyer took it and crammed it into one 754 page book. Curiously enough, unlike the previous books, Breaking Dawn is divided into three books, which follow the basic plot structure I outlined. Because of this, I intend to deal with Breaking Dawn as three separate books.


(To be continued …)

The Society Building Story and its Implications for Individualism and Faith

I have written a number of posts dealing with Orson Scott Card, Stephenie Meyer and their use of society building stories in their fiction. Before leaving the issue (for now), I thought I should say a few words to wrap things up. In looking back at my posts on the topic I realized that I failed to adequately explain why I think this issue is so important. Stephenie Meyer’s decision to follow Card’s lead is not a matter of artistic copying but of a shared critique of modern individualism and a shared religious vision.

At its heart, the society building story, in which a small group of individuals, with little reason to care for one another, are thrown together and attempt to build a society with one another, possesses an ambiguous relationship with individualism. If one wanted to be simplistic one could even accuse it of being anti-individualism. The characters start off as relatively independent individuals. The plot turns on their decision to surrender their independence and tie themselves down to the needs of the group. For example, in The Host, Wanderer surrenders herself to helping her community of free humans. With Ender, however strong he might be, he needs some sort of group to give himself up to. This is a far cry from the sort of do it alone heroic individualism at the heart of so much of modern fiction and of science fiction as well. This is not the work of Robert A. Heinlein; this is most definitely not Ayn Rand.

One could even link this to the religious beliefs of Card and Meyer. Card and Meyer are both Mormons, a religious group known for its strong sense of group discipline. Card and Meyer could therefore be read as anti-moderns, whose message is that, to find fulfillment, one must reject the individualism of modern secular society and submit oneself to the demands of the group; much in the same that Mormons and followers of other religions allow themselves to be controlled by the dictates of their group.

In a sense, though, the society building story used by Card and Meyer is strongly individualistic. The characters freely choose to bind themselves to their newly built society. So this act of society building is ironically very much the act of individuals; they could not have succeeded unless they were such strong individuals. Also, this act of society building is done in defiance of some other society. Wanderer rejects the perfect society of the Souls. The Cullen family of Twilight, by their very existence, is a rejection of the Volturi and their value system. Ender’s Dragon army fights the system at the Battle School even as it plays its mock battles against other armies.

This ambiguity about individualism is also at the core of work of Robert A. Heinlein, the father of heroic individualism within science fiction, as well. In certain respects, Heinlein is a forerunner for both Card and Meyer. While Starship Troopers glorifies the individual soldier it is also a remarkable ode to duty and an indictment of modern society’s inability to install a sense of duty and responsibility within its members. Heinlein’s The Moon is a Harsh Mistress can be read as a society building novel itself. It is about a computer led rebellion by the residents of the Moon against the rule of Earth. The people living on Heinlein’s future Moon reject the paternal statism of the countries of Earth and strive to build their own libertarian state. The real struggle in the story is not over whether the people of the Moon can defeat the occupation forces from Earth but if such a diverse group of people can band together as one group.

Card and Meyer are hardly supporters of the sort of polyamorous marriages that Heinlein advocated. Card and Meyer belong to the mainstream Mormon Church, not to one of the polygamous sects, so they are not into alternative lifestyles. As I see it, their use of society building stories has a distinctively religious component to it. Any religious group operating in the western world today operates, to a certain extent, on a similar model as the societies found in the work of Card and Meyer. All religious groups are, in one way or another, counter-cultures. In a secular state, the government cannot be used to advance the cause of any religious group. Even more importantly, in a secular society, the very ethos of the society is contrary to the values of established religions. One can see communities of faith as collections of renegades from the general society who have been thrown together by circumstances other than their personal like for each other and must join together to form their own alternative society.

The society building story as it is used by Card and Meyer carries the distinct stamp of their Mormon faith. Mormonism is a religion organized in a highly authoritarian manner, but also one in which power is closely centered at the base. The Mormon religion does exert a tremendous amount of control over the day to day lives of its followers; members most give tithes to the Church and serve the Church in the field as missionaries. That being said the Church maintains no paid clergy; instead, leading members volunteer to serve for a fixed period of time. What is truly fascinating about how Mormons operate is their system of wards. Wards are small chapters, usually encompassing a single city or neighborhood. For Mormons, wards operate as an extension of the family; there are ward meeting and ward picnics. Mormons fall under the authority of a given ward simply by living in a given area. They do not get to choose who their fellow ward members are; if they do not get along with other members of their ward they do not have the option of breaking away and creating a new ward. (Considering all the fights and splits that go on in synagogues, I can see the advantages of such a system.) So an individual Mormon’s relationship to a ward runs in terms of a society building story. One is thrown in with a group of people that one has no particular reason to care for. In such a situation, there is no other choice but to build for oneself, out of such material, a society, and even a family.

Humans Battling Mind Controlling Aliens: A Struggle of Cardian Proportions (Part II)

(This is a continuation of an earlier post. For Part I see here.) 

