Izgad is Aramaic for messenger or runner. We live in a world caught between secularism and religious fundamentalism. I am taking up my post, alongside many wiser souls, as a low ranking messenger boy in the fight to establish a third path. Along the way, I will be recommending a steady flow of good science fiction and fantasy in order to keep things entertaining.
Welcome Aboard and Enjoy the Ride!
There has been some recent controversy over attempts to remove books like Homer's Odyssey from school curricula to be replaced with more woke-friendly material. In the Disrupt Texts Guide, they recommend the book Before the Ever After, which deals with CTE in professional athletes. I have not read the book so I have no position as to whether this book should be taught in schools. What struck me is the following comment from the guide: "In a capitalist society, the allure of fame
and fortune connected with the pro sports world seduces many into risking their lives
or long-term futures for immediate rewards."
It seems obvious that whoever wrote this has no understanding of human history in general and particularly has never read Homer. Ancient Greece was not a capitalist society yet the character of Achilles revolves around the idea that he would exchange a long life in return for long-lived glory. The search for glory is important for Odysseus as well. Glory, particularly of the military kind, is a distinctly uncapitalist concept. In fact, one of the virtues of capitalism has been precisely its ability to convince young men that success in business is an acceptable alternative to the glory of victory on the battlefield. Without this, you do not have a capitalist society.
In truth, every human society in history has possessed some version of encouraging young people to risk their health and physical safety for some larger goal. By definition, society means people organizing around something that they value above their personal self-interest. This applied to ancient Greeks marching off to war, knowing that there was a good chance they will die, so that their families could be part of the small minority of people who got to lie on couches, being served meat and wine by slaves. It applies today with professional football players risking their health for fame and fortune. It also applies to BLM protesters taking to the streets even though they would be personally better off staying home and letting someone else do the hard work of building a more woke society.
In a Jonathan Haidt style exercise of asking disturbing moral questions that people feel strongly about even as they are unable to defend their positions, I asked a student of mine whether it is possible for there to be a video that would be immoral to play. He immediately jumped on the obvious liberal utilitarian response of no; simply playing a game, by definition, cannot, in of itself, harm anyone so it can never be immoral.
Level One: Wolfenstein 3D.
This classic game involves running around and systematically shooting people and dogs, who scream and produce pools of highly pixelated blood. Of course, the people you are shooting are Nazis (as are the dogs one guesses) so pretending to commit mass murder is, perhaps, defensible.
Level Two: Knights of the Old Republic (KOTOR).
It is a feature of a number of Star Wars games that you can choose to turn to the Dark Side. This means that instead of light-sabering and blasting your way through stormtroopers (the moral equivalent of Nazis) you can murder innocent people on your path to becoming the Sith Lord ruler of the galaxy, bringing misery to trillions of beings.
In defense of KOTOR, the violence here is safely out of the realm of reality. None of us can use the Force (let alone become Sith Lords) or lightsabers. Perhaps, the distance from actual mass murder is enough that pretending to commit such horrors is not in bad taste.
Level Three: Grand Theft Auto (GTA).
GTA allows you to play a street-level criminal. You can commit crimes ranging from selling drugs to running over the prostitutes of a rival pimp and shooting police officers. Unlike Sith Lord, this is a plausible career choice for players. This raises the question of whether GTA encourages violence. Alternatively, a person who likes GTA is at least signaling that he might wish to behave like this in real life. Clearly, a game like GTA forces our utilitarian to hunker down on his insistence that direct physical harm should be relevant. He is particularly vulnerable here as it is hardly obvious that banning the game would not reduce crime. By insisting on only direct harm, our utilitarian is showing that it is his liberal convictions that dominate.
Level Four: Racial Violence
It is my understanding that neo-nazis and others of that ilk have produced games that allow players to fight a race war against blacks, Jews, and other "undesirables." Imagine a game where you can shoot your way through a black church and then burn it down with small children inside.
My student conceded that such a game would be immoral to play though he could not offer a reason why pretending to murder black people in church should be wrong while pretending to murder cops is ok. It cannot be simply that playing a racist game is itself racist and not just pretend racism. To be ok with shooting cops in a game also demonstrates a lack of concern for the lives of cops, particularly to the extent that you are not ok with shooting blacks in a game.
