Showing posts with label Joss Whedon. Show all posts
Showing posts with label Joss Whedon. Show all posts

Wednesday, September 20, 2017

An Apology for Adelai: Why Malcolm Reynolds Should Have Stolen the Medicine


(Recently, I have been taking part in an online discussion group devoted to Firefly and Libertarianism, which served to inspire this piece.)

Part of the charm of Firefly for Libertarians is its rather nuanced take on the Alliance government. As the central villain of the series, it would have been easy for Joss Whedon to have turned the Alliance into something sinister akin to the Empire of Star Wars. Yet, throughout the series, we are never really given a reason to question the fact that the Alliance is competent and, in general, improves the lives of its citizens. Yes, they kidnap children and operate on them. Yes, they employ secretive and spooky agents. That being said, it is only with the discovery of Miranda at the end of the Serenity movie that we are given an example where it can be said that the Alliance messed up. Everything else is easy to defend on utilitarian grounds that the galaxy is left a better place. And even Miranda is hardly something to delegitimize the Alliance (even as it does convert the Operative). Sure the Alliance exposed people to chemicals that turned them into the zombie space barbarian Reavers. But they meant well and is this really worse than all the times the United States has armed different groups with unexpected consequences? The fact that the Alliance is a pretty good government, forces Malcolm Reynolds and his friends to fall back on principles to defend their refusal to bow to the Alliance. Having no empirical grounds for claiming that they have a plan for a better galaxy (or any plan at all), all they can demand is their right to go their own way regardless of the consequences.

One of the chief examples on the show where the Alliance comes across in a positive light is the "Train Job" episode. Here, Mal is hired by the brutal crime boss Adelai Niska to steal a crate of goods from an Alliance train. When it turns out that the crate contains needed medicine for the local townspeople of Paradiso, Mal returns the goods, giving up a valuable payday and making himself a dangerous enemy. In keeping with the theme of valuing libertarian principles over pragmatic utilitarianism, I wish to offer a defense of Niska stealing the medicine and an argument as to why Mal should not have given it back.

I assume most viewers support Mal's decision to take the job in the first place when the crate was simply some unnamed goods (perhaps the newest iPhone to be sold to the town's wealthy). As an enemy of the Alliance and a soldier in a war against them, Mal has no social contract with the Alliance that would prohibit him from robbing them. It is irrelevant that the Alliance won the war and now possesses a very real monopoly on violence throughout known space. On the contrary, the Alliance's possession of such power simply demonstrates that they are the aggressors and not Mal. Mal is justified in stealing from the Alliance despite the fact that, from a galactic utilitarian view, Mal's theft is harmful. He is not producing any goods. Once he has finished with his theft, the galactic economy will be left with the same goods minus the cost of the crew of Serenity's time and effort along with the damage done to the train and injuries to soldiers.

If you are willing to support Mal when we assumed it was just luxury goods for the rich being stolen, you should logically be willing to follow this position when it is a little less favorable to Mal. What if the crate contained aid for the poor people not immediately threatened with death? Here we have the literary example of Ragnar Danneskjold, the anti-Robin Hood privateer of Atlas Shrugged. Ragnar makes a point of only attacking government aid ships. His reasoning is that the goods have been stolen from hard-working capitalists and are being used to prop up socialist regimes that will further oppress people. By robbing aid ships he is helping to bring down socialism and repay capitalists like Hank Rearden what the government stole from him in taxes. The fact that there are people who need these goods far more than Rearden does is irrelevant to Rand's philosophy.

The Alliance has stolen the goods from hard-working productive individuals like Niska. We can assume that Niska is productive as people clearly want to do business with him so badly that they are willing to step outside the law and become criminals to do so. (See Defending the Undefendable by Walter Block.) We can assume that an intelligent man like Niska manages to avoid paying taxes to the Alliance. That being said, Niska indirectly pays a hefty price for being on the wrong side of Alliance law in that he is left without a suitable court to settle business disagreements. This leaves him with no choice but to brutally torture people to death whenever they fail him.

In general, it is irrational to kill people as it is economically inefficient. Standard economics and Occam's Razor force us to assume that Niska is rational and is only killing people because the Alliance makes him do it and not because he is a psychopath. Even if Niska was a psychopath, his actions would still be the Alliance's fault as they made otherwise legitimate businesses illegal, creating a market that psychopaths could easily take over and become rich and powerful instead of falling to the power of the free market, which punishes people for irrational behavior far more effectively than government ever would. It should be noted that, at the end of the episode, Mal knocks one of Niska's henchmen into a spaceship engine while the latter is tied up and defenseless. If you are willing to accept such cold-blooded murder as necessary under the circumstances then you should, at least hypothetically, be willing to accept that Niska needs to kill people sometimes simply to make a point and maintain his reputation.