Stephenie Meyer’s Host has been advertised and hailed as a story about the triumph of the human spirit. This would be in keeping with the impression that one would get just from glancing at the book jacket. The humans are going to defeat the aliens, right? Wanderer is going to be won over by the individualism of the free humans and reject the communal structure of the Souls, right? The truth is that Meyer has something very different in mind. Rather than a simple freedom triumphing over slavery story, Host is a tale about society-building and of conflicting societies. The Host starts off as being a society-building story about Wanderer and Melanie. They are two strangers thrown together by chance and forced to share not a piece of land but a single body. They have every reason to hate one another. For Melanie, Wanderer is a parasite, who has stolen her body and her life. For Wanderer, Melanie is a voice in her head that should not be there and is an unneeded and potentially dangerous complication in her life. That being said Wanderer develops a strange affection for Melanie even to the point of protecting her from her fellow Souls. Wanderer covers up the full extent of the problem so that the Souls do not simply take her out of Melanie’s body and kill Melanie. In essence, Wanderer chooses her troubled, schizophrenic existence with Melanie over a less problematic existence in some other body. Not only does Wanderer accept Melanie as a part of her life, but she also risks her life in an attempt to find Melanie’s family, a task that has no possible good ending for her. Tracking off into the desert lands of Northern Arizona might get her killed. If the Souls find her they will view her as a traitor. If she succeeds and finds the group of free humans, that she is looking for, the humans will take her what she is, a hostile enemy and a threat. Wanderer’s search for the free human hideout is only the prelude to the main part of the story. 

Not to give too much away but she finds them (they actually find her) by page 117. (This is a 619-page novel.) The rest of the book is devoted to Wanderer’s struggle to become part of this free human society and how she comes to relate to the various residents of this society. Meyer puts Wanderer into a Stephen Donaldson type dilemma. Wanderer cannot play her most valuable card to protect herself and tell any of these humans the truth that Melanie is still alive and well inside her own head. This society survives on the belief that those humans taken by the Souls are gone; that the Hosts are no longer human and that there is no hope of bringing them back, no matter how much they would want to believe otherwise. If Wanderer were to tell the truth they would believe that she was lying to them by playing on what they would most desperately want to believe and kill her. Therefore she must lie and hide the truth even from the people she loves most in the world, Melanie’s younger brother Jamie and her boyfriend Jared. 

The free humans are led by Melanie’s Uncle Jeb. He rules this society as a benevolent dictator. The caves they are living in are his house and therefore he makes the rules. He knows what Wanderer is yet he stops his people from killing her not because he has any delusions that the person he sees is in any way his niece but because he wants to get to understand these alien life forms that they now have to share the Earth with. From this perspective Jeb and, later, other characters, come to form their own bound to Wanderer, or Wanda as she comes to be called, even though she is and remains the physical embodiment of everything they hate. 

This society that Jeb is running is made up of people thrown together by the fact that they are among the last humans not taken by the Souls. These people do not necessarily like each other nor are they particularly virtuous. Furthermore, they are riding against the tide of history; the war is long over and the Souls won while hardly even having to fire a shot. 

Parallel to this small gritty, problematic free human society is the society that the Souls have created. The Souls are also part of this societal building narrative; they are also thrown together by events and must form bonds with people they have no particular reason to care about. At the beginning of the novel, Wanderer meets one of the first Souls to come to Earth. She and another Soul took the bodies of people who were husband and wife. These two souls, despite the fact that they had no previous connection to each other, took on the relationship of their hosts and fell in love with each other in a very human sense. Later in the novel, Wanderer sees a couple who are Souls with small children who are clearly not occupied. So you have Souls with human children, created through the agency of their hosts, and who have taken on human connections to their own human children and have therefore kept them human. 

In this tale of society building, Wanderer must choose the society in whose building she will take part. Neither society is good or bad; if anything it is the Souls who have the moral edge. Wanderer, though, chooses her flawed humans over her own kind. Wanderer’s reason for this is emblematic of this whole notion of society building. The bonds that she forms with the free humans have meaning precisely because they came out of an active choice, made by people who had every logical reason to turn her away. The Souls are beings who love naturally. While they may lack the flaws of human beings and their society may be a lot more moral and less problematic, their bonds are meaningless as it was something that never came out of any active choice.

Humans Battling Mind Controlling Aliens: A Struggle of Cardian Proportions (Part I)

A few months ago I did a series of posts on Orson Scott Card and his influence on Stephenie Meyer. (See posts I, II, and III.) Their stories are built around the issue of society building; groups of people are thrown together, who may not have any particular love for each other, yet come to form a bond with one another and, from that bond, create a small society or even a family. This issue could have been explored further though I moved on to other things. Little did I know that Meyer would thrust me back into this issue by making her next book even more explicitly “Cardian” than even Twilight. There are things on the surface of Meyer’s new novel, the Host, that call attention to Card. This is a work of science fiction and the back cover of the book has a blurb from Card, praising Meyer. At a deeper level though Meyer has, once again, studied Card and has proven herself to be a most diligent and worthy student.

