The Society Building Story and its Implications for Individualism and Faith

I have written a number of posts dealing with Orson Scott Card, Stephenie Meyer and their use of society building stories in their fiction. Before leaving the issue (for now), I thought I should say a few words to wrap things up. In looking back at my posts on the topic I realized that I failed to adequately explain why I think this issue is so important. Stephenie Meyer’s decision to follow Card’s lead is not a matter of artistic copying but of a shared critique of modern individualism and a shared religious vision.

At its heart, the society building story, in which a small group of individuals, with little reason to care for one another, are thrown together and attempt to build a society with one another, possesses an ambiguous relationship with individualism. If one wanted to be simplistic one could even accuse it of being anti-individualism. The characters start off as relatively independent individuals. The plot turns on their decision to surrender their independence and tie themselves down to the needs of the group. For example, in The Host, Wanderer surrenders herself to helping her community of free humans. With Ender, however strong he might be, he needs some sort of group to give himself up to. This is a far cry from the sort of do it alone heroic individualism at the heart of so much of modern fiction and of science fiction as well. This is not the work of Robert A. Heinlein; this is most definitely not Ayn Rand.

One could even link this to the religious beliefs of Card and Meyer. Card and Meyer are both Mormons, a religious group known for its strong sense of group discipline. Card and Meyer could therefore be read as anti-moderns, whose message is that, to find fulfillment, one must reject the individualism of modern secular society and submit oneself to the demands of the group; much in the same that Mormons and followers of other religions allow themselves to be controlled by the dictates of their group.

In a sense, though, the society building story used by Card and Meyer is strongly individualistic. The characters freely choose to bind themselves to their newly built society. So this act of society building is ironically very much the act of individuals; they could not have succeeded unless they were such strong individuals. Also, this act of society building is done in defiance of some other society. Wanderer rejects the perfect society of the Souls. The Cullen family of Twilight, by their very existence, is a rejection of the Volturi and their value system. Ender’s Dragon army fights the system at the Battle School even as it plays its mock battles against other armies.

This ambiguity about individualism is also at the core of work of Robert A. Heinlein, the father of heroic individualism within science fiction, as well. In certain respects, Heinlein is a forerunner for both Card and Meyer. While Starship Troopers glorifies the individual soldier it is also a remarkable ode to duty and an indictment of modern society’s inability to install a sense of duty and responsibility within its members. Heinlein’s The Moon is a Harsh Mistress can be read as a society building novel itself. It is about a computer led rebellion by the residents of the Moon against the rule of Earth. The people living on Heinlein’s future Moon reject the paternal statism of the countries of Earth and strive to build their own libertarian state. The real struggle in the story is not over whether the people of the Moon can defeat the occupation forces from Earth but if such a diverse group of people can band together as one group.

Card and Meyer are hardly supporters of the sort of polyamorous marriages that Heinlein advocated. Card and Meyer belong to the mainstream Mormon Church, not to one of the polygamous sects, so they are not into alternative lifestyles. As I see it, their use of society building stories has a distinctively religious component to it. Any religious group operating in the western world today operates, to a certain extent, on a similar model as the societies found in the work of Card and Meyer. All religious groups are, in one way or another, counter-cultures. In a secular state, the government cannot be used to advance the cause of any religious group. Even more importantly, in a secular society, the very ethos of the society is contrary to the values of established religions. One can see communities of faith as collections of renegades from the general society who have been thrown together by circumstances other than their personal like for each other and must join together to form their own alternative society.