The stakes here are very high and not just for video games. Once we acknowledge that there are some things so horrible that you should not even pretend to do them, much of literature becomes endangered. Plato famously wanted to ban the Homeric epics on account of their immoral behavior. In defense of Plato, the fact that Achilles and Odysseus make lies, murder, and sexual assault appear respectable, arguably makes the Illiad and the Odyssey a greater moral threat to society than a racist video game.
I agree with my student that there is an important line between GTA and racist violence games. If I were to defend this position, I would argue that even pretend racist violence is out of bounds because it violates a kind of social contract in ways that regular pretend violence does not. Chris Caldwell argues that the 1964 Civil Rights Act created a new constitution with the power to trump even the actual Constitution. Similarly, we can see American whites after the Civil Rights Movement agreeing to a new social contract with blacks. Since blacks had the moral high ground due to the fact that America's history of slavery and segregation was particularly embarrassing during a period of post-colonialism and the Cold War, they could demand not only technical legal equality but also that the American narrative should be reimagined to place the struggle over racism at the center. Blacks got to become an essential part of the American story and not just an inconvenient historical quirk. Liberal whites got to be the whites who fought for equality. Now for a white person to now be a "good American" they must actively present themselves as active opponents of racism.
Part of what makes this new social contract possible is that whites consistently underestimate the difficulty of living up to their end of it. It is easy to condemn racism as something other less enlightened people do. Truly opposing racism is actually quite impossible. For a white person to argue that they are free from racism is to demonstrate that they are actually racist as they fail to appreciate the true centrality of racism. To the extent that any white person can escape the taint of racism, it loses some of its centrality and reduces the relevance of blacks.
To be white in America is to be Tantalus, ever reaching for that reasonable goal of not judging people by the color of their skin and hoping that black people will give them absolution. If we only denounce other white people slightly less embedded within this narrative then that absolution can be ours. This game gains its highly seductive power precisely because it appears so reasonable. Racism is real and it should be denounced. Reasonable people should be able to agree that certain things, particularly within the context of the real horrors of American history, should not be said or done. So only a "racist" could reject this process. For example, I oppose the use of blackface and the n-word. I oppose Trump largely because he empowers genuine racists. Does this protect me against the charge of racism? To believe that it might would demonstrate that I am, in fact, a secret racist.
From this perspective, playing a racist game raises a different question from playing a murderer. For the American post-Civil Rights narrative to function, we must see the murder of blacks as different from other kinds of murder to the extent that we would take racist murder as something personal that strikes at our very being. Anything else demonstrates that we do not truly buy into the notion that racial struggle is central to American identity or worse that we take the white-supremacist side. Regardless of how we really feel about a racist game, it is of even greater importance that we condemn other people for being open to playing such games. Who can resist the opportunity to earn a little absolution for racism at so little cost by taking a stance against a hypothetical game?
There is a certain irony here. Freedom of expression is an intrinsic part of American identity. As such, it would be considered un-American to condemn the playing of a game even one that advocates murdering prostitutes and cops. To even attempt to argue from the perspective of virtue ethics that such a game could corrupt one's soul simply and that one should at least be bothered by the concept demonstrates that one is not sufficiently embedded within the American notions of freedom of expression. To support censorship when it comes to racist violence becomes a kind of antinomian embrace of American values. You value the new narrative of defining America in terms of the struggle against racism that you are even willing to support censorship, risking your American identity.
As Haidt argues, our moral values are intuitively formed in our emotions and it is left to our intellects to justify our morality after the fact. My objection to racist games is honestly heartfelt. As a product of the post Civil Rights social contract, I was educated to not only oppose racism intellectually but, more importantly, to be horrified at the concept. Any attempt on my part to defend anti-racism on intellectual grounds is bound to feel contrived at best.
So I put it to my readers, is it immoral to play a racist game as opposed to shooting cops in a game? If so, what intellectual justification are you willing to offer as opposed to strongly worded self-righteousness?
Since today is the fast day of Tisha B’Av, the ninth day of the month of Av, when Jews mourn the destruction of the two temples and a host of other tragedies, I decided to offer a brief lesson in the historical method using the destruction of the second temple. To explain why the temple was destroyed the Talmud tells the following story of Kamtz and Bar Kamtza.