In what has now become her trademark, Meyer takes a stock horror story and fashions it as a charming and utterly captivating romance. The Host deals with an invasion of Earth by aliens, known as Souls, which insert themselves into the bodies of human hosts and take control of them. This type of story has been done many times before. Such aliens have appeared as the villains in Robert A. Heinlein’s Puppet Masters and more recently the Animorphs series by K. A Applegate, to name some examples off the top of my head. For those of you who do not remember, the Animorphs was a series of children’s books that dominated the field of children’s literature back in the late nineties, before the rise of Harry Potter. In Meyer’s telling of the story, these parasitical aliens are not evil beings out to conquer and enslave humanity. On the contrary, they are creatures with highly developed moral sensibilities. They follow a strict code of Utilitarian ethics; their actions serve to create the greatest level of happiness for the greatest amount of beings. By taking over Earth, they have created a better, more ethical humanity in which people love one another and strive to serve the common good. The Souls, having conquered Earth, have not destroyed human culture. On the contrary, they continue to live as a human society, albeit a perfected one. Their hosts continue to live their human lives, holding down human jobs and raising human families.

The main character of the novel, Wanderer, is a Soul inserted into a young woman named Melanie Stryder. This should have allowed Wanderer to live a perfectly happy life inside Melanie’s body and with Melanie’s knowledge and memories. The problem for Wanderer is that Melanie has refused to go away and continues to live on. Worse, Wanderer finds herself inundated with memories of Melanie’s former life particularly of her younger brother, Jamie, and the man she loved, Jared, both of whom are now living in one of the last hidden free human holdouts. Haunted by these memories, Wanderer finds herself taking on Melanie’s connection to them and searching for them.

In a sense, this is a story about three different characters in one body. There is Wanderer, Melanie, and Melanie’s body. The lines between these characters are blurred, creating a fourth, completely different character. Wanderer is now living in Melanie’s body but has to deal with Melanie speaking in her head, which of course used to be Melanie’s head. Furthermore, Wanderer is affected by the fact that the body she lives in is Melanie’s. This places certain constraints on Wanderer; by taking on Melanie’s body she is no longer Wanderer as she was but another version of Melanie. The conqueror, by the very act of conquering, has been conquered.

(To be continued …)

Time Magazine Article on Twilight

Time Magazine has an article out on Stephenie Meyer and the Twilight series. It has a nice analysis of Meyer’s style of writing and how it differs from that of J.K Rowling. While the author of the piece acknowledges that Twilight is not high literature he clearly respects Meyer as a writer and does not turn his nose down at her for writing "teen lit."

The Adolescent Military Genius versus the Friendly Neighborhood Vampires: An Analysis of Orson Scott Card and his Influence on Twilight. (Part III)

(This is the continuation of a series of posts. See here and here. I wrote the first two parts of this piece back in February. Sorry for the delay.)

As with the work of Orson Scott Card, the issue of society/family building and maintenance plays a large role in Stephenie Meyer’s Twilight series, lying just beneath the romance and the vampires. The Cullen family is a perfect example of the Cardian society/family. The Cullens are a group of seven individual vampires brought together by circumstances beyond their control. What keeps them together is not friendship or love but their shared commitment to a “vegetarian” lifestyle; they do not kill humans, just an occasional grizzly bear or mountain lion.

The Cullen family can be seen as a support group or even as a religious congregation. They are bound together by more than common beliefs; they need each other to keep on the path. With the exception of Carlyle, none of the Cullens can be described as a non-threat to any human within a several-mile radius. Left to their own devices they would turn lethal and they all know it. The Cullens, therefore, keep a constant watch on each other to make sure that no “accidents” happen.

Meyer does an excellent job striking a balance between keeping the Cullens likable and making them threatening. The Cullens have their charm, but they could go off on a killing spree and it would still make perfect sense in terms of their characters. It is more than just a matter of each of the Cullens having an overwhelming desire to kill anyone on sight or smell. Underneath their lovable exteriors, they are, to put it simply, evil.

The fact that the Cullens, as vampires, are irredeemably evil is the foundation of their whole way of life. They believe that they are evil satanic beings and crimes against nature. They, therefore, hate themselves and strive to go against the most basic element of their nature, the need to kill.

This is essentially the doctrine of human total depravity, which many Christian groups believe in. The fact that Meyer made Carlyle an ex-Anglican minister is probably not a coincidence. He is preaching a religious doctrine, complete with heaven, hell, and salvation. At its basis, though, Carlyle’s faith is one built around the belief in the utter depravity of himself and of the congregation he now leads. Whether the Cullens actually kill any innocent people or not is beside the point; the very fact that they can be tempted already puts them beyond the pale of righteousness. Carlyle is actually the religious optimist in the group. He believes that vampires have souls and might have a hope of getting into heaven, as opposed to Edward, who believes that they are all damned no matter how righteous they manage to be.

We view the Cullens through the lens of Bella, a modern human teenager. In theory, she believes in God and is a person of faith but, in practice, she is fairly indifferent to matters of religion. As a modern, she takes an optimistic view of human beings. She tends toward the belief that people, when left to their own devices, are basically decent. She takes a very non-judgmental attitude toward people, believing that people can be left to their own devices and they will find their way to righteousness. Because of this, she has no way of comprehending the notion of seeing oneself as a totally depraved sinner, standing under the glare of a judging God. It should be enough for God that we are basically nice people, right? The Cullens, with their very unmodern religious views, is a culture shock for her. Part of the fun of her character is how she plows straight through the world of the Cullens with her modern female teenager logic, taking everything in stride.