The society building story as it is used by Card and Meyer carries the distinct stamp of their Mormon faith. Mormonism is a religion organized in a highly authoritarian manner, but also one in which power is closely centered at the base. The Mormon religion does exert a tremendous amount of control over the day to day lives of its followers; members most give tithes to the Church and serve the Church in the field as missionaries. That being said the Church maintains no paid clergy; instead, leading members volunteer to serve for a fixed period of time. What is truly fascinating about how Mormons operate is their system of wards. Wards are small chapters, usually encompassing a single city or neighborhood. For Mormons, wards operate as an extension of the family; there are ward meeting and ward picnics. Mormons fall under the authority of a given ward simply by living in a given area. They do not get to choose who their fellow ward members are; if they do not get along with other members of their ward they do not have the option of breaking away and creating a new ward. (Considering all the fights and splits that go on in synagogues, I can see the advantages of such a system.) So an individual Mormon’s relationship to a ward runs in terms of a society building story. One is thrown in with a group of people that one has no particular reason to care for. In such a situation, there is no other choice but to build for oneself, out of such material, a society, and even a family.

Humans Battling Mind Controlling Aliens: A Struggle of Cardian Proportions (Part II)

(This is a continuation of an earlier post. For Part I see here.) 

Stephenie Meyer’s Host has been advertised and hailed as a story about the triumph of the human spirit. This would be in keeping with the impression that one would get just from glancing at the book jacket. The humans are going to defeat the aliens, right? Wanderer is going to be won over by the individualism of the free humans and reject the communal structure of the Souls, right? The truth is that Meyer has something very different in mind. Rather than a simple freedom triumphing over slavery story, Host is a tale about society-building and of conflicting societies. The Host starts off as being a society-building story about Wanderer and Melanie. They are two strangers thrown together by chance and forced to share not a piece of land but a single body. They have every reason to hate one another. For Melanie, Wanderer is a parasite, who has stolen her body and her life. For Wanderer, Melanie is a voice in her head that should not be there and is an unneeded and potentially dangerous complication in her life. That being said Wanderer develops a strange affection for Melanie even to the point of protecting her from her fellow Souls. Wanderer covers up the full extent of the problem so that the Souls do not simply take her out of Melanie’s body and kill Melanie. In essence, Wanderer chooses her troubled, schizophrenic existence with Melanie over a less problematic existence in some other body. Not only does Wanderer accept Melanie as a part of her life, but she also risks her life in an attempt to find Melanie’s family, a task that has no possible good ending for her. Tracking off into the desert lands of Northern Arizona might get her killed. If the Souls find her they will view her as a traitor. If she succeeds and finds the group of free humans, that she is looking for, the humans will take her what she is, a hostile enemy and a threat. Wanderer’s search for the free human hideout is only the prelude to the main part of the story. 

Not to give too much away but she finds them (they actually find her) by page 117. (This is a 619-page novel.) The rest of the book is devoted to Wanderer’s struggle to become part of this free human society and how she comes to relate to the various residents of this society. Meyer puts Wanderer into a Stephen Donaldson type dilemma. Wanderer cannot play her most valuable card to protect herself and tell any of these humans the truth that Melanie is still alive and well inside her own head. This society survives on the belief that those humans taken by the Souls are gone; that the Hosts are no longer human and that there is no hope of bringing them back, no matter how much they would want to believe otherwise. If Wanderer were to tell the truth they would believe that she was lying to them by playing on what they would most desperately want to believe and kill her. Therefore she must lie and hide the truth even from the people she loves most in the world, Melanie’s younger brother Jamie and her boyfriend Jared. 

The free humans are led by Melanie’s Uncle Jeb. He rules this society as a benevolent dictator. The caves they are living in are his house and therefore he makes the rules. He knows what Wanderer is yet he stops his people from killing her not because he has any delusions that the person he sees is in any way his niece but because he wants to get to understand these alien life forms that they now have to share the Earth with. From this perspective Jeb and, later, other characters, come to form their own bound to Wanderer, or Wanda as she comes to be called, even though she is and remains the physical embodiment of everything they hate. 

This society that Jeb is running is made up of people thrown together by the fact that they are among the last humans not taken by the Souls. These people do not necessarily like each other nor are they particularly virtuous. Furthermore, they are riding against the tide of history; the war is long over and the Souls won while hardly even having to fire a shot. 

