I was recently contacted by an old friend of mine from the Yeshiva Collage Dramatics Society, Felissa Elfenbein, (how a woman became a member of a guys theater group is a story for a different time). Felissa is working with Japan Jewish Relief and asked if I could help spread the word so I agreed to allow her to do a guest post.
Benzion asked me how I became involved with helping Japan Jewish Relief as its Social Media Coordinator and I knew that the response would be more in depth then he expected.
From March 2007 until March 2008, I Iived in Hong Kong. Arriving at the end of March Pesach was fast approaching and I was still living in Corporate Housing waiting all of my stuff to arrive via cargo ship. With a kitchen the size of a closet in the US I knew that I needed to find somewhere to go for Pesach and that is when I met the amazing Chabad Rabbi in Hong Kong Rabbi Avzton. I spent Pesach Sedar at his family's table in Hong Kong.
I had to leave but I will never forget Hong Kong and would love to move back someday. To sort of stay connected I remained a member of their email list receiving all of their updates. Most are happy updates telling of special Shabbas Meals, Holiday Events, or Baby Births and Bar Mitzvahs. But there have been two series of updates that really impacted me they weren't the usual Shabbas emails. Rabbi Avtzon is the head Rabbi in Asia and the Far East. The first series of email was about the attack in Mumbai and specifically on the Chabad House there asking Jews around the world to unite in prayer for the family.
The second Series of email newsletters was about the Earthquake and Tsunami in Japan. I was already aware of the situation and helping to raise money so that Veterinarians could go over and help treat the animals that had survived, I write a Pet Blog so it made sense to join and post under the the Paws for Japan Campaign. I received the first email update from Rabbi Avzton in regards to Japan Jewish Relief on March 14th the day that Roy Somech with the help of Chabad of Asia and Tokyo had commissioned a Bakery in Sendai to bake bread for all of those who had no other source of food. I received several more updates always wanting to do something wishing I could go over to Japan to help. But the reality just out of reach as I don't speak Japanese. I read them all and kept blogging about the human animal bond in Japan about the hardships they were going through and what the rest of the world could do to help. Then the update arrived that was sent out on March 31st which ended with "Please read this update to see how we are responding and how you can help"
Obviously they were asking for money or a connection to supplies in Japan that would be cheaper to source or a delivery company that would deliver the goods at a discounted price so that they could feed more people with the money they were receiving. I don't have money to offer and certainly not in the amounts needed to help feed entire cities but I do have a pretty good grasp on Social Media and how to gain support from people all over the world who otherwise would not know about an organization. So I wrote an email to Rabbi Avzton without a second thought about how I could help develop a Social Media presence for Japan Jewish Relief. I set up the Facebook page and some "likes" started to trickle in. I went back to Rabbi Avtzon with an idea and by the next morning everything was in place for our $10,000 for 10,000 friends campaign. All it takes is a click of your computer mouse to make a major impact to help feed an entire city for a day.
Would you like to help Japan? A donor has stepped forward and promised to donate up to $10,000 dollars to Japan Jewish Relief if we can reach 10,000 Facebook fans! All you need to do is click the link and become a fan and ask your friends to become fans as well
http://www.facebook.com/pages/Japan-Jewish-Relief/199231426777913
There is a lot of work that remains to be done in Japan and it will take years for the country to rebuild but there are people who are hungry and in need of hope now. We are able to be on the ground in Japan when so many other organizations are being asked to wait until they can be self sustained in the most damaged areas they are trying to help. Our team is very small and everyone on the ground lives in Japan some like Roy are from Sendai and saw what an impact Japan Jewish Relief was making and asked to help and others are from the cities we are helping. We aren't using their meager and scare resources we are bringing them food and hope because they know that someone cares and wants to help from their hearts.
Izgad is Aramaic for messenger or runner. We live in a world caught between secularism and religious fundamentalism. I am taking up my post, alongside many wiser souls, as a low ranking messenger boy in the fight to establish a third path. Along the way, I will be recommending a steady flow of good science fiction and fantasy in order to keep things entertaining. Welcome Aboard and Enjoy the Ride!
Thursday, April 14, 2011
Tuesday, April 12, 2011
Averroes on Women
Neither Plato nor medieval Islamic philosopher are particularly known for their feminism, though apparently in the case of Averroes (Ibn Rushd), the two seem to have combined to serve such a cause. This is pointed out by E. I. J. Rosenthal in his work on Averroes’s theory of politics:
Ibn Rushd's critical attitude to State and Society of his time is also shown in his outspoken pronouncement on women and their status in contemporary Islam. It is also an interesting application of Plato's ideas about the equality of women as far as civic duties are concerned. The relevant passages are found in the first treatise of the Commentary (xxv, 6-10). It is for our purpose sufficient to quote paragraphs 9 and 10-Averroes' application to his own time and place:
Yet, in these states the ability of women is not known, only because they are being taken for procreation alone therein. They are therefore placed at the service of their husbands and [relegated] to the position of procreation, for rearing and [breast] feeding. But this undoes their [other] activities. Because women in these states are not being fitted for any of the human virtues it often happens that they resemble plants. That they are a burden upon the men in these states is one of the reasons for the poverty of these states. For, they are found in them in twice the number of men while at the same time they do not support any (or: carry on most) of the necessary [essential] activities, except for a few, which they undertake mostly at a time when they are obliged to make up their want of funds, like spinning and weaving. All this is self-evident.
This pronouncement runs counter to Islamic teaching and practice and is the more remarkable since it is made by an orthodox member of the Muslim community which was ruled by the amir al-mu'minin, and moreover by a practising lawyer steeped in fiqh. He openly attacks their way of life as the result of the official attitude. It is clear that Plato's ideas must have drawn Averroes' attention to the wastage of human labour so detrimental to the State, and led him to advocate a reversal of orthodox Muslim policy. (“The Place of Politics in the Thought of Ibn Rushd” pg. 251-252)
I would add that this view of women is distinct from that of the Jewish thinker Maimonides with whom Averroes is often compared. Throughout Maimonides' work he used women as a term of derision and he is a major source in Jewish law for stringencies on the role of women in public life. To be fair to Maimonides he, as with most "misogynistic" philosophers, possessed a general all round contempt for human beings as a whole. For Maimonides, women had all the flaws of the rest of the human race without the redeeming quality of having produced a least a few great rationalist thinkers. Averroes shared Maimonides' contempt for human beings and like him distinguished between the exoteric claims which can be revealed to the masses and the esoteric truths which can only be understood by the philosophical elites. In this they were both following the political philosophy of Plato's Republic. Yet Averroes supported women taking on public roles and believed them capable or rational.
So what pushes a person to ideological misogyny?
Ibn Rushd's critical attitude to State and Society of his time is also shown in his outspoken pronouncement on women and their status in contemporary Islam. It is also an interesting application of Plato's ideas about the equality of women as far as civic duties are concerned. The relevant passages are found in the first treatise of the Commentary (xxv, 6-10). It is for our purpose sufficient to quote paragraphs 9 and 10-Averroes' application to his own time and place:
Yet, in these states the ability of women is not known, only because they are being taken for procreation alone therein. They are therefore placed at the service of their husbands and [relegated] to the position of procreation, for rearing and [breast] feeding. But this undoes their [other] activities. Because women in these states are not being fitted for any of the human virtues it often happens that they resemble plants. That they are a burden upon the men in these states is one of the reasons for the poverty of these states. For, they are found in them in twice the number of men while at the same time they do not support any (or: carry on most) of the necessary [essential] activities, except for a few, which they undertake mostly at a time when they are obliged to make up their want of funds, like spinning and weaving. All this is self-evident.
This pronouncement runs counter to Islamic teaching and practice and is the more remarkable since it is made by an orthodox member of the Muslim community which was ruled by the amir al-mu'minin, and moreover by a practising lawyer steeped in fiqh. He openly attacks their way of life as the result of the official attitude. It is clear that Plato's ideas must have drawn Averroes' attention to the wastage of human labour so detrimental to the State, and led him to advocate a reversal of orthodox Muslim policy. (“The Place of Politics in the Thought of Ibn Rushd” pg. 251-252)
I would add that this view of women is distinct from that of the Jewish thinker Maimonides with whom Averroes is often compared. Throughout Maimonides' work he used women as a term of derision and he is a major source in Jewish law for stringencies on the role of women in public life. To be fair to Maimonides he, as with most "misogynistic" philosophers, possessed a general all round contempt for human beings as a whole. For Maimonides, women had all the flaws of the rest of the human race without the redeeming quality of having produced a least a few great rationalist thinkers. Averroes shared Maimonides' contempt for human beings and like him distinguished between the exoteric claims which can be revealed to the masses and the esoteric truths which can only be understood by the philosophical elites. In this they were both following the political philosophy of Plato's Republic. Yet Averroes supported women taking on public roles and believed them capable or rational.