The running debate between Bella and Edward, over whether she should be made into a vampire or not, should be understood within this religious context. Edward wishes, above all else, to protect Bella’s soul. Bella does not think in terms of souls; for her, the only issue is whether she might end up killing someone in the end, but she is confident that the Cullens will be able to protect her until she develops the sort of self-control that they have. For Edward, it is irrelevant if Bella ends up killing someone, she would still be, for all eternity, an utterly depraved monster just like him. Part of Bella’s development as a character is her coming around to the religious worldview of the Cullens, with its concern for souls, heaven, hell, damnation, and above all else their view of themselves as totally depraved. By the end of Eclipse, Bella, even though she intends to join the Cullens, has come to the realization as to the true nature of the stakes involved. The fact that Edward seems to be willing to go along with this would indicate that his religious views have also evolved at least somewhat; he now is willing to acknowledge the theoretical possibility of salvation.

Ultimately the Cullens are a model for a religious society. It is not a religious society as most people would think of the term. They are not a group of righteous, sin-free people, or even people who think they are righteous and sin-free, joining together because they believe that they are better than everyone else. The religious society that the Cullens form is a society created by utterly depraved sinners for utterly depraved sinners and out of the recognition that they are utterly depraved sinners. The fact that they form this society does not make them any less depraved; what it does do is give them the strength to transcend their own depravity.

The Adolescent Military Genius versus the Friendly Neighborhood Vampires: An Analysis of Orson Scott Card and his Influence on Twilight. (Part I)

Stephenie Meyer, the bestselling author of the Twilight series, has a lot in common with the legendary science fiction author, Orson Scott Card. They are both active members of the Church of Latter Day Saints (Mormons). More importantly, while neither of them is known for religious novels per se, they both write from a background of faith and bring a strongly religious, though not particularly Mormon, vision to their work. Beyond this, I would suggest that the Twilight series contains certain Cardian elements. This should not be surprising as Stephenie Meyer has publicly stated that she is a fan of Card’s work.

I read Card as a running meditation as to the question of how one builds and maintains a society? What causes people to join together as a society? How does the individual relate to the surrounding society? What brings an individual to make sacrifices, sometimes the ultimate sacrifice, for the sake of his society? These issues underline almost all of Card’s work. For the purposes of this post I will focus on Card’s most famous work, Ender’s Game, and it various sequels.

On the surface, Ender’s Game is about a war between humans and an alien race known as the Buggers. Andrew “Ender” Wiggin attends a school for brilliant children. The purpose of this school is to create the next brilliant military commander, another Napoleon Bonaparte or Alexander the Great. The children at this school are being trained for one thing only, war. As such their primary education revolves around military strategy games, either computer games or the mock combat of the battle room.

The war against the Buggers is only an incidental part of the story. What Card is interested in is this Battle school as a group of competing societies. While the main character, Ender Wiggin, is a genius, his real talent is his ability to handle people. Ender is someone whom other people are willing to follow. People admire him and desire to learn from him and emulate him. Ender in turn is someone who honestly desires to help people. The narrative arch of the novel revolves around Ender building societies. Through the various stations that Ender finds himself, whether as a Launchie, as an unvalued member of Salamander army, as a valued member of Rat army, as a Toon leader in Phoenix army, or as the head of Dragon Army, Ender connects to various people and gets them to forge bounds with each other. Many of these people, such as Petra Arkanian and Bean, eventually become his subordinate commanders in the coming war against the Buggers.

What is interesting about Ender’s character is that, even though he is this great leader, he is a reluctant leader and does not seek power or recognition. Ender does not put himself at the center of the societies he builds. He always remains off to the side and alone.

The foil for Ender is his older brother, Peter Wiggin. Peter possesses similar gifts as Ender. The difference, though, between Peter and Ender, and the reason why the Battle school never took Peter, is that Peter lacks a firm moral base; Peter manipulates people for his own ends and is completely untrustworthy. While Ender is away from home at the Battle school playing his war games, Peter plays his own game, attempting, under the pseudo-name of Locke, to become a world leader. What is so interesting, though, about how Card deals with this character is that, while Peter may be immoral, he is not evil nor is he the villain of the story. Over the course of the novel and its sequels, Peter manages to do a tremendous amount of good even if the things that he does always seem to incidentally help him.

Ender and Peter can be seen as models of two different kinds of leaders, who come to be the center of two different kinds of societies. Peter is a political leader, who desires power over other people. He accomplishes his goals by making it in people’s interest to put him in power. He eventually becomes the Hegemon of the entire earth and leads mankind in its expansion to the stars. Ender is a spiritual leader. Even though he leads the first human colony to a foreign planet and becomes its governor, he gives up his post for a life of exile. His legacy is a book that he writes called the Hive Queen and the Hegemon. This book becomes a bible for those humans who go off to settle the galaxy and it spawns a religious movement known as the Speakers for the Dead. In the end, while Peter may have been a great political leader, nothing survives him. While Ender does not build any physical empires, he creates a society, beyond any physical boundaries, that lasts for thousands of years.

(To be continued ...)

