The Real Cause of Any “Dark Age”

To continue with my previous discussion of Hypatia, to blame the destruction of the Great Library Alexandria and the consequent loss of the knowledge of Greco-Roman civilization on Christian intolerance misses the point. Regardless of whether or not Christians performed the actual deed, in the long run, this knowledge was doomed to serve little practical use and be consigned to oblivion for two reasons, lack of effective means to reproduce and transmit this knowledge, and lack of an effective government under which the transmission of knowledge might be possible.

The real tragedy of the Library of Alexandria was that the tragedy was possible in the first place. Yes the Library was a true wonder, housing the intellectual wealth of the Classical world. There was a fire in the Library at some point, possibly even several fires, and with it went most of that heritage. What you have to ask yourself though is how did it come to be that so much knowledge was in one place and just one place to be destroyed in a fire? In our world of print and internet it is easy to take for granted how easy it is to reproduce texts and gain access to them. Take away print and the internet and you are left with the labor intensive project of reproducing texts by hand one at a time. Even a lover of knowledge, without an organized network to reproduce texts and pass them on is going to be trapped into single copies. An individual, or even a local group, would lack the means to do more and why should they do they as single texts cover their needs. The problem of course is that this creates situations like in Alexandria, large storehouses of texts existing only in that Library. A true monument to human achievement, but one that could do little for anyone outside of the narrow elite with access to the library and was a sitting target for the next outbreak of violence to destroy it.

From this perspective, ironically enough, the medieval Church fares better than the Roman Empire as a protector and transmitter of texts. It was the Church which successfully built knowledge networks of monasteries copying down texts and passing them along, to which we owe our knowledge of the Classics. Of course the ability of writing networks is quite limited compared to print networks, which would not come about until the early modern period. Without print, any attempt to transmit knowledge could at best only prove a holding action to the inevitable ravages of time such as natural disasters and angry mobs.

Knowledge networks, particularly fragile manuscript ones, can only exist to do whatever little good they might do under the protection of effective governments. The Romans did develop networks to pass on manuscripts, even if they were never as systematic about it as the Church. These though, could not survive the political collapse of Late Antiquity Rome. This started before the rise of Christianity. In the long run, Christianity may have failed to stop the collapse, but it certainly did not cause it. Potentially rioting murderous mobs exist in every society just below the surface, waiting to do harm. This goes even for supposedly civilized ones like Montreal in 1969, when the police went on strike for one day, as well as Late Antiquity Alexandria, which lacked an effective police system in the first place. Under such circumstances the library was doomed. It was not a matter of if the Library would be destroyed, but when and what particular spark would so happen to do it in. This has nothing to do with religion, though religion is as good as any other fuel under the right circumstances. (See Slouching Toward Bosnia.)

Even if the filmmakers had been right about Hypatia and the night before she was murdered she had cracked the big secret of the Scientific Revolution, anticipating both Copernicus and Kepler, it is unlikely that it would have changed the course of Western history. No matter how brilliant Hypatia may have been she lacked a knowledge network to pass her ideas along and allow them to become relevant to a larger society. This could exist within the political chaos of the collapsing Roman Empire. Like the Library, hers is the tragic story of a brilliant but ultimately useless monument to human genius, doomed to inevitable destruction and irrelevancy.

Agora’s Two Acts

I finally got around to watching Agora. My friend Lionel Spiegel got a hold of a copy and so, armed with popcorn, we got ready to wage merciless Mystery Science Theater 3000 against the movie's Whig biases. Agora tells the story of the female pagan philosopher Hypatia, who was murdered by a Christian mob, and the burning of the Great Library of Alexandria at the hands of Christians. I therefore expected a highly simplistic movie with virtuous enlightened pagans living in paradise and vicious intolerant Christians ruining everything and bringing about the "Dark Ages." I must admit, though, that the movie turned out much better than the trailers had led me to expect, managing for the most part to be fair to the actual historical events. This is until the second act of the film.

First off, full credit has to be given to the set designers for their breathtaking reconstruction of late fourth century Alexandria. This has to go down as one of the best reconstructions of a pre-modern city in the history of film. I was not even so bothered by the lack of mud; this still being the Roman Empire. Next, you have Ashraf Barhom's film stealing supporting role as the Christian monk Ammonius. If I had seen this movie earlier I would have tried showing at least parts of it to my 111 class as part of our unit on Christianity. Barhom's portrayal of Ammonius fits precisely into the Rodney Stark model of religious outreach that I presented. Ammonius preaches on the streets of Alexandria to crowds, picks debates with pagans and performs "miracles" (in his case walking through fire), but what makes Ammonius effective is his charismatic charm, which allows him to form relationships with individual people. This allows him to attract, not massive crowds in single dramatic speeches, but to slowly win over individuals, in the case of the movie Hypatia's slave Davus. This is essentially how I imagine Paul preaching and winning converts. Whatever you might think of his actions, this is a man that you like and can understand why others might change their lives around to convert to his religion and follow him.

Anchored by Barhom's Ammonius, the film actually does manage to offer a nuanced portrayal of Christianity, where, even if Christians are still the villains of the story in the end, there is a recognition that the world of late antiquity was not completely black and white. If the Christian mob ends up sacking the Library, it is only after the pagans' started the fight. In keeping with the narrative of the slow, quite non-dramatic spread of Christianity, the pagans find the tables turned on them by the unexpected size of the Christian counter-attack, leading one of the pagan leaders to exclaim: "who knew that there were so many Christians?"

If the movie had ended after the first act, I would have been on my feet acclaiming this movie as one of the greatest historical films ever, one that could allow Christians to burn down the Great Library of Alexandria and maintain some sense of nuance. The second act, though, with Hypatia's conflict with Bishop Cyril, leading to her death, manages to fall into all the Whig anachronisms I feared. First, there is Hypatia's grappling with the problem of the elaborate system epicycles, circles on top of the planet's circular orbits, in the Ptolemaic geocentric solar system. Even this is well done and worthwhile as a portrayal of the necessary thought processes on the road to heliocentrism. The fact that Hypatia is made out to be a heliocentrist is also not a problem, even if we have no evidence that she was, as the belief was found among the ancient Greeks. The film though decides to go one better and has Hypatia preempt Kepler in the theory of elliptical orbits, necessary in order to avoid the problem of epicycles. If you are going to go that far then why not have her ask why planets move in elliptical orbits and come up with Newtonian mechanics or even Einstein's Theory of Relativity? Then there is the crude misogyny of Bishop Cyril as he quotes Paul's Epistle to Timothy about the role of women. (Anyone who sits in smug judgment of pre-modern patriarchy without considering the inevitable logic of a highly militarized society, in which women do not serve in the military, has failed to engage in due historical thinking unfit to comment on historical events.) In keeping with this theme of misogyny, Cyril levels the ultimate patriarchal accusation of witchcraft against Hypatia even though the charge of witchcraft did not come into common use until the fifteenth century. (Sorcery is a completely different issue.)

No, we have no reason to assume that Hypatia could have jump started the Scientific Revolution in late antiquity Alexandria only to be stopped by Church misogyny. The story of Hypatia and the downfall of Greco-Roman civilization is tragic enough without that. By all means, go watch this movie for the first act; if you feel so inclined, try to stomach the second.