Wednesday, February 5, 2020

The Epicureanism of the Good Place's Finale

(Spoilers Ahead)

As much as I love The Good Place, its ending struck me as anti-religious in much the same way that Charles Dickens' Christmas Carol is anti-Christian. At first glance, it sounds preposterous to consider a Christmas Carol anti-Christian. What could be more Christian than a greedy miser having his soul saved through the power of Christmas? This is true until you realize what is missing from the story, Jesus. We can assume that the mean Scrooge at the beginning of the story has not accepted Jesus as his savor. The kindly Scrooge at the end of the story does not seem to have accepted Jesus either. In keeping with the Victorian era, Dickens subversively offered a Christianity stripped of anything actually Christian.

Likewise, on the surface, Good Place sounds like a straightforward religious tale. It is about the afterlife in which people are judged based on how they lived on Earth. From the beginning, it is made clear that we are dealing with a non-denominational heaven where no one gets in simply for having been a member of the right religion. This is a minor issue compared to the absence of God.

When our heroes finally get to the real Good Place, they are faced with the problem that this heaven is actually not much of an improvement over the Bad Place. A world in which every wish is granted and every pleasure instantly gratified becomes mind-numbingly dull and its own form of torture. Eleanor's solution is to allow the residents the option of ending their own existence when they have had enough. This sets up the inevitable final episode (one of the finest in the history of television) where the characters, after however many Jeremy Bearimys, come to that state of peace with themselves where they have done all they could ever want and make the decision to walk through the door and move on.

What we have here is the standard argument against pleasure, all pleasure is ephemeral, simply applied to the afterlife. The show's solution is merely the Epicurean solution to not having an afterlife. By accepting that you will cease to exist, you can find meaning in your limited lifespan and even cease fearing death; if death is merely a natural part of life, it is not evil to be rejected but a good to be embraced. Jason's going away party for himself, in fact, reminded me of David Hume's last few months. Even though he knew he was dying, Scotland's most infamous unbeliever remained in good cheer and dining with friends. He wanted his death to be a model of serenity even without the hope of an afterlife.

What is missing here is the existence of a deity and the possibility of having a relationship with him. To believe that God created human beings means that humans can only truly be happy in him. This does not mean that material pleasure is bad. On the contrary, as God also created the world and everything in it as a means of bringing us to him, nothing worldly can be, in of itself, bad. The problem comes the moment we value something, besides God, for its own sake then it becomes an idol and needs to be smashed.

The same problem that applies to earthly pleasure also works for heavenly pleasure. Jason wanting to play the ultimate game of Madden Football receives no elevation when it is carried out in heaven. The same applies to Tahani wanting to make a Nick Offerman-approved chair or even to Chidi wanting to become a great moral philosopher, teaching the ultimate class of Ethics of the Afterlife to a room full of philosophy professors. All of this will eventually become meaningless without God, leaving suicide as the only option.

In truth, this makes sense for a show about ethics as ethics is fundamentally in conflict with theism. As we know from the Euthyphro dilemma, ethics can only be meaningful if it is a system outside of God that God is answerable to. Anything else is simply God's will. The more repulsive the action, the more we are being "truly" ethical by submitting our will to his (think the Westboro Baptist Church). The show referenced Kierkegaard's Fear and Trembling and that it is about taking a leap of faith. What bears mentioning is that this leap of faith is precisely the rejection of the ethical.

This conflict is at the heart of the Old Testament. Abraham is morally superior to Noah precisely because he challenges God's morality in destroying Sodom. The prophets challenge the sacrificial cult under the banner of justice for the downtrodden. This raises the question of the purpose of ritual. A God who values righteousness should not care at all about ritual. How do you build a religion around such a God?

Come to think of it, perhaps this could have been the basis for a good continuation of the show. Our characters, having nothing meaningful to exist for, walk through the door and meet God, who offers himself to them now that they have exhausted all alternatives. (God should not be depicted. Instead, we should have a place of supreme beauty and the people living there should describe voices in their heads as if the place is speaking to them.) Chidi goes full-blown Lucifer because he cannot submit himself to a force outside of his ethical framework. He then recruits Sean to help him create an alternative heaven for those whom God has cast aside. By the end of the show, this alternative heaven will have turned into the Bad Place with the inmates being tortured with philosophy lectures and extreme ethical conundrums.

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