Great Books That Do Not Have Harry Potter as Part of Their Titles

This year will forever be remembered by fantasy readers as the year in which the final Harry Potter came out. I do not expect, in my lifetime, to see the Potter phenomenon repeated. I suspect that, for better or for worse Potter will remain the pink elephant in the room whenever people talk about fantasy. In this spirit, here are some other notable pieces of fantasy literature that came out this past year. Some of these books have been discussed before on this blog, others have not.

Lady Friday: This is the fifth book in Garth Nix’s Keys to the Kingdom series. This series is, without doubt, the greatest work of allegorical fiction in modern times. And when I say this I am including Narnia. Nix has completely reinvented the traditional morality play. You will never think of the Seven Deadly Sins the same way again.

Eclipse: This is the third book in Stephenie Meyer’s Twilight series. I have already devoted several long posts to these books. (See here and here) These books have, deservedly, become major bestsellers. More than any other series of books being printed right now, these have the ability to repeat Potter’s success. Meyer has not said how many books she intends to write. She is set to come out with a fourth book in the series, Breaking Dawn, this summer. Let us see what kind of publicity gets generated.

The Sweet Far Thing: This is the third and final book of Libba Bray’s Reader’s Circle series. It just came out last week. I am actually in middle of it right now. I read the first two books at the end of the summer. I had decided to wait until I have finished this one in order to write a post on the series as a whole. Stay tuned.

Fatal Revenant: This is the second book of the Final Chronicles of Thomas Covenant and the eighth book overall of the Covenant series. (See here and here for my review)

Name of the Wind: This is the first book of Patrick Rothfuss’ Kingkiller Chronicles. I saved this one for last. Fantasy, unlike science fiction, does not have a Hugo or a Nebula award for best book of the year. If it did, Name of the Wind would certainly have my vote. (See here for my review) I feel a need to say more about this work. I will probably simply wait until book two, Wiseman’s Fear, comes out.

Well I am looking forward to a wonderful year of fantasy. Considering that all but one of these books have sequels coming out, there definitely is much to be waiting in giddy anticipation for.

Alice Cullen Learns About Mormonism

For all those people like me who cannot say no to free books, you can go to the LDS Church's website and give them your name and address and they will send you a free copy of the book of Mormon. When I was in high school I got myself one through them. I am not sure what happened to it but it disappeared for some strange reason. Either I lost it or, more likely, my parents found it and threw it out. I recently decided that, considering all the time I am spending studying Christian theology, I should get myself another copy. So I went to the website and put my information down. Then I figured, since I have no real interest in telling the LDS Church about myself, that I might as well have some fun with this. So I decided I was a 27 year old female named Alice Cullen and that my phone number was (614) 770-6660. As readers of this blog know, Alice Cullen is one of the vampires in Stephenie Meyer’s Twilight series. I was thinking of doing Esme Cullen since Esme was originally from Columbus. Alice though is the character that I am really in love with. I figured that since the Twilight books were written by a Mormon anyone in the church looking closely at my information would get the joke.
I come back to my room after the first days of Succot and find a post-it note on my door saying:
Alice,
We stopped by to drop off your free copy of the Book of Mormon that you ordered. Please give us a call when you know of a good time for us to come back.
Thanks,
Elders G_
& M_
It seems that instead of simply delivering a copy of their holy books to Alice they had sent missionaries to deliver it to her in person. How nice of them.
Still wanting my book of Mormon I called the phone number they had left. But what to do about Alice? I am in no position to pass as a female even over the phone. So I told them that my name was Ben and that I was a friend of Alice’s and that as a joke she had ordered a book of Mormon and sent it to my address. I then asked them if they would be so kind as to send me a book of Mormon so that I could give it to her.
Elder G suggested that I come down to the Mormon center on campus. Oh Goodie, an opportunity to expand my religious horizons and talk to two friendly Mormons! Maybe the answers will surprise me. So I went down there and talked to Elders G and M. I tend to wear an OSU baseball cap around campus so it is usually not immediately obvious that I am Jewish. When I sat down to elders G and M they asked me what I knew about Mormonism. I think I did a pretty good job at going through the basics. I then started asking them about their theology. This is a game I often play with Christians, who usually do not have a clear idea what such notions as grace, transubstantiation and the incarnation are supposed to mean. Since one of my areas of interest is medieval Christian thought, I usually can count on knowing more on the topic than they do.
What I was not counting on was for my two Mormon missionaries to know nothing about predestination, Augustine of Hippo or John Calvin. So I took it as my good Christian duty to fill them in. I even went into a whole defense of the doctrine of predestination. Despite its very cynical view of human nature, that we are all such corrupt sinners that we are incapable of even accepting Jesus as our savior on our own and that God simply chooses to bestow grace on certain individuals allowing them to be saved, believing in predestination allows you to be very tolerant of non-believers. While they may be going to Hell, it is not their fault. They are not actively choosing to follow Satan. Because of this, despite the fact that Calvin himself was a rabid anti-Semite, there is a long history of Calvinist philo-Semitism. Predestination also very neatly solves the problem of little black unbaptized babies dying in Africa. For some strange reason, my Mormon missionaries had no idea what I meant by this. This is a very famous challenge posed to Christians. What do they do with babies in Africa where it would have been physically impossible for them to have been baptized before they died? If you accept predestination, this is not a problem. Those babies were not amongst the chosen elect, who receive grace, and are therefore doomed with the rest of humanity.
Now, these Mormons have an excuse to be so ignorant of Christianity. Mormons believe, to quote a Mormon friend of mine, that the entire Church went to pot soon after Paul anyway. So Augustine and Calvin are not part of their religious tradition. This though raises an interesting challenge to the claim that Mormons are Christians. Mormons are completely outside the Christian tradition. Protestants and Catholics, despite their doctrinal differences, have a common religious tradition. They can sit down together over an Origen, a Tertullian, an Augustine or an Aquinas just as Orthodox Jews can sit down with Reform and Conservative Jews over a Gemara, Rashi and Tosfot. What do Mormons mean when they call themselves Christians? It would seem that, as they purposely put themselves outside of the Christian tradition, they should drop the label of Christianity and that it is dishonest of them to maintain it.