While the residents of the town could use the aid, they never had a right to it. I assume we can accept that it would be immoral for them to turn to piracy to get their needs even if they were stealing from people who could easily spare the goods. Furthermore, it would be justifiable to respond to such piracy with deadly force. Therefore it is immoral for the town to have the Alliance use legal theft to supply the aid. There is a larger issue at stake here in that giving aid is a major propaganda boost, making the case that the Alliance really is making the galaxy a better place. This would be the same problem as accepting a donation from the Mafia no matter how noble the cause.

Now we come to the really tricky matter where, in fact, Mal is not stealing luxuries from the rich or even needed aid for the poor but medical supplies, without which people are going to die. Keep in mind that we have already surrendered any claim to utility and are solely concerned with the principle of liberty. Now we should consider why Niska might have wanted to steal the medicine in the first place and what he might want to do with it. The most logical thing would be to immediately sell the medicine back to the town at an exorbitant price. Presumably, the Alliance would have to step in and come up with the money. In this case, we would be back to the first scenario where it would be no different than if the crate had been full of money. One can go so far as to argue that even if Niska was not planning on doing this, Mal would be justified in assuming that was his intention and wash his hands of the affair. 

It is possible that Niska is planning on selling the medicine to other miners who need it to live. If this were the case then Mal would be justified as the lives of Niska's people are no less valuable than that of the Alliance citizens. On the contrary, Niska's people have clearly committed less aggression.

What if Niska was planning on simply using the medicine to make a face cream for a celebrity or simply to destroy it out of spite? Valuing silly luxuries for celebrities over medicine for poor people is something that society does every day when people throw money away on movie tickets instead of giving to charity. (Clearly, the world of Firefly still has movie theaters as Shepherd Book reserves a special place in Hell for people who talk in them.) In this case, Niska can hardly be blamed for following the same logic to its extreme conclusion. Destroying the medicine could also be seen as a worthwhile deed as it would humiliate the Alliance and demonstrate that they are not as all-powerful as most people think. This would help undermine the Alliance, which might not actually improve anyone's existence but would still be consistent with advancing liberty.

It should be understood that my entire argument rests on the assumption that it was ok for Mal to steal from the Alliance in the first place even if it was just luxury goods for the rich. This would require us to reject the Alliance's moral authority as well as any claims to utilitarian benefit. Once we start down this path then very quickly we find ourselves with a license to let people die from lack of medicine.

Tuesday, March 9, 2010

Alice in Pretentious Artsy Self-Satisfied Modern Bigotry Land (Part II)




(Part I)

I wanted to scream at the audience around me: don't you people understand. This society of nineteenth-century Victorian England was one in which the vast majority of people, except for a narrow elite, lived in a poverty that we cannot even imagine. Do you know what it means to have a society in which starving to death is a real issue? The only thing saving our elites from falling in with the wretched masses is the force of tradition. Anyone who plays with convention is pulling at the spider's web that keeps not only them feed but everyone around them. I would like to see you tolerate such a person. This was particularly true for women, who were limited in their labor prospects and lacked the sort of education that might have allowed them to hold well-paying jobs even if society let them. Can you imagine the position of a widowed mother, living with the trappings of wealth and its expectations, knowing that without her husband to support them there is nothing to stop her and her daughter from sinking into abject poverty? And by poverty we do not mean food stamps, but the slow demise over years due to malnutrition and disease as you work yourself to death. The only thing saving this person is the prospect of a good match. How dare you any of you smirk or feel superior when such a person decides that whether her daughter is in "love" might not be of utter importance.

We now move from the film's pointless introduction to having Alice fall down the rabbit hole into Wonderland. My father often likes to say that comedy is the hardest genre to perform. Comedy is an either/or proposition. Either you are funny or you are not. There is no in-between or partial success. With drama you can always hope to salvage something even if the project fails as a whole. Humor is not a science; it is something that happens sometimes, but cannot be created at will. You can have genuinely talented people who get out there and, through no one's fault, the material just does not work. Without a question, there were some talented people in this production. The team of Tim Burton, Johnny Depp and Helen Bonham Carter is nothing to be laughed at. (Just watch Sweeny Todd.) There is no logical reason that this team should not have once again produced something absolutely magical. Except that for some unfathomable reason the material just failed to click.