So what pushes a person to ideological misogyny?
Monday, April 11, 2011
I Get Flack for My Blog Carnival
A few weeks ago, when I hosted the Haveil Havalim carnival, I made the decision to not include a significant number of posts. The biggest reason was simply a matter of quality. If someone came across like they had simply thrown something together in about the amount of time it took me to read the piece I turned them down. In a similiar vein, I also turned down posts that sounded like they came from an angry place. Writing should take more time than speaking as it serves as a means to refine the spoken word, allowing reason to temper anger. Finally, I turned down posts that openly called for violence outside of a State framework.
One would think these are fairly common sense points that people across the ideological spectrum could agree to. Apparently, though, my standards upset people. The host of the newest edition, Esser Agaroth, was someone whom I turned down because, whether or not he fits clauses one and two, he, writing from a blatently Kahanist perspective, certainly fits three. Esser Agaroth, as was his right as host, took the opportunity to respond to me indirectly, even as he was not willing offer me the good grace of being called out by name. Esser Agaroth lists what "offends" him:
I find it offensive when Jews confuse Western culture and sensibilities for Jewish ones. Whether we are talking about "innocent civilians" during a milhemeth misswah (obligatory war), turning Jews into non-Jewish authorities, or a[Italian] black hat, none of these are Jewish concepts.
I find it offensive when Jews accuse other Jews of suborning mass-murder, when murder is an act which may only take place between Jews (Mekhilta, Ramba"m, Sefer HaHinukh). "Killing" is universal; "murder" is not. Please get your terminology right.
I find it offensive when Jews distort the Torah according to their pre-established beliefs and [galuti/diasporan] feelings, like when a Jew quotes the Talmud Bavli...
...that to save a life, it is as if one has saved a world.
...and neglects to mention that HaZa"L was not talking about just any old life, but rather a Jewish one.
I fail to see how any non-Jew can read this and not feel threatened. Do not get me wrong I am willing to support aggressive responses by Israel, including the mass bombing of Palestinian cities in retaliation to terrorist attacks that target civilians. (See "My Government is Licensed to Kill.") I am even willing, in theory, to condone the torture of terror suspects and suspension of their legal rights. (See "Crimes of De-Citizenship.") Even if, as I suspect that many on the left would gladly place me in the same camp, there are some critical differences in that I value all human life, Jewish and non-Jewish, and place no place no virtue in turning toward violence; violence for me is simply an often pragmatic, if tragic, means to avoid becoming the victim of violence oneself.
As one of those Jews with an "inauthentic" Jewish ideology, I would argue that I have even more to fear. Not that my Jewish ideology is any more inauthentic than any other Jewish ideology; all Jewish ideologies are ultimately the product of several thousand years of Jews interacting with other cultures. I challenge anyone to speak for five minutes about Jewish ideology while only using terms found in biblical and rabbinic literature and using those terms in ways that might plausibly be in keeping with their original usage. (See "The Conservative Playbook.") Forget about putting someone in a blog carnival, by claiming for himself the mantel of "authentic Judaism," Esser Agaroth places all those who disagree with him outside of the Jewish religion. Now, what can we expect Esser Agaroth to do to Jewish "traitors" to the "true" spirit of the faith in between interacting with gentiles in such a way as to remove even the concept of "murder?"
One would think these are fairly common sense points that people across the ideological spectrum could agree to. Apparently, though, my standards upset people. The host of the newest edition, Esser Agaroth, was someone whom I turned down because, whether or not he fits clauses one and two, he, writing from a blatently Kahanist perspective, certainly fits three. Esser Agaroth, as was his right as host, took the opportunity to respond to me indirectly, even as he was not willing offer me the good grace of being called out by name. Esser Agaroth lists what "offends" him:
I find it offensive when Jews confuse Western culture and sensibilities for Jewish ones. Whether we are talking about "innocent civilians" during a milhemeth misswah (obligatory war), turning Jews into non-Jewish authorities, or a[Italian] black hat, none of these are Jewish concepts.
I find it offensive when Jews accuse other Jews of suborning mass-murder, when murder is an act which may only take place between Jews (Mekhilta, Ramba"m, Sefer HaHinukh). "Killing" is universal; "murder" is not. Please get your terminology right.
I find it offensive when Jews distort the Torah according to their pre-established beliefs and [galuti/diasporan] feelings, like when a Jew quotes the Talmud Bavli...
...that to save a life, it is as if one has saved a world.
...and neglects to mention that HaZa"L was not talking about just any old life, but rather a Jewish one.
I fail to see how any non-Jew can read this and not feel threatened. Do not get me wrong I am willing to support aggressive responses by Israel, including the mass bombing of Palestinian cities in retaliation to terrorist attacks that target civilians. (See "My Government is Licensed to Kill.") I am even willing, in theory, to condone the torture of terror suspects and suspension of their legal rights. (See "Crimes of De-Citizenship.") Even if, as I suspect that many on the left would gladly place me in the same camp, there are some critical differences in that I value all human life, Jewish and non-Jewish, and place no place no virtue in turning toward violence; violence for me is simply an often pragmatic, if tragic, means to avoid becoming the victim of violence oneself.
As one of those Jews with an "inauthentic" Jewish ideology, I would argue that I have even more to fear. Not that my Jewish ideology is any more inauthentic than any other Jewish ideology; all Jewish ideologies are ultimately the product of several thousand years of Jews interacting with other cultures. I challenge anyone to speak for five minutes about Jewish ideology while only using terms found in biblical and rabbinic literature and using those terms in ways that might plausibly be in keeping with their original usage. (See "The Conservative Playbook.") Forget about putting someone in a blog carnival, by claiming for himself the mantel of "authentic Judaism," Esser Agaroth places all those who disagree with him outside of the Jewish religion. Now, what can we expect Esser Agaroth to do to Jewish "traitors" to the "true" spirit of the faith in between interacting with gentiles in such a way as to remove even the concept of "murder?"
Thursday, April 7, 2011
History 111: How to Start Your Own Religion (Part I)
So I have decided to put my dissertation research to some practical use and will be starting my own messianic cult. I figure that, considering my knowledge of the history of religion I should be able to learn from the mistakes of other would-be Messiahs and prophets. (Note to readers; being a Messiah is a difficult and dangerous task to be left to those with years of professional graduate school experience.)
Now in making claims of supernatural revelation, there are three levels, forming a very wide pyramid. At the bottom of the pyramid are the hundreds of thousands, perhaps millions of people, throughout history who claimed supernatural revelation. Such people stood around on street corners and were, for the most part, ignored. The more successful of them might have been mocked by those passing by or even arrested by the Inquisition on charges of heresy. We tend to call such people cranks and lunatics. Obviously, as a would-be Messiah of my talent, I think I can do significantly better than this.
The next level up were those who managed to form small groups of followers around themselves; in other words, they are cult leaders. Such people are relatively rare, perhaps a few thousand in all of history, as this actually requires, as we shall see, a very specific set of skills. Examples of such people would be David Koresh, Rev. Moon of the Unification Church, Hong Xiuquan from nineteenth-century China, who claimed to be the brother of Jesus and started the Taiping rebellion which caused the deaths of some twenty million people, and my beloved Sabbatai Sevi. Such a path, while offering minor celebrity status, carries with it a serious risk of sudden violent death due to government officials not appreciating your message of peace, love, and killing the unbeliever. Of course, Sabbatai did leverage his messianic career into a nice honorary position in the Ottoman civil service.