More on My Favorite Friendly Neighborhood Vampires: Alice Cullen and a Bit on Sin and Damnation.

My favorite character in the Twilight series is, without a doubt, Alice Cullen. She is small, dark-haired and is constantly described in the books as having pixie-like features. She is a high energy almost manic individual. Think of her as the very sweet but pushy rich girl, who is devoted to remaking other people’s lives, particularly Bella’s, and is convinced that she knows what is best for everyone else. In Alice’s case though she sort of really does know what is best for everyone else as she has the knack for seeing glimpses of the future. Amongst other things, this gives her quite a talent for picking stocks. Meyer does an effective job in handling Alice’s talent, focusing mostly on the holes in Alice’s sight and how things go wrong. Werewolves are completely outside of her line of vision. As the Cullens are living next door to a whole pack of werewolves this is a pretty serious limitation. Alice’s other limitation is that her sight is dependent upon choices that have already been made. Because of this, she cannot predict anyone making spur of the moment decisions. Anyone can avoid her sight as long as they do not make any actual plans, but simply shoot from the hip.

Alice’s background story is a sitting question mark which suggests that it is going to be an important plot point for later books. What we know about her is that she woke up in an insane asylum sometime during the 1920s as a vampire. She has no memories of having ever been human nor does she know how she ended up in the asylum or how she ended up as a vampire. The chief villain in the first book, James, indicates that he knows something about Alice’s background. Since Alice foresaw that she would one day meet the Cullens and join them, she was able from the very beginning to live in accordance with their lifestyle and never went after humans. While in search of the Cullens she found Jasper, whom she later married, and brought him along.

Of all the Cullens Jasper has the most blood-soaked history. He served as a sort of vampire “recruiting sergeant” during the nineteenth century, helping to create armies of newbie vampires which could then be used to go after rival groups. Jasper, on his own, came to reject the life that he was leading. He abandoned his comrades and tried to live cleanly. Despite the guilt that he felt over his actions he was never able to succeed at this until he met Alice and became one of the Cullens.

To analyze Meyer’s characters from the perspective of sin and salvation one could say that the vampires represent fallen mankind struggling within the grasp of sin. In this case, sin takes the form of attacking humans and drinking their blood. While the main characters in the story are all very flawed individuals, their flaws are also the flipsides of their strengths. Jasper is a man who recognizes that he is a sinner, hates sin, but is still unable to overcome his own desire for sin until he discovers law. Of all the Cullens he is the one at the greatest risk of falling away. There is an ambiguity to his personality. Do we see him as the redeemed penitent who more than any of the Cullens has overcome his nature or do we see him as a ticking bomb waiting to go off? Alice is the prophetess who, even though she did not possess the law, was still able to foresee its coming and live according to it. Carlisle is the lawgiver, who offers the others law as a way to salvation. He is the one Cullen who was able to overcome his thirst for human blood, by himself and through his own will power. Carlisle believes that vampires have souls and that they can therefore still be saved. (Because of Carlisle’s role as the teacher, lawgiver and because he is the father figure here, particularly for Edward, I strongly suspect that he is going to be killed off in the later books, leaving the others to live according to his example even though he is no longer with them.) In contrast to Carlisle, Edward does not believe that vampires have souls and assumes that they are all damned no matter how good they try to be. It is for this reason that Edward is so set on not making Bella a vampire; he wants to save her soul. From his perspective, allowing Bella to be turned into a vampire would be the most selfish thing that he could possibly do. The irony here is that in a sense, because of Edward’s “rejection” of salvation, his motives are purer than even Carlisle’s. Since Edward does not believe that there is any heaven waiting for him if he were to die at some point he has no motive for living as he does and for making the sort of sacrifices that are asked of him except sheer unselfish goodness. This is particularly poignant as he is faced with sacrificing Bella, who means everything in the world to him. Like Edward, the werewolf, Jacob Black is also out to save Bella’s soul. Ironically enough while Black is the character who is unfallen and outside of the threat of sin, of all the major characters he is the most flawed. His attempts at saving Bella’s soul come across as him trying to steal Bella from Edward for himself. Jacob is, on one hand, someone who selflessly gives of himself to others, but his very selflessness comes out as a form of selfishness. Despite all the effort being put into saving her soul, Bella is about to willingly become a vampire herself? She is Eve, willingly placing herself under the power of sin? The interesting thing is that she is doing it for all the right motives. She is acting out of her love for Edward and her desire to protect the Cullens. Whether she will fall or not still, of course, remains to be seen.

