Showing posts with label Animal Farm. Show all posts
Showing posts with label Animal Farm. Show all posts

Friday, July 23, 2021

Entering the Matrix: Individual and Structural Oppression


In a previous post, I discussed what it means to be critical from the perspective of critical theory and how it differs and frankly is the diametric opposite of the conventional sense of being critical. I would like to turn here to the question of oppression. Here too, the term can mean different and even opposing things. Just like, for most people, critical reasoning is something carried out by individuals, oppression is an evil experienced by individuals. For example, slavery is evil not simply in an abstract sense but because it involves literal violence and even rape and murder. For Marxism and later critical theory, since individuals are not the primary moral unit, oppression is disconnected from the actual suffering of individuals but is the existential product of one group of people having some kind of metaphysical power over others. The problem with capitalism is not rooted in the actions of individual capitalists but in the structure of capitalism itself. For example, capitalism is evil not because workers are poorly paid and do not receive healthcare but because the workers are under the power of capitalism and are unable to develop themselves into their full consciousness. The practical difference comes down to the value of reform. If you are a good Marxist, it should mean nothing if workers unionize for shorter hours and better conditions if they are not also coming into a knowledge of themselves as workers oppressed by the structure of capitalism. 

This privileging of theoretical over physical violence becomes particularly important for understanding critical theory. By the 1920s, it was clear that capitalism in the West was not about to collapse into Dickensian horror from which a revolution might arise. Conditions for workers were not worsening so workers were not radicalizing. For critical theory, the nightmare was not that capitalists would grind workers into the dirt but, on the contrary, capitalists would seduce workers with increasing luxuries so that workers would lose all desire to rebel.   

To understand this notion of structural oppression, it is useful to look at the Matrix film, which brilliantly differentiates between individual and structural oppression. At the beginning of the movie, Neo finds himself living in what is clearly a less-than-ideal world. The computers are outdated even by 1999 standards. Furthermore, there are these superpowered agents, who do not respect people's constitutional rights. Instead of allowing Neo to call his lawyer, they cause his mouth to seal itself and allow a metallic insect to burrow itself into his belly button. The movie could have been about Neo developing his own superpowers, defeating the agents, and making the world a better place to live. 

The critical twist of the Matrix is the discovery that Neo is really living in a computer simulation run by an AI that has enslaved humanity. Accepting the existence of the Matrix upends anything one might believe about oppression and revolution. Neo believes that he is a rebel against the system but, until he takes the red pill and escapes the Matrix, nothing he does is truly productive in fighting the Matrix. On the contrary, Neo the rebel hacker actually plays into the hands of the AI as he distracts people from the real problem, which is not the computers or the agents, but the fact that the world itself is fake. Neo the rebel hacker is still as much a battery that powers the machine as the most conformist corporate drone.  

Imagine if, at the end of the trilogy, the AI were to tell the residents of the rebel human city of Zion that it has come to the realization that oppressing humans under the heel of Agent Smith was wrong. To make amends, the AI is willing to make an "improved" Matrix. There will be high-speed wi-fi; everyone will receive a lifetime subscription to Netflix, and all the computer-generated steak they can eat with no need to diet. Obviously, it would not be a happy ending if the residents of Zion were to give up their Gatling-gun mech suits and return to the Matrix. Now the interesting question is why would such an ending really be worse than the film's actual ending where the AI agrees to allow the humans the option of leaving the Matrix to live in an underground hellhole, with terrible food, under the authority of a human military that will interfere with their daily lives far more so than the agents of the Matrix.  

What should be understood here is that individual and structural oppression are distinct and, in practice, believing in structural oppression will force someone to ignore the physical well-being of individuals. For example, I have found that PETA protestors, despite all their rhetoric about the abuse of horses used for carriage rides, care very little for the actual horses. I once asked such protestors if they would be willing to continue allowing these rides if the alternative was for the horses to be slaughtered and used for glue (think of Boxer from Animal Farm). None of the protestors were willing to say save the horses. These protestors did not really care about whether these horses were being mistreated. Their real objection was horses being used by a private company to make a profit in the first place. 

We see a similar line of thinking among Palestinian activists. Imagine they had two possible futures. In the first, the political situation remains the same with Israel in charge but Israel has managed to greatly improve the Palestinian economy and Palestinians are now enjoying life as middle-class westerners so much that they have abandoned all thought of national liberation. In the second, from sea to sea Palestine is free but people are economically just as poor as they are now. The frightening reality is that many of them really would choose the second option. Consider the recent Ben & Jerry's boycott of the territories. The really odd thing is that it does nothing to benefit Palestinians on the ground. It is one thing to oppose companies selling Israel military gear to be used in the territories. Someone who cares about Palestinians as people should still want private companies to invest in the territories regardless of whether Israel is in charge so that Palestinians can have jobs. 

Political activism needs to be grounded in the real needs of people. If you cannot deliver tangible improvements to people's day-to-day lives, then all the noble theories in the world will not help. This is one of the strengths of markets. They are not a comprehensive ideology but a tool to improve people's lives a few percentage points of growth a year at a time. 

Thursday, July 4, 2019

The Detriot Free Zone and the Formation of the Liberal City


In the last post, I talked about the city of Ankh-Morpork in Terry Pratchett's Discworld. Ankh-Morpork's greatness lies in its informal institutions that push the city in a liberal direction despite the dictatorship of Lord Vetinari and the lack of actual liberals in the city. Another example of this kind of process can be seen in the Detriot Free Zone (DFZ) in Rachel Aaron's Heartstriker and DFZ series.