At the top of the pyramid were those very rare individuals who, with a mixture of talent and the right historical circumstances, managed to become the heads of major religions, with millions, even billions, of followers willing to start wars in their name, billions of dollars, and massive houses of worship to gladden the heart of even the most humble Messiah. The all-time most successful person in this elite group was Jesus, with some two billion Christians. With over a billion Muslims, Mohammad comes in second. Even I, in my great humility, do not believe I can play in the same league as Jesus or Mohammad, but perhaps I can match the founder of Mormonism, Joseph Smith, and create a religion with a few million followers and a Broadway show.
Entering this field is about as easy as becoming a struggling artist as it does not require any actual talent or job experience. All you need to do is claim a supernatural revelation, a visit from say God, the angel Gabriel, Elijah the Prophet, Jesus or the Virgin Mary, and a message, something about peace, God's love, his kingdom is coming and everyone is going to die unless they repent very soon. While it may require no talent, it is necessary for even the most talented Messiah to start at the bottom so the position is not to be mocked. Being a divine messenger has the advantage over being an artist in that, by virtue of just the job title, you can automatically catapult yourself over all those theologians with years of theoretical experience in the field; artists have to walk in the shadow of those more established in their field. Of course, being an artist has the advantage of allowing you to sit around coffee shops, safe from the elements and the mob, instead of street corners. Note to self; make sure to do research into the feasibility of becoming the first Starbucks Messiah.
(To be continued ...)
Now in making claims of supernatural revelation, there are three levels, forming a very wide pyramid. At the bottom of the pyramid are the hundreds of thousands, perhaps millions of people, throughout history who claimed supernatural revelation. Such people stood around on street corners and were, for the most part, ignored. The more successful of them might have been mocked by those passing by or even arrested by the Inquisition on charges of heresy. We tend to call such people cranks and lunatics. Obviously, as a would-be Messiah of my talent, I think I can do significantly better than this.
The next level up were those who managed to form small groups of followers around themselves; in other words, they are cult leaders. Such people are relatively rare, perhaps a few thousand in all of history, as this actually requires, as we shall see, a very specific set of skills. Examples of such people would be David Koresh, Rev. Moon of the Unification Church, Hong Xiuquan from nineteenth-century China, who claimed to be the brother of Jesus and started the Taiping rebellion which caused the deaths of some twenty million people, and my beloved Sabbatai Sevi. Such a path, while offering minor celebrity status, carries with it a serious risk of sudden violent death due to government officials not appreciating your message of peace, love, and killing the unbeliever. Of course, Sabbatai did leverage his messianic career into a nice honorary position in the Ottoman civil service.
At the top of the pyramid were those very rare individuals who, with a mixture of talent and the right historical circumstances, managed to become the heads of major religions, with millions, even billions, of followers willing to start wars in their name, billions of dollars, and massive houses of worship to gladden the heart of even the most humble Messiah. The all-time most successful person in this elite group was Jesus, with some two billion Christians. With over a billion Muslims, Mohammad comes in second. Even I, in my great humility, do not believe I can play in the same league as Jesus or Mohammad, but perhaps I can match the founder of Mormonism, Joseph Smith, and create a religion with a few million followers and a Broadway show.
Entering this field is about as easy as becoming a struggling artist as it does not require any actual talent or job experience. All you need to do is claim a supernatural revelation, a visit from say God, the angel Gabriel, Elijah the Prophet, Jesus or the Virgin Mary, and a message, something about peace, God's love, his kingdom is coming and everyone is going to die unless they repent very soon. While it may require no talent, it is necessary for even the most talented Messiah to start at the bottom so the position is not to be mocked. Being a divine messenger has the advantage over being an artist in that, by virtue of just the job title, you can automatically catapult yourself over all those theologians with years of theoretical experience in the field; artists have to walk in the shadow of those more established in their field. Of course, being an artist has the advantage of allowing you to sit around coffee shops, safe from the elements and the mob, instead of street corners. Note to self; make sure to do research into the feasibility of becoming the first Starbucks Messiah.
(To be continued ...)
Tuesday, April 5, 2011
My Review of Catholic Pirates and Greek Merchants
Ehistory already has my review of Molly Greene's Catholic Pirates and Greek Merchants up on its site even though it is officially part of its June edition so go check it out.
Monday, April 4, 2011
The Goldstone Retraction: What was He Thinking in the First Place?
Recently Judge Richard Goldstone has came out with the stunning retraction of his earlier report on potential war crimes during Israel's invasion of Gaza. According to Goldstone:
If I had known then what I know now, the Goldstone Report would have been a different document.
...
Our report found evidence of potential war crimes and “possibly crimes against humanity” by both Israel and Hamas. That the crimes allegedly committed by Hamas were intentional goes without saying — its rockets were purposefully and indiscriminately aimed at civilian targets.
The allegations of intentionality by Israel were based on the deaths of and injuries to civilians in situations where our fact-finding mission had no evidence on which to draw any other reasonable conclusion. While the investigations published by the Israeli military and recognized in the U.N. committee’s report have established the validity of some incidents that we investigated in cases involving individual soldiers, they also indicate that civilians were not intentionally targeted as a matter of policy.
This is the type of apology that one rarely sees in today's spin politics and Judge Goldstone deserves to be commended for his willingness to own up to his own mistakes. That being said, I must admit to being bothered by this whole piece in that it fails to confront the basic problem of the entire enterprise of the Goldstone report to begin with.
When I first heard about Goldstone's investigation my reaction was that it was flawed from its very conception in that it placed Israel on par with Hamas in terms of both sides being subjected to this investigation. Hamas is an institution devoted to the delegitimization of the Jewish people and ultimately the violent destruction of the State of Israel. As such, it is impossible for Israel to ever engage in any form of official dialogue with Hamas. To do so would be to admit that there is some validity to their claims to the extent that these claims deserve to be placed before the forum of polite society for consideration. If such a discussion were ever to occur Israel would automatically come out the loser simply in terms of the fact that it would mean that Israel, unlike other countries, would be placed in the subservient position of having to defend its own legitimacy. This would be the case even of Israel actually were to win this debate.
Goldstone, by inviting both Israel and Hamas to participate in his investigation was essentially asking Israel to participate in a discussion with Hamas and accept Hamas as a legitimate member of the brotherhood of civilized people with legitimate opinions to be discussed such as the State of Israel is a criminal enterprise to be put down. Whether or not any Israeli official ever officially sat down with a member of Hamas, Israel would still be accepting that Hamas was a legitimate discussion partner that other legitimate forces might wish to talk to. Thus Goldstone placed Israel in the bind of either accepting the legitimacy of Hamas, the equivalent of Israel putting a gun to its head and pulling the trigger, or of not accepting the legitimacy of the entire Goldstone investigation and not cooperating. Israel obviously chose the latter option and waged a campaign to delegitimize Goldstone, a response that for some reason seems to have caught Goldstone by surprise.
If Goldstone had come back with the most pro-Israel report in the world, nominating the entire country for sainthood, it would not have changed this basic fact and Israel would have needed to reject Goldstone and his investigation. Even now that Goldstone is saying all the right things, I cannot bring myself to support him even though, in terms of content, I agree with him.
Goldstone's retraction reminds me a lot of the comments made by President Lee Bollinger of Columbia University (formally of Michigan, a school that as an Ohio State person can never accept as legitimate) in introducing President Ahmadinejad of Iran when he came to speak at Columbia.
When I first heard that Ahmadinejad was going to speak at a university like Columbia I was horrified. After seeing Bollinger's performance I was even more disturbed. Not that I disagreed with anything Bollinger said, on the contrary, he said everything I would have wanted to say in such a situation. Bollinger clearly had his mind in the right place. So why did he agree to grant Ahmadinejad the forum and the legitimacy in the first place? Either there not being gays in Iran and Israel should be destroyed are legitimate opinions to be discussed in polite society or Ahmadinejad is a rogue thug to be hunted down and shot like a rabid dog, not invited to speak at universities. Obviously, Bollinger did not believe the former, but because he could not support the latter position, for all intents and purposes, it was the former that he was agreeing to invite into our public discourse.
I do not see either Goldstone or Bollinger as anti-Semites who wish to see Israel destroyed. I see them as simply modern liberals unable to resist granting legitimacy to radical Islam even as this means asking first Israel and eventually the rest of western civilization to write its suicide note. If we in the West, including liberals, are going to survive it will because we understand the difference between those ideas which we can respectfully disagree with and tolerate and those ideas which, by definition, are declarations of war to be fought at all costs.