What is going to become of Carlisle’s law? This is very speculative on my part but I suspect it is meant to be a form of Old Testament law. It is built around thou shall not. It is able to stop people from sinning but is it truly able to bring salvation, as Carlisle believes? Despite all the Cullens considerable efforts they are still trapped by their vampire selves. Carlisle’s law offers no escape for that. What is needed is a new law that is built, not on though shall or shall not, but on love. Is Edward’s love for Bella meant to be this new redemptive law? To go out on a really big limb, what is behind Bella being impervious to almost all the various vampire knacks? Why are the Volturi so interested in having her made a vampire? By having her willingly join they believe they can corrupt her and use her power for their own benefit. Could it be that Bella is the pure soul who can transcend this fallen world and possibly even save it?

Friendly Vampires: A Review of the Twilight Series

I have had a very special place in my heart for vampires ever since I first read Dracula back when I was in third grade. I read it over the course of several weeks during the morning bus ride to school. I have very fond memories of trying to read via streetlight in the early morning hours. I guess there is a reason why I wear glasses today. If you are thinking that Dracula is not exactly suitable material for a third-grade son of a rabbi, well I turned out the way that did for a reason.
To say that I like vampires does not mean that I particularly care for books and films about vampires which are by and large dreadful. The question is what did Dracula do right that has not, by and large, been reproduced by others? Keep in mind that I am talking about the Bram Stoker novel not any of the dozens of films that it spawned. The conclusions that I reached a long time ago were as following.
1) Vampires need to be satanic creatures. Dracula is irredeemably evil. He seeks to drink the blood of as many people as possible (particularly if they are beautiful women), change them into vampires and make them his servants. He is of interest in that he serves as the evil incarnate against which the characters in the story must come face to face with. Any attempt to give vampires redeeming virtues defeats the purpose and reduces the story to a helpless muddle. This is one of the problems with Ann Rice’s Vampire Chronicles, Interview with a Vampire and its sequels. Her main vampires Louis, Lestat and Armand seem to sift their modes of thinking from one page to the next. What do they think about killing humans and under what circumstances? Because of this one fails to connect to the character and the books become nothing more than a bloody mush.
2) Vampires require rules and limitations. Dracula is incredibly powerful. Besides for the fact that he is physically capable of overpowering any human, he can turn himself into a bat or a wolf and even travel as mist. Above all he is immortal. He cannot be killed or even harmed except by very specific means. That being said, Dracula operates under some very severe limitations. He cannot go out in the day. Sunlight is one of the things that can kill him. He must sleep every day in a coffin filled with earth from his native country. His reflection does not appear in mirrors. He cannot enter the dwellings of the living unless he has first been invited in. He can be repelled by garlic, crosses and holy water. Daylight will turn him into dust and ashes, but he can also be killed by a wooden stake hammered through his heart. Pretty much every vampire story I know of at some point goes into a litany of how most of what is said about vampires is a myth and then proceeds to get rid of various things just listed. The important thing is not so much that vampires operate specifically by these rules but that they have firmly set rules in place that limit what they can do and make it possible for humans to hurt them. Having rules in place changes the nature of the conflict and makes it more of a chess match rather than a formal fight. Abraham Van Helsing and the rest of the group that goes after Dracula do not physically fight him; they out-think him. Rather than seek Dracula in a head to head confrontation they go after his hiding places and try to flush him out. Rather than seek them out, Dracula lurks in the shadows and tries to go after their loved ones.
3) Vampires should not take center stage but should rather lurk in the background. This may come as a shock to those who have not read the book, but Dracula is not the main focus of the story and has very little actual “screen time.” He appears at the beginning of the book when Jonathan Harker comes to Transylvania to finalize the details of Dracula’s purchases of various estates in England and his move there. For the rest of the book, starting from when Dracula comes to England, he only appears in brief glimpses. The story is about Jonathan Harker, his wife Mina, Van Helsing, Dr. John Seward and others who come to take on Dracula. The book is written as an epistolary novel, a style of writing that has died out in modern times. It consists of letters and journal entries written by the various humans in the story. This pushes Dracula into the background. Where he affects the story not as a physical presence but as the unseen darkness.
Joss Whedon’s Buffy the Vampire Slayer and Angel are excellent examples of how to handle vampires. While there is a lot that one can criticize these series for (they do not compare to Firefly), the vampires, in of themselves, work perfectly.
While keeping all that I have said in mind, I would like to introduce you to the Cullen family of Stephenie Meyer’s Twilight series. So far three books have been written, Twilight, New Moon and Eclipse with more on the way. According to the Cullens’ cover story, Dr. Carlisle Cullen and his wife Esme, despite the fact that they appear to be only in their late twenties are the parents of five teenage children due to the fact that they adopted Esme’s three orphaned nieces and nephews, Edward, Alice and Emmett plus another two children Jasper and Rosalie. The truth is that they are a group of vampires who live together. They move every few years to a different place, preferably somewhere that is overcast most of the year, in order to hide the fact that none of them age. To make matters even more interesting, the Cullens live within several miles of an Indian reservation, which contains a number of werewolves who live in an uneasy truce with the Cullens.