There was a man who had a friend named Kamtza and an enemy named Bar Kamtza. This man made a feast and told his servant to bring Kamtza. The servant made a mistake and brought Bar Kamtza. The man found Bar Kamtza sitting at the feast and asked him to leave. Bar Kamtza offered to pay for his meal. The man refused. Bar Kamtza offered to pay for half of the entire feast, but the man still refused. Bar Kamtza finally offered to pay for the entire feast. The men would not even consent to this and threw Bar Kamtza out. Bar Kamtza decided that since the Rabbis were sitting there and did not protest they must have supported it. He decided to take revenge by libeling them before Ceasar. He went and told Caesar that the Jews were rebelling. Caesar asked him how he knew this. Bar Kamtza suggested that he send the Jews a sacrifice and see if they bring it. Caesar sent, in Bar Kamtza’s hands, a calf. Bar Kamtza took a needle and pierced the calf’s lip, thus making a blemish. Upon examining the calf, rabbis were uncertain as to how to respond. Some wanted to bring it in order to preserve peace with Rome. Rabbi Zachariah ben Avkulos, though, argued against this saying that people would come to think that it is permissible to bring blemished animals. The rabbis then suggested that they kill Bar Kamtza in order to silence him. Rabbi Zachariah ben Avkulos would not allow this either lest people think that bringing blemished animals carries the death penalty. The sacrifice was not brought and because of this Rome attacked Judea and destroyed the temple. (See Talmud Bavli Gittin 55b-56a.)
As a historian I am required to follow the historical method of examining texts. Amongst many other things, this method requires that one privilege texts written close to a given historical event and treat texts written long afterwards with extreme caution. Closely connected to this is the notion that written texts are to be privileged over oral traditions. The rule of thumb when dealing with oral traditions is that they have a shelf life of seventy years, beyond that they become legends. Even more important than what texts you read, is how you read them. Amongst other things, the historian needs to have a good sense as to how a literary narrative is likely to sound and how it differs from a historical narrative. For example, having a war break out because the queen of one country fell in love with the prince of another country makes for an exciting romantic story, but does not confirm very well to real life experience. For this reason Herodotus, who was willing to accept a lot of strange claims, thought the Homer’s explanation as to why the Trojan War started, Helen of Sparta running off with Paris of Troy, was unlikely.
This is not to say that texts written close to the event are true and those written later are false. I do not claim that accurate oral traditions cannot be transmitted over hundreds of years. Also, I readily admit that truth is often stranger than fiction and stories that sound like fiction may in fact be true. All that this means is that, as a historian, one cannot grant much authority to such types of evidence. As a former teacher of mine once said: history is not about the search for truth, it is about verifiability. One can think of history as intellectual game that we play in which we follow the historical method of analyzing evidence, mainly texts, and see what sorts of directions this evidence points to. Whether or not what comes out is in some objective sense the Truth, is a separate issue that has nothing to do with history; let philosophers and theologians worry about such things.
I make no claim as to whether the story of Kamtza and Bar Kamtza actually happened or not. The historical method, though, does not allow me to give it much credence. The Talmud was written hundreds of years after the destruction of the Temple. Even more damning is the fact that this story has the ring of a fable to it. A man has a friend and an enemy whose names are almost identical and accidently invites the enemy instead of the friend. This enemy offers to pay the man a fortune in order to let him stay, but the man hates him so much that he refuses. This enemy becomes so bitter that he decides to take revenge against his entire people. To do this he travels from Judea to Rome, no small feat in the first century, and gets an audience with Caesar, also no small feat. Caesar, having nothing better to do than to listen to the ravings of a malcontent and conduct meaningless tests to discern the loyalty of a small province in the Middle East, decides to go along with what this man suggests. The plot works perfectly. The rabbis do not bring the sacrifice and Caesar, having nothing better to do with his legions, decides to launch a full scale invasion. A bunch of people decide to go to war and no one bothers to sit down, talk things over and negotiate. Is all of this quite possible? Certainly. But what does this story sound like? Does it sound like a real historical event or does it sound like the story that people, hundreds of years later, would tell about a historical event, dramatic with a nice moral lesson attached to it? As a historian, one must go with the later.
This has important implications as to how one looks at the history books put out by Haredi publishing houses such as Artscroll and Feldheim. When authors of Haredi history books report stories found in rabbinic literature as historical fact, such as the story of Kamtza and Bar Kamtza, they are not simply offering their own interpretation of history, to be put alongside academic history as a legitimate alternative. They are not following the historical method. As such what they write is not history and these authors cannot be viewed as historians.