If I had known then what I know now, the Goldstone Report would have been a different document.
...
Our report found evidence of potential war crimes and “possibly crimes against humanity” by both Israel and Hamas. That the crimes allegedly committed by Hamas were intentional goes without saying — its rockets were purposefully and indiscriminately aimed at civilian targets.
The allegations of intentionality by Israel were based on the deaths of and injuries to civilians in situations where our fact-finding mission had no evidence on which to draw any other reasonable conclusion. While the investigations published by the Israeli military and recognized in the U.N. committee’s report have established the validity of some incidents that we investigated in cases involving individual soldiers, they also indicate that civilians were not intentionally targeted as a matter of policy.
This is the type of apology that one rarely sees in today's spin politics and Judge Goldstone deserves to be commended for his willingness to own up to his own mistakes. That being said, I must admit to being bothered by this whole piece in that it fails to confront the basic problem of the entire enterprise of the Goldstone report to begin with.
When I first heard about Goldstone's investigation my reaction was that it was flawed from its very conception in that it placed Israel on par with Hamas in terms of both sides being subjected to this investigation. Hamas is an institution devoted to the delegitimization of the Jewish people and ultimately the violent destruction of the State of Israel. As such, it is impossible for Israel to ever engage in any form of official dialogue with Hamas. To do so would be to admit that there is some validity to their claims to the extent that these claims deserve to be placed before the forum of polite society for consideration. If such a discussion were ever to occur Israel would automatically come out the loser simply in terms of the fact that it would mean that Israel, unlike other countries, would be placed in the subservient position of having to defend its own legitimacy. This would be the case even of Israel actually were to win this debate.
Goldstone, by inviting both Israel and Hamas to participate in his investigation was essentially asking Israel to participate in a discussion with Hamas and accept Hamas as a legitimate member of the brotherhood of civilized people with legitimate opinions to be discussed such as the State of Israel is a criminal enterprise to be put down. Whether or not any Israeli official ever officially sat down with a member of Hamas, Israel would still be accepting that Hamas was a legitimate discussion partner that other legitimate forces might wish to talk to. Thus Goldstone placed Israel in the bind of either accepting the legitimacy of Hamas, the equivalent of Israel putting a gun to its head and pulling the trigger, or of not accepting the legitimacy of the entire Goldstone investigation and not cooperating. Israel obviously chose the latter option and waged a campaign to delegitimize Goldstone, a response that for some reason seems to have caught Goldstone by surprise.
If Goldstone had come back with the most pro-Israel report in the world, nominating the entire country for sainthood, it would not have changed this basic fact and Israel would have needed to reject Goldstone and his investigation. Even now that Goldstone is saying all the right things, I cannot bring myself to support him even though, in terms of content, I agree with him.
Goldstone's retraction reminds me a lot of the comments made by President Lee Bollinger of Columbia University (formally of Michigan, a school that as an Ohio State person can never accept as legitimate) in introducing President Ahmadinejad of Iran when he came to speak at Columbia.
When I first heard that Ahmadinejad was going to speak at a university like Columbia I was horrified. After seeing Bollinger's performance I was even more disturbed. Not that I disagreed with anything Bollinger said, on the contrary, he said everything I would have wanted to say in such a situation. Bollinger clearly had his mind in the right place. So why did he agree to grant Ahmadinejad the forum and the legitimacy in the first place? Either there not being gays in Iran and Israel should be destroyed are legitimate opinions to be discussed in polite society or Ahmadinejad is a rogue thug to be hunted down and shot like a rabid dog, not invited to speak at universities. Obviously, Bollinger did not believe the former, but because he could not support the latter position, for all intents and purposes, it was the former that he was agreeing to invite into our public discourse.
I do not see either Goldstone or Bollinger as anti-Semites who wish to see Israel destroyed. I see them as simply modern liberals unable to resist granting legitimacy to radical Islam even as this means asking first Israel and eventually the rest of western civilization to write its suicide note. If we in the West, including liberals, are going to survive it will because we understand the difference between those ideas which we can respectfully disagree with and tolerate and those ideas which, by definition, are declarations of war to be fought at all costs.
Sunday, April 3, 2011
Jews and Art: Secret Transcripts
Today at the Jewish Community Center there was a day of learning featuring a variety of speakers on a range of topics for the community here in Columbus. Among the keynote presentations was Dr. Marc Michael Epstein’s “Jews and Art: Secret Transcripts.” Here are my notes. As always all mistakes are mine.
The title of this lecture includes the words “Jews” and “art.” This is a difficult task likely to prove dangerous to one’s health; much like a four day tour of seventeen countries. Furthermore, who is to say what “Jewish art” is? We have kitsch art and material goods. Art is notoriously problematic for Jews, not something for nice Jews to go into. Can you name one Jewish artist before Marc Chagall?
Every book about Jewish art begins be pointing to the second commandment. Jews are supposed to focus on the “word” as opposed to the image. So let us begin by looking at that infamous second commandment. Jews saw the Bible as a love letter from God. Traditional Jewish thought assumed that the prohibition was on making objects for oneself, but not for others, against three dimensional objects, but not against two-dimensional objects. Non Jews can make an image, even one intended for worship, and Jews can own it.
Jews in fact did make visual objects. We have actual fragments from the Second Temple. There were swastikas, an image of power in many ancient cultures. We see full narrative panels such as the Dura Europos, discovered in 1932. Dura Europos is special because even the walls survived, not just the floors. There was a downturn in Jewish art with the rise of Islam which tended to be hostile to images. Around the turn of the fourteenth century we see laminated manuscripts reaching out from monasteries to shops where anyone, with money, could purchase them.
The real problem surrounding Jewish art is not that it exists, but that it seems to mimic the art of the cultures around them. Angels in Judeo-Persian manuscripts look like Muslim angels. German Jewish angels look like Christian angels complete with ritual robes. Similar is not identical though. If Congress were to commission an eagle with an American flag for the capital and some kids in Spanish Harlem were to draw the same eagle with a flag would anyone think they were the same thing? One would symbolize the American dream, the other the American dream deferred.
The Golden Haggadah from fourteenth century Barcelona has often been described as being devoid of almost all but the most superficial Jewish elements. The pictures, mostly of scenes from Genesis and Exodus, look like Christian art. It very well might have been drawn by a Christian. The haggadah makes use of midrashic material. For example we see one giant frog spouting out smaller frogs from its posterior. It only makes sense that the work of any artist should reflect the wider culture. So yes Moses going to Egypt does look like the “holy family” of Joseph, Mary and Jesus traveling to Egypt. As is common in medieval art there is foreshadowing. Moses has a spear, foreshadowing the Israelites leaving Egypt armed.
Who commissioned this work? The Golden Haggadah depicts over forty women, including a depiction of Miriam leading a group of women in song. Women are often in the physical center of pictures. The midwives for example are in the center with Pharaoh and the baby to the side. Miriam leading the women is presented with no background thus with no context and rendered timeless. Women are placed in pictures were they are not needed. A woman is placed comforting Jacob even though no woman is placed here by the Bible.
A front page added several hundred years later says that the manuscript was owned by a Mistress Rosa. Perhaps this haggadah was passed down from mother to daughter. One might go further and say that the original woman for whom this haggadah was written was someone who had lost a child. We see depictions of the Midrash about babies being put into the bricks in Egypt. We see repeated depictions of women with babies. There is a woman with seven children, even more than the hyper fertility of six children per birth in Egypt.
Dr. Marc Michael Epstein is the author of the forthcoming book The Medieval Haggadah: Art, Narrative, and Religious Imagination.
The title of this lecture includes the words “Jews” and “art.” This is a difficult task likely to prove dangerous to one’s health; much like a four day tour of seventeen countries. Furthermore, who is to say what “Jewish art” is? We have kitsch art and material goods. Art is notoriously problematic for Jews, not something for nice Jews to go into. Can you name one Jewish artist before Marc Chagall?
Every book about Jewish art begins be pointing to the second commandment. Jews are supposed to focus on the “word” as opposed to the image. So let us begin by looking at that infamous second commandment. Jews saw the Bible as a love letter from God. Traditional Jewish thought assumed that the prohibition was on making objects for oneself, but not for others, against three dimensional objects, but not against two-dimensional objects. Non Jews can make an image, even one intended for worship, and Jews can own it.