Parallel to this small gritty, problematic free human society is the society that the Souls have created. The Souls are also part of this societal building narrative; they are also thrown together by events and must form bonds with people they have no particular reason to care about. At the beginning of the novel, Wanderer meets one of the first Souls to come to Earth. She and another Soul took the bodies of people who were husband and wife. These two souls, despite the fact that they had no previous connection to each other, took on the relationship of their hosts and fell in love with each other in a very human sense. Later in the novel, Wanderer sees a couple who are Souls with small children who are clearly not occupied. So you have Souls with human children, created through the agency of their hosts, and who have taken on human connections to their own human children and have therefore kept them human. 

In this tale of society building, Wanderer must choose the society in whose building she will take part. Neither society is good or bad; if anything it is the Souls who have the moral edge. Wanderer, though, chooses her flawed humans over her own kind. Wanderer’s reason for this is emblematic of this whole notion of society building. The bonds that she forms with the free humans have meaning precisely because they came out of an active choice, made by people who had every logical reason to turn her away. The Souls are beings who love naturally. While they may lack the flaws of human beings and their society may be a lot more moral and less problematic, their bonds are meaningless as it was something that never came out of any active choice.

Humans Battling Mind Controlling Aliens: A Struggle of Cardian Proportions (Part I)

A few months ago I did a series of posts on Orson Scott Card and his influence on Stephenie Meyer. (See posts I, II, and III.) Their stories are built around the issue of society building; groups of people are thrown together, who may not have any particular love for each other, yet come to form a bond with one another and, from that bond, create a small society or even a family. This issue could have been explored further though I moved on to other things. Little did I know that Meyer would thrust me back into this issue by making her next book even more explicitly “Cardian” than even Twilight. There are things on the surface of Meyer’s new novel, the Host, that call attention to Card. This is a work of science fiction and the back cover of the book has a blurb from Card, praising Meyer. At a deeper level though Meyer has, once again, studied Card and has proven herself to be a most diligent and worthy student.

In what has now become her trademark, Meyer takes a stock horror story and fashions it as a charming and utterly captivating romance. The Host deals with an invasion of Earth by aliens, known as Souls, which insert themselves into the bodies of human hosts and take control of them. This type of story has been done many times before. Such aliens have appeared as the villains in Robert A. Heinlein’s Puppet Masters and more recently the Animorphs series by K. A Applegate, to name some examples off the top of my head. For those of you who do not remember, the Animorphs was a series of children’s books that dominated the field of children’s literature back in the late nineties, before the rise of Harry Potter. In Meyer’s telling of the story, these parasitical aliens are not evil beings out to conquer and enslave humanity. On the contrary, they are creatures with highly developed moral sensibilities. They follow a strict code of Utilitarian ethics; their actions serve to create the greatest level of happiness for the greatest amount of beings. By taking over Earth, they have created a better, more ethical humanity in which people love one another and strive to serve the common good. The Souls, having conquered Earth, have not destroyed human culture. On the contrary, they continue to live as a human society, albeit a perfected one. Their hosts continue to live their human lives, holding down human jobs and raising human families.

The main character of the novel, Wanderer, is a Soul inserted into a young woman named Melanie Stryder. This should have allowed Wanderer to live a perfectly happy life inside Melanie’s body and with Melanie’s knowledge and memories. The problem for Wanderer is that Melanie has refused to go away and continues to live on. Worse, Wanderer finds herself inundated with memories of Melanie’s former life particularly of her younger brother, Jamie, and the man she loved, Jared, both of whom are now living in one of the last hidden free human holdouts. Haunted by these memories, Wanderer finds herself taking on Melanie’s connection to them and searching for them.

In a sense, this is a story about three different characters in one body. There is Wanderer, Melanie, and Melanie’s body. The lines between these characters are blurred, creating a fourth, completely different character. Wanderer is now living in Melanie’s body but has to deal with Melanie speaking in her head, which of course used to be Melanie’s head. Furthermore, Wanderer is affected by the fact that the body she lives in is Melanie’s. This places certain constraints on Wanderer; by taking on Melanie’s body she is no longer Wanderer as she was but another version of Melanie. The conqueror, by the very act of conquering, has been conquered.

(To be continued …)