The basic premise of Aaron's urban fantasy universe is that in the near future, after more than a thousand years, magic returns to the world. This allows dragons to come out of hiding now that they can take on their non-human forms and it brings with it the return of beings like the nature spirit Algonquin, who, seeing how humans have wreaked havoc with the environment, floods Detriot. The United States abandons the area, which, in turn, attracts humans to return to the city, preferring the absentee tyranny of Algonquin to that of the American government. As the DFZ is outside of American jurisdiction and Algonquin really does not care what humans do to each other, the DFZ has no functional government. Like Ankh-Morpork, the DFZ is not a Utopia, social services are non-existent and the chances of suffering sudden violent death are high. That being said, there is something attractive about the place. Aaron's books are about outsiders coming to the DFZ and finding a home there. Her first series deals with Julius Heartstriker, a dragon, who is kicked out of his family for not being ruthless enough. The new series follows Opal Yong-ae, who comes to the DFZ to escape her father. She works as a cleaner, buying up abandoned rentals in order to scrounge for magical items.

The key difference between the DFZ and Ankh-Morpork is that Ankh-Morpork has a history to it going back hundreds of years while the DFZ is a city without a history trying to create its own identity. This is important because much of what gives Ankh-Morpork its identity is that it is the end result of a long complex evolutionary process that is disconnected to the people presently living there, protecting it from anyone who might want to refashion it according to their own design. Yes, Ankh-Morpork undergoes tremendous change and that is a central idea in the series. That being said, this change is outside of anyone's personal control and ultimately serve to highlight the particular character of the city.

While Discworld contains plenty of entities that embody concepts, for example, Death, Pratchett never gave Ankh-Morpork a spirit. One of the major events of Aaron's first series is the birth of the DFZ spirit, who comes into being as a manifestation of all the people living within her. This sets up a wonderful exchange in the most recent book, Part-Time Gods, between the DFZ spirit and Opal where the DFZ directly confronts the Smithian paradox at the root of her nature, is she a manifestation of greed or selflessness. She is founded upon greed as that is the primary motive for why people move to her city and why they stay despite the physical danger. That being said, greed is not the only motive at work. The DFZ would not be possible if people did not come together to build a society. Both Julius and Opal are characters constantly looking to make a buck, yet they are not really motivated by money. If they were, they could have easily made other choices in their lives.

The DFZ spirit wants help figuring out her own identity recognizing that the answer to that question is wrapped in how people like Opal see themselves. On a personal level, the ongoing question with the DFZ spirit and Opal is whether they can have a relationship that is not a matter Opal becoming the DFZ spirit's servant in exchange for having all of her problems solved. The DFZ spirit is a product of individual choices but still not something that individuals can create by protesting for the right laws. Instead, the DFZ comes into her ethical self as a manifestation of the personal choices made by the characters.

One can think of the DFZ as a story of how a city like Ankh-Morpork might come into being much like Animal Farm can be read as the creation of Big Brother. What I would love to see in future books is the DFZ spirit appropriating things from the different cultures of her residents in order to create her underlying institutions while giving them a particular DFZ spin much in the way that the DFZ already makes use of different cuisines.

Thursday, July 2, 2009

Yarnton Manor and My Visit to Animal Farm

Despite my lack of sleep from my fleet to England, I still managed to enjoy the sight of Oxford from the top deck of a double-decker bus.


As per the advice of Dr. Daniel Frank, who taught at Oxford for a number of years, I am staying at the Yarnton Manor. This complex of buildings, in the village of Yarnton a few miles outside of Oxford, houses the Oxford Centre for Hebrew and Judaic Studies.




Before I left for England, my younger brother called me to find out if I planned on singing “Beasts of England” on the plane ride there. For those of you who are not familiar with George Orwell’s short novel, Animal Farm, “Beasts of England” is the anthem song by the animals of Manor Farm as they revolt against the tyrannical rule of farmer Jones and establish Animal Farm. Here are the lyrics:

Beasts of England, beasts of Ireland,
Beasts of every land and clime,
Hearken to my joyful tidings
Of the golden future time.

Soon or late the day is coming,
Tyrant Man shall be o'erthrown,
And the fruitful fields of England
Shall be trod by beasts alone.

Rings shall vanish from our noses,
And the harness from our back,
Bit and spur shall rust forever,
Cruel whips no more shall crack.

Riches more than mind can picture,
Wheat and barley, oats and hay,
Clover, beans, and mangel-wurzels
Shall be ours upon that day.

Bright will shine the fields of England,
Purer shall its waters be,
Sweeter yet shall blow its breezes
On the day that sets us free.

For that day we all must labour,
Though we die before it break;
Cows and horses, geese and turkeys,
All must toil for freedom's sake.
Beasts of England, beasts of Ireland,
Beasts of every land and clime,
Hearken well and spread my tidings
Of the golden future time.

Imagine my surprise when, around the bend, I discovered a Manor Farm.



I did not find Napoleon, Snowball, Squealer or Boxer, but I did find this beautiful Shetland pony.


I tried explaining some of the doctrines of Animalism to this pony, such as “all animals are equal” and “four legs good, two legs bad,” but I think it was mainly interested in finding out if I had any treats on me. Unlike a certain parent of mine, I am capable of resisting the begging of even the most adorable animals.