Jews in fact did make visual objects. We have actual fragments from the Second Temple. There were swastikas, an image of power in many ancient cultures. We see full narrative panels such as the Dura Europos, discovered in 1932. Dura Europos is special because even the walls survived, not just the floors. There was a downturn in Jewish art with the rise of Islam which tended to be hostile to images. Around the turn of the fourteenth century we see laminated manuscripts reaching out from monasteries to shops where anyone, with money, could purchase them.
The real problem surrounding Jewish art is not that it exists, but that it seems to mimic the art of the cultures around them. Angels in Judeo-Persian manuscripts look like Muslim angels. German Jewish angels look like Christian angels complete with ritual robes. Similar is not identical though. If Congress were to commission an eagle with an American flag for the capital and some kids in Spanish Harlem were to draw the same eagle with a flag would anyone think they were the same thing? One would symbolize the American dream, the other the American dream deferred.
The Golden Haggadah from fourteenth century Barcelona has often been described as being devoid of almost all but the most superficial Jewish elements. The pictures, mostly of scenes from Genesis and Exodus, look like Christian art. It very well might have been drawn by a Christian. The haggadah makes use of midrashic material. For example we see one giant frog spouting out smaller frogs from its posterior. It only makes sense that the work of any artist should reflect the wider culture. So yes Moses going to Egypt does look like the “holy family” of Joseph, Mary and Jesus traveling to Egypt. As is common in medieval art there is foreshadowing. Moses has a spear, foreshadowing the Israelites leaving Egypt armed.
Who commissioned this work? The Golden Haggadah depicts over forty women, including a depiction of Miriam leading a group of women in song. Women are often in the physical center of pictures. The midwives for example are in the center with Pharaoh and the baby to the side. Miriam leading the women is presented with no background thus with no context and rendered timeless. Women are placed in pictures were they are not needed. A woman is placed comforting Jacob even though no woman is placed here by the Bible.
A front page added several hundred years later says that the manuscript was owned by a Mistress Rosa. Perhaps this haggadah was passed down from mother to daughter. One might go further and say that the original woman for whom this haggadah was written was someone who had lost a child. We see depictions of the Midrash about babies being put into the bricks in Egypt. We see repeated depictions of women with babies. There is a woman with seven children, even more than the hyper fertility of six children per birth in Egypt.
Dr. Marc Michael Epstein is the author of the forthcoming book The Medieval Haggadah: Art, Narrative, and Religious Imagination.
Friday, April 1, 2011
Izgad's New Mouth Piece
Yesterday my new computer arrived. It is a Lenovo T510. It is replacing my Lenovo Ideapad Y530, with which I have been typing most of these blog posts the past two years. The Thinkpad is a major step up in quality and hopefully will survive for longer than that. I have also been typing out a dissertation on the Ideapad which I hope to finish within a few months with the help of this new Thinkpad. Of course between this major investment and several years of graduate school life that are coming to an end, my ability to continue to blog in peace will likely be very much effected by my finding a job within the next few months. If any of my readers know of something that would be of interest to me and to which I can apply my talents I would be much obliged.
Thursday, March 31, 2011
History 111 Book: Thermopylae
The spring quarter has started at Ohio State and I am back teaching History 111. For our first book, the class picked Thermopylae: The Battle for the West
by Ernie Bradford (1922-86). As with the case of Spartacus, I assume pop culture played a role here. Most of the class has seen the movie 300
. I certainly do not have a problem with this. I will try to interest people in history in just about any way I can. If that includes men in loin cloths with muscles to challenge even the most heterosexual male then so be it. I have started reading the book and the author writes as a very old school English Whig. I am curious how my students will react to this.
Tuesday, March 29, 2011
Wandering Through Fantasy Worlds with Kvothe and Harry Potter (Part II)
(Part I)
This focus on character and world-building leads, in the cases of both Harry Potter and Kingkiller, to something that would in most writers be considered a fatal flaw, but which J. K. Rowling and Patrick Rothfuss manage to survive even if at times by the skin of their teeth, the tendency to abandon plot in favor of character and world exploration. Both of these series do have plots centered around the defeat of antagonists, Harry Potter has Lord Voldemort and Kvothe has the Chandrian, a group so mysterious that they hardly appear even in legend and who murdered his parents just for attempting to write a song about them. That being said the reader quickly realizes that these plots are only incidental to these series, a prop to be brought out when the characters need something to react to or to offer an opportunity for further world exploration.
Harry Potter is not really about Harry's hero quest arc to defeat Lord Voldemort; it is about Harry at Hogwarts with Ron Hermione, dodging Draco Malfoy and Severus Snape, with clever back and forth dialogue and the existence of magic to provide a canvas for Rowling's vivid use of language. Now even Rowling is not talented enough to keep a book afloat with just clever writing so by the end of each book she brings out some larger element of danger and ties it to this Lord Voldemort character, who serves to explain why Harry was first placed with his relatives and why he is the continued subject of the mostly unwanted attention that keeps him interesting. Now part of Rowling's genius is that she weaves her plot throughout the rest of the book, turning much of what the reader thought was just her meandering through the story into critical plot points. This also places Harry Potter among those rare books that need to be read several times to properly be appreciated. Furthermore, starting with Goblet of Fire, Rowling abandoned the stand-alone year at Hogwarts adventure format of the first three books, which had served her so well, in favor of a more focused narrative surrounding the return of Lord Voldemort to a physical body. This part of the series also marked the point in which Rowling escaped the bounds of any meaningful editorial control, causing the books to balloon in size and leading to more character meandering. Not that I ever complained about this as Rowling is one of the rare writers who can hold you just with their writing, regardless of content.
Rothfuss seems to be following a similar path. Name of the Wind
was only incidentally about Kvothe's quest to learn the truth about the Chandrian and really about Kvothe the poor scholar and musician trying to keep body and soul together as well as make tuition payments to stay in school, a task made almost impossibly difficult due to the spiteful animosity of Ambrose Jakis. Reading Rothfuss, I realize that Rowling missed a valuable opportunity by simply handing Harry a massive fortune at the beginning of the series, whose origins she never bothered to explain, taking care of Harry's finances so he never had to worry about tuition. Forcing Kvothe to struggle to meet his finances allowed for plot tension, will Kvothe find the money or won't he, without having to resort to placing Kvothe in constant mortal danger, a refreshing change of pace for a fantasy novel. Kvothe needing money also makes way for my favorite character in the series, besides Kvothe, Devi. To put it bluntly, she is a loan shark, who demands that Kvothe hand over drops of his blood as security. She is also really charming and forms a delightful friendship with Kvothe, albeit one underlined by fifty percent interest rates and threats of bodily harm if he ever reneges.
In waiting four years for the second book, Wise Man's Fear
, I took it as a given that now with this book the story would begin in earnest. I expected Kvothe to be thrown out at the very beginning of the book, allowing him to finally pursue the Chandrian. The first several hundred pages are more of the first book, Kvothe trying to get money and dodging Jakis. Not a bad thing in of itself as Rothfuss, like Rowling, is fun to read just for his prose. Finally, Kvothe is forced to take time off from school and takes the opportunity to do some traveling. This leads to Kvothe being placed in a new setting, but I was almost disappointed by the fact that Rothfuss simply has Kvothe do more of being Kvothe instead of actually advancing the story.
Besides for the fact that Rothfuss is still a fun writer even when meandering, what kept me in the book was the strong suspicion that Rothfuss was weaving a giant trap for Kvothe and that things were not as pointless as they seemed. This was confirmed nearly three-quarters into this thousand-page novel when Kvothe meets a creature called the Cthaeh, who informs him that he had already met one of the Chandrian. Now the Cthaeh, despite his small part, has to be one of the most interesting villains conceptually. He is imprisoned in a tree due to the fact that he can perfectly foresee the future and can say the exact words to any person who visits him that will cause them to do the most harm. Furthermore, since the Cthaeh knows every future conversation that the person will ever have, he can calculate how that person's words will affect every other person he will ever talk to and so on and so forth until, in theory at least, the Cthaeh has the power to destroy the entire world with just one conversation.