This failure may have had something to do with the fact that, as Lionel put it, they tried to mix whimsical fantasy with epic fantasy. It was not enough that Alice should explore this strange and downright psychedelic world; the film also had to have her go on a quest to defeat the Red Queen, restore the White Queen to her rightful place and defeat the Jabberwocky. Tolkien just does not go with Carroll. This could have still worked as tongue and cheek. The problem is that of all comedy, I would argue that tongue and cheek is the hardest. For tongue and cheek you have to succeed on two counts. In terms of comedy, you still have to actually be funny and as drama you still need to produce characters who make sense and whom the audience connects with on a deep emotional level. One can always try to cover trash by saying that it is only meant tongue and cheek. Saying that something is meant only tongue and cheek can in no way be an excuse for bad writing. I have so much respect for people like Joss Whedon, J. K. Rowling and Stephenie Meyer who use tongue and cheek and make it work. To all those who turn their noses up at their work as popular entertainment that "anyone" could do, I say give it a try.

I could not end this without saying something about what happens back on the top side of the rabbit hole once Alice comes back to her Victorian world. She rejects her upper-class twit of the year and approaches her father's old partner about a really radical business venture, trading with China. Someone needs to offer the writers a history lesson and explain that even our stuffy Victorians were up to trading with China; there was nothing radical in the nineteenth-century about such a prospect. The West even fought several opium wars to open China to western trade. Even people in the Middle Ages were imaginative enough to try trading with China. This was how we got Columbus accidentally discovering America in the first place.

I really wanted to like this movie. I was waiting for it since I heard about it this past summer. I even had a poster of it up as my desktop background. (This proved to be a mistake as some of my little Haredi cousins wanted to use my laptop and started screaming about the not "tznisudic," immodestly dressed, girl in the picture.) However much I respect the people behind this film, it was a failure and not even having it in 3-D could save it.

Sunday, March 1, 2009

Birthday Presents

Today is my twenty-sixth birthday. Here are some of the things on my birthday wish list, ranging from the personal to the “in terra pax homínibus bonæ voluntátis.” I would like Patrick Rothfuss to finally finish Wise Man’s Fear and for Amazon to stop filling me with false hope about its release. For those of you who do not understand what I am talking about I strongly suggest that they pick up a copy of Name of the Wind and read what is looking to join Lord of the Rings and the Chronicles of Thomas Covenant the Unbeliever as one of the greatest works of fantasy ever written. While we are on the topic of Thomas Covenant, I would not say no to having book three of the Last Chronicles of Thomas Covenant, Against All Things Ending, come out a little sooner. It is slated for 2010. It would be nice if Stephenie Meyer would reconsider her decision not to complete Midnight Sun, her parallel novel to Twilight. Can Fox cancel Joss Whedon’s miserable new television series, Dollhouse, and then allow him to bring Firefly back?

For Israel I would ask that they may form a stable coalition of parties that will actually manage to stay together for a full four years; a coalition made up of conservative parties that will actually defend Israel. May they be able to do this without the help of a single Haredi party to hold the government hostage. Benjamin Netanyahu is one of a rare breed of non-American politicians who supports limited government; he grew up here in the United States and received much of his political training here. So his leadership may have an economic side bonus for Israel. For America, I would ask that they be given a Democratic party that will, now that they are in power, take the threat of Islamic terrorism seriously and a Republican party that will, now that they have been rightly tossed out of power, support limited government. I think having at least one small government party, even if it the one in the minority, is worth wishing for.

For those of you who are unable to come through with any of these gift suggestions, but still wish to get me something here is my Amazon wish list.

Monday, August 25, 2008

Leon Festinger's UFO Group and the Spreading of Whedon's Gospel

Leon Festinger’s When Prophecy Fails is the classic study on cognitive dissonance and its role in religious and apocalyptic thinking. The book is built around the study of a UFO group. The leader of the group claimed to be receiving revelations from aliens. According to these aliens, the Earth would soon be struck with a series of cataclysmic disasters. The aliens promised, though, that, before these cataclysms occurred, they would send a ship to save the members of the group, the true believers. Festinger had his students infiltrate the group to study the people involved. In particular, he was interested in seeing how these people would react as the predictions made by the group’s leadership failed to come to pass; which people would maintain their faith? What Festinger found was that, while those who were only marginally attached to the group abandoned their beliefs as they were refuted by the reality on the ground, the inner circle, those who had actually made serious sacrifices because of their beliefs, not only maintained their faith but became even more convinced in their beliefs.

Another thing that Festinger observed was that, while initially, the group had no interest in spreading their message to the outside world, once the final date for the group to be taken up in the alien spaceship had come and gone the remaining believers suddenly became very interested in spreading their message. While before they would not talk to reporters, now they eagerly sought the media to tell people that, while it might seem that they had been proven wrong by events, in truth what had happened was that earth had been given a second chance due, in large part to the group’s intercession with the aliens.

