(Part I, II)
I see the field of history as consisting of three parts. First, there is the collection and editing of primary source material. Then there is the analysis of the primary source material, creating secondary source material, in order to see what directions the primary sources point. Finally, there is the creation of a narrative, which puts together the conclusions of the secondary sources into some consensus. The history familiar to the general public is really this last stage. For the most part, academic historians devote themselves to the second stage and it is this stage that forms the real heart and soul of the study of history. It has actually very little to do with narrative.
The issue of narrative is a sore spot for historians. It is the part of history that is the furthest from objective truth and the closest to personal opinion. If historians cannot be scientists they still wish to be better than artists or literature professionals. Again, considering the tight job market, this is not an academic question; real careers are on the line. I recommend Hayden White’s Metahistory, where he subversively treats history as a form of literature. What is important to note about White is that he only deals with issues of historical narrative. I suspect that most historians would gladly do away with narrative as at best a distraction and at worst an illusion that undermines "real" history.
Narrative remains in place largely because it is necessary to make one's work relevant, first to fellow historians, then to scholars in the humanities and finally to the general public at large. One of the ways that this is done is by showing how one’s work fits into someone else’s narrative. For example, Dr. Goldish has a particular expertise in early modern Jewish thought and how it fits in with what we see with European Christians. He wrote his dissertation on Isaac Newton and his use of rabbinic sources. Similarly, his recent book, Sabbatean Prophets takes sixteenth and early seventeenth century Jews and shows how it is similar to, for example, Phyllis Mack’s discussion of mid-seventeenth century Quaker women in England. I see almost a caricature of this type of thinking at conferences where presenters rush to list off names of theorists just to force some greater “context.” With Dr. Goldish it never sounds forced; this speaks both to his talents as a historian and as a writer.
Working with Dr. Goldish has been very beneficial to me because of this and has given me a far greater range as a historian. I came to Ohio State with very strong skills in terms of textual analysis. I grew up studying Talmud, plus I have Asperger syndrome so I am naturally very comfortable with texts. (I was not actually officially diagnosed with Asperger syndrome until after I came to Ohio State.) When I came Dr. Goldish told me point blank that the other students do not have my text skills; he did this in order to soften the culture shock for me coming to a secular university and, for the first time in my life, having to deal, on a daily basis, with people not trained on Talmud. What Dr. Goldish then went to work on me was narrative, telling a larger story.
At the end of the day, narrative does have an important role to play in history. If narrative is necessary in order to show some higher relevancy and get a job it is because it is important to do something that is actually relevant. Kenneth Miller has a line: “biology without evolution is stamp collecting.” Evolution serves to take all the bits of information that we have about organic life and puts it together in one coherent “narrative.” Similarly with history; the Civil War buff, like my adolescent self, who can throw out lots of random facts about the Civil War, is not engaging in history. First, he needs to be able to analyze primary and secondary source material through the lens of the historical method. Next, he needs to be able to put everything together into some narrative. Without this, all that we have is a cute factoid machine that is of no practical use to anyone.
(To be continued …)
Izgad is Aramaic for messenger or runner. We live in a world caught between secularism and religious fundamentalism. I am taking up my post, alongside many wiser souls, as a low ranking messenger boy in the fight to establish a third path. Along the way, I will be recommending a steady flow of good science fiction and fantasy in order to keep things entertaining. Welcome Aboard and Enjoy the Ride!
Showing posts with label Phyllis Mack. Show all posts
Showing posts with label Phyllis Mack. Show all posts
Monday, April 20, 2009
Tuesday, September 2, 2008
To Whom May Quaker Women be Compared to?
Phyllis Mack’s book, Visionary Women: Ecstatic Prophecy in Seventeenth-Century England, is a study of female prophets and visionaries in seventeenth century England. The majority of the book focuses on the early Quaker movement in which women, such as Margaret Fell, played highly public roles. Mack was one of the pioneers of the modern study of prophetic figures. She is not concerned with such issues as whether the individuals she deals with were fakers or insane. Her focus is on placing the people she studies within their given social context; how did such people fit into society and how do they shed light on the world that they lived in.
Mack is also not particularly concerned with issues of feminism. Her book is not about whether these women were fighting patriarchy or submitting to it. Mack eschews such rigid bifurcations. She recognizes that these operated within a very specific context and used it for their own purpose. As such there is a give and take here. We are dealing with a traditional patriarchal society, but the discourse of this same patriarchal society could also be used to suit the purposes of women.
Mack compares her Quaker women to Orthodox Jews. “Like the orthodox matron presiding over her Sabbath table, their [the Quakers’] religious expressiveness emanated from a female identity that was both personalized and traditional.” (pg. 238) Just as Orthodox Jewish women are capable of using the context of a patriarchal religion such as Orthodox Judaism to fashion their own unique identity, outside of masculine control, so too did women in the early Quaker movement use the context of Seventeenth Century Christian thought to fashion an identity that was outside of masculine control.
Mack is also not particularly concerned with issues of feminism. Her book is not about whether these women were fighting patriarchy or submitting to it. Mack eschews such rigid bifurcations. She recognizes that these operated within a very specific context and used it for their own purpose. As such there is a give and take here. We are dealing with a traditional patriarchal society, but the discourse of this same patriarchal society could also be used to suit the purposes of women.
Mack compares her Quaker women to Orthodox Jews. “Like the orthodox matron presiding over her Sabbath table, their [the Quakers’] religious expressiveness emanated from a female identity that was both personalized and traditional.” (pg. 238) Just as Orthodox Jewish women are capable of using the context of a patriarchal religion such as Orthodox Judaism to fashion their own unique identity, outside of masculine control, so too did women in the early Quaker movement use the context of Seventeenth Century Christian thought to fashion an identity that was outside of masculine control.
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