It is hard to actually criticize a book that held my attention for over a thousand pages, but I must admit that I liked Name of the Wind better. Wise Man's Fear for too much of the book felt like it was wandering around when I wanted things to actually happen. I eagerly await the final book in the series to see how things will turn out. Rowling did not disappoint and I have every bit of faith in Rothfuss that he can match her.
This focus on character and world-building leads, in the cases of both Harry Potter and Kingkiller, to something that would in most writers be considered a fatal flaw, but which J. K. Rowling and Patrick Rothfuss manage to survive even if at times by the skin of their teeth, the tendency to abandon plot in favor of character and world exploration. Both of these series do have plots centered around the defeat of antagonists, Harry Potter has Lord Voldemort and Kvothe has the Chandrian, a group so mysterious that they hardly appear even in legend and who murdered his parents just for attempting to write a song about them. That being said the reader quickly realizes that these plots are only incidental to these series, a prop to be brought out when the characters need something to react to or to offer an opportunity for further world exploration.
Harry Potter is not really about Harry's hero quest arc to defeat Lord Voldemort; it is about Harry at Hogwarts with Ron Hermione, dodging Draco Malfoy and Severus Snape, with clever back and forth dialogue and the existence of magic to provide a canvas for Rowling's vivid use of language. Now even Rowling is not talented enough to keep a book afloat with just clever writing so by the end of each book she brings out some larger element of danger and ties it to this Lord Voldemort character, who serves to explain why Harry was first placed with his relatives and why he is the continued subject of the mostly unwanted attention that keeps him interesting. Now part of Rowling's genius is that she weaves her plot throughout the rest of the book, turning much of what the reader thought was just her meandering through the story into critical plot points. This also places Harry Potter among those rare books that need to be read several times to properly be appreciated. Furthermore, starting with Goblet of Fire, Rowling abandoned the stand-alone year at Hogwarts adventure format of the first three books, which had served her so well, in favor of a more focused narrative surrounding the return of Lord Voldemort to a physical body. This part of the series also marked the point in which Rowling escaped the bounds of any meaningful editorial control, causing the books to balloon in size and leading to more character meandering. Not that I ever complained about this as Rowling is one of the rare writers who can hold you just with their writing, regardless of content.
Rothfuss seems to be following a similar path. Name of the Wind
In waiting four years for the second book, Wise Man's Fear
Besides for the fact that Rothfuss is still a fun writer even when meandering, what kept me in the book was the strong suspicion that Rothfuss was weaving a giant trap for Kvothe and that things were not as pointless as they seemed. This was confirmed nearly three-quarters into this thousand-page novel when Kvothe meets a creature called the Cthaeh, who informs him that he had already met one of the Chandrian. Now the Cthaeh, despite his small part, has to be one of the most interesting villains conceptually. He is imprisoned in a tree due to the fact that he can perfectly foresee the future and can say the exact words to any person who visits him that will cause them to do the most harm. Furthermore, since the Cthaeh knows every future conversation that the person will ever have, he can calculate how that person's words will affect every other person he will ever talk to and so on and so forth until, in theory at least, the Cthaeh has the power to destroy the entire world with just one conversation.
It is hard to actually criticize a book that held my attention for over a thousand pages, but I must admit that I liked Name of the Wind better. Wise Man's Fear for too much of the book felt like it was wandering around when I wanted things to actually happen. I eagerly await the final book in the series to see how things will turn out. Rowling did not disappoint and I have every bit of faith in Rothfuss that he can match her.
Saturday, March 26, 2011
Haveil Havalim #310 The Post Purim Hangover Edition
Welcome to the March 27, 2011 edition of Haveil Havalim.
Founded by Soccer Dad, Haveil Havalim is a carnival of Jewish blogs -- a weekly collection of Jewish and Israeli blog highlights, tidbits and points of interest collected from blogs all around the world. It's hosted by different bloggers each week and coordinated by Jack.
I have decided to exert some editorial control over this blog carnival. First off I see a blog carnival as a means for quality writers to find readers. I have not included short posts that seemed dashed off or posts that simply offered or linked to other people's material. Being included in this blog carnival is a reward for your work, not for someone else's work. Understand that I am a teacher so yes I take a strong interest in authorship. Second, I see it as a fundamental part of writing that, as opposed to speaking, writing is supposed to be the victory of reason over emotion. It is inevitable that one will sometimes speak in anger. One should never write in anger; a person who does so demonstrates that they do not just have temporary lapses into anger, but that they are fundamentally people of anger and not reason. I think this is particularly important in light of the recent attack in Itamar and the tragic murder of the Fogel family. Posts that struck me as coming from a very angry place were not included. Third, I am not about to put links to blogs I would not normally feel comfortable linking to. Relevant to some submissions, I did not include posts that implied any support for the use of violence by private individuals outside of a State-based legal framework. An extension of this is that I did not include posts implying support for the transformation of any secular democratic States with theocracies. (By what natural means can this be achieved if not by violence?)
To those of you I have not included, please do not take it personally. Feel free to not include me next time you host. Those of you whom I did include should feel honored. Blogging in often a lonely task. For most it is a struggle for readers, comments and the occasional word of praise. I have included you all because I actually thought that each of you had something worthwhile.
Here is an idea. Instead of just the usual comments, readers should put down their votes for the best post of the carnival (no you cannot vote for yourself). As a prize, I agree to do a response post to any piece written by the winner over the course of this coming month.
To start this off I wish to offer pride and place to Rabbi Mordechai Torczyner of The Rebbetzin's Husband for his posts Why Publish? and How to leave your shul. I am an academic in middle of trying to finish off a dissertation and hope to eventually publish it. I struggle with the fear that my years of effort into it will not make a difference and no one will read it. In general, I always enjoy Rabbi Torczyner's posts on life as a shul rabbi as I am the son and grandson of shul rabbis, who grew up realizing how difficult such a job was.
Purim
For Purim, I offer this carnival a pair of humorous pieces of my own, My Purim Shalach Manot and How Many Jewish Historians Does it Take to Change a Light Bulb?Yisrael Medad of My Right Word presents A Serious Purim Torah Based on a Zoharic Passage.
Benji Lovitt presents a satirical piece for Purim about the Maccabeats, Macca-Beat It: Look Who’s Getting Tough.
Marilyn Stowe of Marilyn Stowe Family Law and Divorce Blog presents an ethical and legal dilemma involving parental control of a child in Purim and the curious case of M v F & Others.
Batya of me-ander presents Mishloach Manot From G-d.
Jay3fer of Adventures in Mama-Land debates the value of sending shalach manot in A tisket, a tasket – where’s my mother’s Purim basket???
Yisroel of Artzeinu offers us One More Reason to Make Aliyah: 2 days of Purim.
Passover
Amanda of Blessed Little Bird gets ready for Passover and debates the value of quick seders in A Seder, b'seder....
Israel
Harry of Israelity presents Nostalgia Sunday – Old Central Bus Station: Jerusalem and The pause that refreshes.
West Bank Mama presents The Post Terror Attack Ritual.
Rivkah of Bat Aliyah presents Another Israeli First.
Personal
Elle of On Becoming Devoted discusses a new found spirituality in washing vegetables in Learning Disciplines.
History
Chaviva has a post on the Triangle Shirtwaist Fire and asks the following question: Did you learn about this in your Jewish education? Whether at Sunday School or Yeshiva or day School? Do you think this is relevant to the Jewish educational experience? Should this even be taught through a specifically Jewish lens? And, most importantly, do you think this event can be categorized as a uniquely Jewish event?
That concludes this edition. Submit your blog article to the next edition of haveil havalim using our carnival submission form.
Past posts and future hosts can be found on our blog carnival index page.
Friday, March 25, 2011
Wandering through Fantasy Worlds with Kvothe and Harry Potter (Part I)
If I were to describe Patrick Rothfuss' Kingkiller Chronicles series in one sentence it would be that it is Harry Potter's more mature and sophisticated sibling, who, instead of going to grade school to study magic, went to college. In a similar vein, my reaction to watching the first season of Heroes
(the only one worth watching) was that it was the younger smarter sibling of the X-Men, who went of to university and got into heroin. (In the case of Heroes there actually is a character whose superpower is to be able to see and paint the future while high.) As with Harry Potter, Kingkiller is about a teenage orphan, Kvothe, whose parents were murdered off by dark powers, studying magic. As with J. K. Rowling, Rothfuss' chief strengths as a writer are his ability to create interesting characters, backed by witty dialogue and a world for us to explore through the eyes of these characters.