Based on his study, Festinger drew up a list of conditions for a person to believe in something despite it being refuted by empirical reality. This would have to be a belief built around the prediction of a clear-cut event in time, such a date upon which the alien spacecraft would appear. The person needed to have made real-life changes and sacrifices based on this belief such as losing a job. When the big event fails to happen, the person needs to be surrounded by a group of like-minded believers. The larger the group of likeminded believers the easier it is to maintain belief. This would explain the need to gain proselytes after the fact. If lots of people become believers after the fact then it would demonstrate that the belief really was true.

Festinger connected the actions of his UFO group to two groups in history, the original followers of Jesus and the Sabbatian movement. In theory, Jesus getting crucified should have been the end of Christianity. On the contrary, though, Jesus’ crucifixion inspired his apostles to preach the message to the entire world and created the world’s largest religion. Similarly, the conversion of Sabbatai Sevi to Islam should have been the end of the Sabbatian movement. Chased underground by the Jewish establishment, the Sabbatians continued in their belief, convinced that their messiah’s apostasy was a necessary act in the unfolding drama of redemption. Elisheva Carlebach, in fact, uses Festinger in her course on Sabbatai Sevi to explain why the movement failed to die even when its messiah converted to Islam.

I would connect Festinger’s theory of proselytizing to Joss Whedon’s Firefly and the dedication of its followers, known as Browncoats. The television show Firefly lasted a grand total of eleven episodes (fourteen were actually made) before Fox canceled it. Rather than take this as a defeat, Browncoats made it their mission to spread Firefly to whomever they could. Aided by the internet and DVDs they managed to make Firefly a major cultural phenomenon. They even succeeded in getting a Firefly movie made, though, like the television show, it failed to be a financial success. Earlier this month, cooped up in a hotel in Chicago for several days with my cousins, I brought along my Firefly DVDs and did my best to recruit new followers. Why would I be so loyal to this show, particularly as it was a failure? It is precisely because it failed. It is galling to watch a show as good as Firefly as it builds up its fantastic storyline only for it to end suddenly. It is like reading a good book only to find out that half of the book is missing and the book is out of print so you can never get a hold of another copy. One cannot just stand by and do nothing, one must act. The only thing that one can do is to spread the message wherever one can. The point is not even to bring Firefly back, highly unlikely at this point, but simply to show that Joss Whedon did not make a mistake. In decades to come when Firefly is listed as one of the greatest shows of the early twenty-first century no one is going to doubt Whedon’s vision.

On a side note, Firefly is now available to watch, legally, on Hulu. So now there is no excuse for anyone who claims to be a fan of science-fiction or to having a sense of humor not to have seen this show.

Tuesday, July 15, 2008

An Ode to Villainy and Joss Whedon

I have, in the past, made mention of Joss Whedon and his show Firefly. Firefly was probably the greatest television show to be canceled after only eleven episodes. Whedon also did Buffy the Vampire Slayer and Angel, which I have a certain respect for and which were far greater commercial successes. What all of these shows have in common is Whedon’s ability to take B movie concepts and turn them into something special. With Buffy and Angel it was through satire; these were cheesy horror shows that spoofed cheesy horror shows, themselves included. Firefly was a sci-fi western that spoofed both science fiction and westerns aplenty, but managed to be so much more. It is a show that one cannot watch without getting attached and, upon getting to the end and realizing there is no more, finding oneself shaking ones fists at the universe demanding more. There is a reason why, despite the fact that the show failed, a movie version was made; the fans would not give up on it.

Whedon has established himself as one of the great outside the box thinkers in Hollywood, a talent on display in a short film, made for the internet, titled Dr. Horrible’s Sing-Along Blog. Dr. Horrible is a musical send up to cheesy science fiction villains. The main character, Dr. Horrible, played to perfection by Neil Patrick Harris, is a lovable but hapless science geek, who yearns to become a great villain. He is in the process of trying to invent a freeze ray to aid him in his villainy and win the heart of the girl of his dreams. Standing in the way of this noble dream is Dr. Horrible’s tendency toward mishaps and his arch-nemesis, Captain Hammer, played by Nathan Fillion of Firefly fame.

Those familiar with my sense of humor will understand why I feel such a strong kinship with Dr. Horrible. I have a thing for high villainy and world domination. Add in some heartwarming melodies and it makes me want to rub my hands together in a Montgomery Burns sort of way. Excellent!

Act I of Dr. Horrible has already been posted and acts II and III will be coming up in the next few days. The film will be available to watch for free until July 20.