This group of seven vampires tramples all over the first two rules. They are, to use their own expression, “vegetarian” vampires. They do not attack humans but instead live off of animals. The vampires in this series are not limited by the traditional vampire limitations. They are able to operate in daylight; they just glow in the sun. They do not sleep in coffins and they are able to enter the homes of the living without permission. Nothing has been said about garlic or crosses but I assume that these things also do not apply.
Despite all this, I absolutely adore these characters and cannot praise these books highly enough. If you have great characters then you can overcome almost any problem in a book. Meyer, like J.K Rowling, has that special gift to be able to write books that, while they may not be brilliant in any technical or critical sense, have an incredible charm to them and produce characters that absolutely hook you in. I would be the first to admit that Twilight’s plot is not particularly original. This story of a teenage girl who falls in love with a guy who turns out to be a non-lethal vampire has been done before. One particular example that comes to mind is the Vampire Diaries series. These books are very similar to Twilight. Vampire Diaries even has a werewolf making an appearance. It makes a very useful comparison in that the Vampire Diaries serves to demonstrate how easily Twilight could have gone wrong in the hands of a less talented author.
Twilight manages to violate the above-mentioned rules in ways that work to its advantage. The Cullen family struggle with their desire to kill in ways that make them feel very real and very human. My favorite part in the series so far, and the part that best exemplifies what these books are about, is in the first book when Edward is talking to Bella Swan, a girl he has fallen madly in love with, in a meadow and telling her that he is absolutely in love with her but that he also has an overwhelming desire to kill her and that even at this moment he is not sure if he is going to let her walk away alive. Despite the fact that I think Meyer has made her vampires too powerful to the extent that they almost become godlike, the Cullens manage to put enough personality to themselves that it makes up for their power. Since Meyer puts such a focus on the Cullens acting as human beings she manages to keep them from turning into gods.
While Twilight does not follow my first two rules it does keep the third one, it keeps the focus on a human character. The main character in the story is Bella and the story is told from her perspective using a first-person narrative. Meyer is so willing to entrust the story to Bella that she is even willing to allow the Cullens to drop out of the narrative for long stretches of time, including the majority of the second book. Meyer uses Edward’s absence to bring in Jacob Black, one of the Indian reservation’s resident werewolves, as competition for Bella’s affections. Twilight is tongue in cheek storytelling at its best. Yes it has a sense of humor to it and it plays up the absurdity of the situation, girl loves nice charming boy who happens to be a vampire and while we are at it why not throw in a well-behaved werewolf, for all it is worth. But above all else, this is a powerful love story the likes of which I have not seen in anything written recently.
Despite the hoards of Romance novels out there, it seems that few books succeed as love stories. Twilight is a rare breed in that it is about true unrequited love in all its selfless, irrational, all redeeming glory. Edward and Bella are two people who are compelled by their encounter with each other to be together despite the fact that this is most likely not going to have a happy ending and they both know it. As the ancients understood love is a form of madness; it is a beautiful madness but still madness.
While these books are not explicitly religious I would see them as textbook examples of how religious fiction should be written. These books are not preachy nor are they pushing a message. That being said these books are built around some very distinctive religious values. One of the most central themes underlining Twilight is the moral struggle to overcome one's natural desire and the willingness to deny oneself one's own deepest desires. We can view the vampires of the Cullen family, despite their many flaws, as being righteous and even heroic because they fight to overcome their baser natives and do not take the obvious cope out that they simply are what they are. To appreciate how important this is, keep in mind that we as a society have spent more than a century, one, playing down and even flat out denying the value of self-control; two, we have even gone so far as to turn the abandonment of self-control into a virtue and have declared self-control as the vice. Moral self-control is closely connected to chastity. As with the issue of moral self-control, Meyer does not set out to preach chastity, but she ends up delivering a strongly pro-chastity message simply by taking chastity seriously as a value. We are dealing with a love story now spanning three books in which the two central characters have not slept together despite the fact that guy regularly spends the night with the girl in her bedroom. Edward, as a vampire, does not ever sleep so he is in the habit of spending the night with Bella watching her sleep. Meyer is a religious Mormon so I assume none of this is an accident.
In looking ahead to future books in the series, the big question is will Bella end up becoming a vampire and the eighth member of the Cullen family. The book seems to be heading in that direction. Meyer has placed a long list of problems confronting her characters all of which seem to have the one commonality that their obvious solution seems to be to turn Bella. This though is probably going to turn out to lead to worse problems. Having Bella turn seems to offer the most intriguing possibilities. I would love to see the Cullens dragging Bella off to Alaska for a few years and try to teach her how to function as a vampire. It would be Bella who would now be the one in danger of going haywire. This would also offer a new round of Alice attempting to give Bella’s life a total makeover.
Well, now that Potter is finished I guess I have found a new series of books to really obsess over.