What Rothfuss has over Rowling is that, like Tolkien, he offers the impression of depth to his world; that it is not just a prop that will collapse if touched. Rowling's wizarding world, in contrast, while utterly fascinating as a concept striking deep into the collective subconsciousness of readers (I cannot think of another fantasy world that I so desperately wanted to be real), remains an immensely clever joke. Even by the end of the series one does not get the sense that Rowling ever bothered to work out the mechanics and limitations of her magical system and the inner workings of her wizarding society. Particularly the question of why wizards, even muggle-loving ones like Arthur Weasley, live in secret outside of general society and in ignorance of it. (See "Yeshiva Hogwarts.") One suspects that this is the reason why Rowling kept her story so narrowly focused on Harry, only allowing us to experience the wizarding world from Harry's limited perspective and kept Harry's own experience of the wizarding world to specific set pieces, like the Weasley home, Diagon Alley, and Hogwarts. Allowing Harry broader range would have forced her to take her own wizarding world seriously and not just as a prop. Rothfuss, in contrast, treats his magic with a level of sophistication surpassing the "science" of most science fiction. As Tolkien managed to invent several fully functional languages for Lord of the Rings that people can study today, one suspects that Rothfuss would, if pressed, be able to present a plausibly sounding "scientific" lecture on his magic. The same goes for his world's various races, religions, countries, and politics.
Rothfuss' other major advantage over Rowling is in creating, in Kvothe, a fully flesh and blood lead character the likes of which exist in few other works of fantasy. With Harry Potter, the interest is always the world and characters around him. Harry serves as a means to explore Hogwarts and characters like Ron, Hermione, Hagrid, Dumbledore, Sirius, and Lupin, all of whom are far more interesting than Harry in of himself. Harry starts off the series as a star-struck modern-day version of T. H. White's young King Arthur, Wart, before evolving into a moody teenager. It is only in Deathly Hallows, as Harry contemplates the necessity of his death to defeat Voldemort, that Harry steps in as a worthy protagonist in his own right. (It is for this reason that, whether or not Deathly Hallows is the best book in the series, it is certainly the best written of the series and the one in which Rowling stepped into her own as a mature writer.) One suspects that this is why Rowling never allowed Harry to exist on his own but always has him interacting with other characters, even going so far as to make Harry's chief strength his connection to his friends as opposed to Voldemort who is completely self-contained. (See "Adolescent Military Genius.") Kvothe, in contrast, is the star attraction, not just a cipher through which to tell a story. Rothfuss does not just focus his narrative on Kvothe, he tells almost his entire story from inside Kvothe's head. One almost gets the sense that Rothfuss could have eliminated his entire world, leaving Kvothe floating in ether, and still hold on to the reader's attention.
This places Kingkiller as one of those rare fantasy series that is only incidentally about fantasy. In much the same way that Orson Scott Card novels are about characters and relationships and only incidentally take place in a science-fiction universe, Rothfuss has one utterly compelling character, Kvothe, and a world for Kvothe to operate in. The fact that this world is a beautifully rendered fantasy world only serves to establish Rothfuss as one of the greatest writers of this generation of any genre.
(To be continued ...)
What Rothfuss has over Rowling is that, like Tolkien, he offers the impression of depth to his world; that it is not just a prop that will collapse if touched. Rowling's wizarding world, in contrast, while utterly fascinating as a concept striking deep into the collective subconsciousness of readers (I cannot think of another fantasy world that I so desperately wanted to be real), remains an immensely clever joke. Even by the end of the series one does not get the sense that Rowling ever bothered to work out the mechanics and limitations of her magical system and the inner workings of her wizarding society. Particularly the question of why wizards, even muggle-loving ones like Arthur Weasley, live in secret outside of general society and in ignorance of it. (See "Yeshiva Hogwarts.") One suspects that this is the reason why Rowling kept her story so narrowly focused on Harry, only allowing us to experience the wizarding world from Harry's limited perspective and kept Harry's own experience of the wizarding world to specific set pieces, like the Weasley home, Diagon Alley, and Hogwarts. Allowing Harry broader range would have forced her to take her own wizarding world seriously and not just as a prop. Rothfuss, in contrast, treats his magic with a level of sophistication surpassing the "science" of most science fiction. As Tolkien managed to invent several fully functional languages for Lord of the Rings that people can study today, one suspects that Rothfuss would, if pressed, be able to present a plausibly sounding "scientific" lecture on his magic. The same goes for his world's various races, religions, countries, and politics.
Rothfuss' other major advantage over Rowling is in creating, in Kvothe, a fully flesh and blood lead character the likes of which exist in few other works of fantasy. With Harry Potter, the interest is always the world and characters around him. Harry serves as a means to explore Hogwarts and characters like Ron, Hermione, Hagrid, Dumbledore, Sirius, and Lupin, all of whom are far more interesting than Harry in of himself. Harry starts off the series as a star-struck modern-day version of T. H. White's young King Arthur, Wart, before evolving into a moody teenager. It is only in Deathly Hallows, as Harry contemplates the necessity of his death to defeat Voldemort, that Harry steps in as a worthy protagonist in his own right. (It is for this reason that, whether or not Deathly Hallows is the best book in the series, it is certainly the best written of the series and the one in which Rowling stepped into her own as a mature writer.) One suspects that this is why Rowling never allowed Harry to exist on his own but always has him interacting with other characters, even going so far as to make Harry's chief strength his connection to his friends as opposed to Voldemort who is completely self-contained. (See "Adolescent Military Genius.") Kvothe, in contrast, is the star attraction, not just a cipher through which to tell a story. Rothfuss does not just focus his narrative on Kvothe, he tells almost his entire story from inside Kvothe's head. One almost gets the sense that Rothfuss could have eliminated his entire world, leaving Kvothe floating in ether, and still hold on to the reader's attention.
This places Kingkiller as one of those rare fantasy series that is only incidentally about fantasy. In much the same way that Orson Scott Card novels are about characters and relationships and only incidentally take place in a science-fiction universe, Rothfuss has one utterly compelling character, Kvothe, and a world for Kvothe to operate in. The fact that this world is a beautifully rendered fantasy world only serves to establish Rothfuss as one of the greatest writers of this generation of any genre.
(To be continued ...)
Tuesday, March 22, 2011
Kvothe High on Asperger Syndrome
For my birthday present, I bought myself Patrick Rothfuss' Wise Man's Fear
on Kindle. Considering how often Rothfuss has been compared to Tolkien, it would have been appropriate for me to take this "precious birthday present" and make it ours. To ensure that no one steals it we could run off to a secret cave underneath a mountain with plenty of fish. There we could read the precious all by ourselves and not share it with nasty thieving hobbit readers. As I am not Gollum I did wish to share one particular piece which, for reasons that should soon be obvious, I found humorous but also personally very meaningful.
At one point early in the novel, the hero Kvothe is tricked by his archenemy at the university, Ambrose Jakis (like Draco Malfoy but a bigger bastard), into ingesting a substance that completely takes away his ability to read social conventions. This is done right before Kvothe is supposed to be examined by the administration in order to determine his fees for the next term. This leads to the following interaction between Kvothe and his friends Simmon and Fela as Simmon tries to keep Kvothe in line with a series of number rankings as how socially not acceptable something is.
There was a knock on the door. "It's me," Sim's voice came through the wood. "Is everything all right in there?"
"You know what's strange?" I said to him through the door. "I tried to think of something funny I could do while you were gone, but I couldn't." I looked around at the room. "I think that means humor is rooted in social transgression. I can't transgress because I can't figure out what would be socially unacceptable. Everything seems the same to me."
"You might have a point," he said, then asked, "did you do something anyway?"
"No," I said. "I decided to be good. Did you find Fela?"
"I did. She's here. But before we come in, you have to promise not to do anything without asking me first. Fair?"
I laughed. "Fair enough. Just don't make me do stupid things in front of her."
I promise," Sim said. "Why don't you sit down? Just to be safe."
"I'm already sitting," I said.
Sim opened the door. I could see Fela peering over his shoulder.
"Hello Fela," I said. "I need to trade slots with you."
"First," Sim said. "You should put your shirt back on. That's about a two."
"Oh," I said. "Sorry. I was hot."
"You could have opened the window."
"I thought it would be safer if I limited my interactions with external objects," I said.
Sim raised an eyebrow. "That's actually a really good idea. It just steered you a little wrong in this case."
"Wow." I heard Fela's voice from the hallway. "Is he serious?"
"Absolutly serious," Sim said. "Honestly? I don't think it's safe for you to come in."
I tugged my shirt on. "Dressed," I said. "I'll even sit on my hands if it will make you feel better." I did just that, tucking them under my legs. Sim let Fela inside, then closed the door behind her.
"Fela, you are just gorgeous," I said. "I would give you all the money in my purse if I could just look at you naked for two minutes. I'd give everything I own. Except my lute."
It's hard to say which of them blushed a deeper red. I think it was Sim.
"I wasn't supposed to say that, was I?" I said.
No," Sim said. "That's about a five."
"But that doesn't make any sense," I said. "Women are naked in paintings. People buy paintings, don't they? Women pose for them."
Sim nodded. "That's true. But still. Just sit for a moment and don't say or do anything? Okay?
I nodded.
"I can't quite believe this," Fela said, the blush fading from her cheeks. "I can't help but think the two of you are playing some sort of elaborate joke on me."
"I wish we were," Simmon said. "This stuff is terribly dangerous."
"How can he remember naked paintings and not remember you're supposed to keep your shirt on in public? she asked Sim, her eyes never leaving me.
"It just didn't seem very important," I said. "I took my shirt off when I was whipped. That was public. It seems a strange thing to get in trouble for."
"Do you know what would happen if you tried to knife Ambrose? Simmon asked.
I thought for a second. It was like trying to remember what you'd eaten for breakfast a month ago. "There'd be a trial, I suppose," I said slowly, "and people would buy me drinks."
Fela muffled a laugh behind her hand.
"How about this? Simmon asked me. "Which is worse, stealing a pie or killing Ambrose?"
I gave it a moment's hard thought. "A meat pie, or a fruit pie?" (Kindle 1557-89.)
This has to be one of the best descriptions of Asperger logic I have ever read. Of course, if you are an Asperger you do not need to ingest anything and the effects are lifelong. By the time any Asperger has become an adult he will have developed a two-sided attitude toward social conventions. One the one hand Aspergers do not read social cues and therefore regularly step right over all sorts of conventions, giving the appearance of not caring about them and of even being downright rude. On the other hand, by the time one reaches adulthood, even an Asperger has come to realize that there are very real consequences to not operating according to social conventions. Because of this they will obsequiously bend over backward, constantly apologizing to others and asking to make sure they are acting in a socially acceptable manner. In my own personal experience, I have had a number of rather hilarious conversations with other Aspergers in which we both found ourselves apologizing and asking the other whether what we were saying was socially appropriate or not, neither of us knowing and, for that matter, neither of us caring.
This obsequiousness, in of itself, leads to a counter reaction. Much as with divine commands, eventually one gets tired of living under the burden of neurotypical social conventions that seem to make absolutely no sense, but which carry extreme consequences for their violation. This leads one to try break free, deny their value and systematically break them. This, in turn, leads to guilt, a renewed awareness of the consequences for violating social conventions and a return to bending over backward to try keeping them. Thus with Asperger adults, you will find that they both care and do not care about social conventions. This duality exists from minute to minute and even at the same time.
(Stay tuned for a full review of the novel.)
At one point early in the novel, the hero Kvothe is tricked by his archenemy at the university, Ambrose Jakis (like Draco Malfoy but a bigger bastard), into ingesting a substance that completely takes away his ability to read social conventions. This is done right before Kvothe is supposed to be examined by the administration in order to determine his fees for the next term. This leads to the following interaction between Kvothe and his friends Simmon and Fela as Simmon tries to keep Kvothe in line with a series of number rankings as how socially not acceptable something is.
There was a knock on the door. "It's me," Sim's voice came through the wood. "Is everything all right in there?"
"You know what's strange?" I said to him through the door. "I tried to think of something funny I could do while you were gone, but I couldn't." I looked around at the room. "I think that means humor is rooted in social transgression. I can't transgress because I can't figure out what would be socially unacceptable. Everything seems the same to me."
"You might have a point," he said, then asked, "did you do something anyway?"
"No," I said. "I decided to be good. Did you find Fela?"
"I did. She's here. But before we come in, you have to promise not to do anything without asking me first. Fair?"
I laughed. "Fair enough. Just don't make me do stupid things in front of her."
I promise," Sim said. "Why don't you sit down? Just to be safe."
"I'm already sitting," I said.
Sim opened the door. I could see Fela peering over his shoulder.
"Hello Fela," I said. "I need to trade slots with you."
"First," Sim said. "You should put your shirt back on. That's about a two."
"Oh," I said. "Sorry. I was hot."
"You could have opened the window."
"I thought it would be safer if I limited my interactions with external objects," I said.
Sim raised an eyebrow. "That's actually a really good idea. It just steered you a little wrong in this case."
"Wow." I heard Fela's voice from the hallway. "Is he serious?"
"Absolutly serious," Sim said. "Honestly? I don't think it's safe for you to come in."
I tugged my shirt on. "Dressed," I said. "I'll even sit on my hands if it will make you feel better." I did just that, tucking them under my legs. Sim let Fela inside, then closed the door behind her.
"Fela, you are just gorgeous," I said. "I would give you all the money in my purse if I could just look at you naked for two minutes. I'd give everything I own. Except my lute."
It's hard to say which of them blushed a deeper red. I think it was Sim.
"I wasn't supposed to say that, was I?" I said.
No," Sim said. "That's about a five."
"But that doesn't make any sense," I said. "Women are naked in paintings. People buy paintings, don't they? Women pose for them."
Sim nodded. "That's true. But still. Just sit for a moment and don't say or do anything? Okay?
I nodded.
"I can't quite believe this," Fela said, the blush fading from her cheeks. "I can't help but think the two of you are playing some sort of elaborate joke on me."
"I wish we were," Simmon said. "This stuff is terribly dangerous."
"How can he remember naked paintings and not remember you're supposed to keep your shirt on in public? she asked Sim, her eyes never leaving me.
"It just didn't seem very important," I said. "I took my shirt off when I was whipped. That was public. It seems a strange thing to get in trouble for."
"Do you know what would happen if you tried to knife Ambrose? Simmon asked.
I thought for a second. It was like trying to remember what you'd eaten for breakfast a month ago. "There'd be a trial, I suppose," I said slowly, "and people would buy me drinks."
Fela muffled a laugh behind her hand.
"How about this? Simmon asked me. "Which is worse, stealing a pie or killing Ambrose?"
I gave it a moment's hard thought. "A meat pie, or a fruit pie?" (Kindle 1557-89.)
This has to be one of the best descriptions of Asperger logic I have ever read. Of course, if you are an Asperger you do not need to ingest anything and the effects are lifelong. By the time any Asperger has become an adult he will have developed a two-sided attitude toward social conventions. One the one hand Aspergers do not read social cues and therefore regularly step right over all sorts of conventions, giving the appearance of not caring about them and of even being downright rude. On the other hand, by the time one reaches adulthood, even an Asperger has come to realize that there are very real consequences to not operating according to social conventions. Because of this they will obsequiously bend over backward, constantly apologizing to others and asking to make sure they are acting in a socially acceptable manner. In my own personal experience, I have had a number of rather hilarious conversations with other Aspergers in which we both found ourselves apologizing and asking the other whether what we were saying was socially appropriate or not, neither of us knowing and, for that matter, neither of us caring.
This obsequiousness, in of itself, leads to a counter reaction. Much as with divine commands, eventually one gets tired of living under the burden of neurotypical social conventions that seem to make absolutely no sense, but which carry extreme consequences for their violation. This leads one to try break free, deny their value and systematically break them. This, in turn, leads to guilt, a renewed awareness of the consequences for violating social conventions and a return to bending over backward to try keeping them. Thus with Asperger adults, you will find that they both care and do not care about social conventions. This duality exists from minute to minute and even at the same time.
(Stay tuned for a full review of the novel.)
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